Tag Archives: bollywood

BOOK TALK: THE GIRL IN ROOM 105 … by Chetan Bhagat

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Khidki (Window)

–Read India Initiative—

This is only an attempt to create interest in reading. We may not get the time to read all the books in our lifetime. But such reviews, talk and synopsis will at least convey what the book is all about.

THE GIRL IN ROOM 105

By Chetan Bhagat

    Chetan Bhagat this time has tried his hand in a different genre. From writing love stories he has tried to move to a thriller that has romance … melodrama and even suspense. Although, he has tried to shift in the category. He continues to remain in the same quadrangle … IIT. A place he loves the most … I guess. As the story largely unfolds there.

    The book is full of masala … only a little short of the proverbial … Bhan mati ka pitara. The novel navigates, giving an impression as if it’s been written for a Bollywood movie. At one place I am even reminded of Hindi movie ‘Parwana’ starring Amitabh Bachchan and Navin Nischol released in 1971.

    Chetan has written this book with a lot flashbacks. I would have preferred the book to be around 225 to 250 pages and not 300 pages. As the last fifty pages are a bit of a drag. Also one is more comfortable with the disclosure of suspense within 250 pages as it becomes difficult to hold on beyond that.

    Author has used a lot of cuss words including some Hindi abuses that only mars his own reputation. His language as usual is clumsy. But he has done some good detailing with respect to the portions where the main protagonist endeavours to solve the murder and has used the right terminologies when it comes to technical words.

    The book can also be classified as a love story with murder mystery as an inbuilt plot.

    All prominent characters of the book are alive barring one till the end. In fact around the last 30 pages at one place I found the presentation a tad similar to a Hollywood movie—Murder by Death written by Neil Simon.

    STORYLINE

    Keshav Rajpurohit is an ex IIT student. After passing out from IIT he could never find himself a lucrative job in the corporate sector. So he joins a coaching centre as a faculty that coaches students for IIT entrance. With him is also his durable friend Saurabh who also happens to be his room partner, or I should say his house partner and also his colleague in the coaching centre and his batch mate from IIT.

    It once so happens, that Keshav bumps into Chetan Bhagat on a flight where he starts narrating the story of his girlfriend Zara to him. Zara is the second main character of this novel.

    Keshav had met Zara some seven years back. Their friendship gradually evolved into a strong courtship and finally into a hot love affair. But since their families were quite different. His coming from Alwar where his father was a senior member of the RSS, and where, Zara was from a Muslim family from Kashmir. A divide was but obvious and separation a strong possibility.

    After this Raghu a Tamilian Brahmin enters Zara’s life. An industrious person, again a pass out from IIT, now an owner of a thousand crore start-up company. Raghu is not a good looking. So when Zara discusses marriage he readily agrees, and he even agrees to convert to Islam. Both are thus engaged and even a date for their wedding is announced.

    But Keshav, after the breakup is unable to forget Zara. He therefore out of lovelorn, starts boozing regularly and even gets into binge drinking. Keshav tries his best to win over Zara once again, but fails in all his attempts.

    But surprisingly on Zara’s birthday. Keshav receives a whatsapp message from her. She invites him to her hostel room which is 105, in Himadri, IIT Delhi. Keshav goes to meet her at 3 in the morning along with his friend Saurabh. While Saurabh waits downstairs. Keshav climbs the mango tree and enters her room. Where, he finds Zara lying dead on her bed.

    Terrified, both Keshav and Saurabh inform the police. SHO Rana of Hauz Khas Police Station reports at the crime scene and starts investigation on fast track. Under media pressure he hauls up Laxman, the security guard of the hostel for the crime.

    The thrill starts after this. When Keshav feels, Laxman is not the real killer, and it is a doing of someone else. So, he decides to go all out, to unravel the crime along with Saurabh. The plot seems quite farfetched as they even travel to Kashmir and come in close contact with a terrorist gang there. The plot doesn’t quite fit with the character of the protagonists—Keshav and Saurabh who are just a faculty with a coaching centre.

    Well … if he is doing it for the cause of unceasing love than obviously the book turns into a tragic love story with an inbuilt murder mystery. The chief protagonist Keshav does mention the word ‘Únlove’ towards the end of the novel which only denotes love in a subtle manner. Or it could even be a marketing gimmick—who knows. The lighter side of the book is filled up by the nok-jhok between Keshav and Saurabh which is interesting.

    Before the murder mystery is solved. The author takes you through all the suspects that includes Zara’s father; Zara’s cousin … Sikander; Professor Saxsena … Zara’s PhD guide; Captain Faiz Khan, Zara’s childhood friend and even Raghu.

    It has angles of honour killing, a terrorist job, jealousy and even a straightforward accident. You’ll find out when you read it. Finally after helicoptering and hovering over a long period of time the suspense eventually lands and unravels.

    The book is in easy read format … somewhat Hinglish at times. It was definitely not a page turner for me and did not impact me in any significant manner. The book is more for the college going students who would be able identify themselves with the plot and the characters therein.

    It is also quite awful when it comes to tenses, punctuation, editing, sentence structuring. But even with all that Chetan Bhagat sells. So isn’t he lucky. Well God is with him.

    I would like to give this book six out of ten.

  Synopsis by Kamlesh Tripathi

Author & Blogger

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Our posts are meant for our readers that includes both children and adults and it has a huge variety in terms of content. We also accept donations for our mission. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

   

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BOOK CORNER: THE BEST THING ABOUT YOU IS YOU! … Anupam Kher

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Khidki (Window)

–Read India Initiative—

This is only an attempt to create interest in reading. We may not get the time to read all the books in our lifetime. But such reviews, talk and synopsis will at least convey what the book is all about

 

THE BEST THING ABOUT YOU IS YOU

ANUPAM KHER

    It is indeed the unwritten duty of any celebrity to talk about himself as it only benefits people who are struggling, especially the younger generation. After reading this book your respect for Anupam Kher will only go up. Because it takes layers of guts to talk about yourself. Conversely, you have that elbow room to demean yourself when you’ve climbed the ladder to be in the world of the superstars.

    The book is all about Anupam and the ruthless world. And in that he has carved out a fascinating web between the normal dos and the don’ts of the day-to-day existence. But then the big question remains. Why did Anupam write this book? Was it because he had gone bankrupt at the prime of his career as he mentions in the book and he wanted his bankruptcy to appear inconsequential. Or was it that he wanted to publicise his struggle, his success, that he undertook to go up in the eyes of his fans. Or he wanted to tell his fans that the making of someone like Anupam Kher is not an easy task and it is a long drawn battle.

    Any which way you take it. The book conveys a tough message in a very crisp manner. It is an assortment of lovely dictums, quotes, examples, fables, parables, verses, anecdotes and causeries under a single bind.

    Since the beginning of his career Anupam Kher had immense challenges. These challenges only got accentuated when he decided what he wanted to do—become an actor. Now this was not easy, because his father was a low division clerk in Himachal Government and thus a lowly paid employee.

    He devotes the book to his Grandfather, who taught him—‘Bheega hua aadmi barish se nahi darta’ (A drenched man is not scared of rain).

    Now, where was acting and where was Anupam. His one leg was marginally shorter than the other which very few know even today. He already had signs of balding at the age of twenty-three, when he had aspired to become an actor. But then he delivered royally.

    The book in some ways is his own biography. Well decorated and well presented. Anupam is an actor with over 450 films in his repertoire. And an illustrious journey from Shimla to Bollywood. So, you can imagine what he gets to the table. The book has a string of updesh and worldly sermons.

    It has some fifty chapters and each chapter is a lesson by itself. If you run through the book words like … unhappy/know thyself/anger/discontent/analyse yourself/comparison/ change/relationships/happiness/detached/attached/relive/relearn/present/past/understand ourselves/motivation/ego/laugh at yourself/the power within/value yourself/life/fables/handling blues/forgiveness/love/gurus/excess baggage/friends/fear/inhibitions/children/grandparents/hope/a good story/smile/joy/value/failure/friendship/adaptability/today/tomorrow/death

    I’m placing these words for you as it’ll give you a flavour of the book.

    Each chapter is around 4-5 pages on an average. The best part about the book is you can start reading from any page and in any mood. There is no penetrating storyline. And it is all about the tall experiences of Anupam Kher.

    The book is written in easy English that anyone can comprehend. The presentation and optics are wonderful where the publishers, Hay House have done a good job but the persona of the book is more like a coffee-table format. All along the narration Anupam is on the top.

     And finally, as the Greek philosopher Aristotle had sounded long time back. Anupam lives up to it. For him excellence is a matter of habit and not an act. He first excelled in acting and now he is doing so, by penning a book.

    Congratulations to Anupam on this great feat. Friends, pick it up if you want to become like Anupam.

    I would give the book eight out of ten.

    The first reprint of this book was done in 2012.

***

Synopsis by Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Share it if you like it

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

BOOKISH VIEW: SUPERSTAR INDIA–FROM INCREDIBLE TO UNSTOPPABLE–SHOBHAA DE

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Khidki (Window)

–Read India Read initiative–

TITLE: SUPERSTAR INDIA

–FROM INCREDIBLE TO UNSTOPPABLE–

SHOBHAA DE

PUBLISHED BY PENGUIN IN 2008– 456 pages 

Abridged for a quick read

 

    The book is full of masala … quite like the proverbial Bhanmati ka pitara—the wonder casket. It seems, whatever, dawned her mind and heart. She just penned it down—so in many ways she has opened her heart. Shobhaa is, as old as independent India. So, she runs through India keeping that in mind, in her flamboyant narrative style. But the content is quite scattered and even skewed at places. In fact any regular gazer of a newspaper or a periodical may find a great amount of familiarity with the content. So, while reading the book the reader might just start reminiscing, where he or she had read it earlier. As ‘SUPERSTAR INDIA’ is not some deeply treasured secret in this day and age of internet, driven by search engines, and the aggressive paper and electronic media. So a lot of it seems to be a lift-off from there. True enough. The book is well styled, well ornamented, orotund, and is quite generous. With the munificent usage of ‘within-the-brackets’ that simplifies or elaborates the meaning of many of its subtle sentences—her aristocratic and well born writing style—I guess. Also, in galore there are ellipses and punctuation marks. The narration is loudly verbose but with sound construct of sentences, of course to zenith the literary astuteness. In a nutshell it is a good detailing of, the already circulating India’s contemporary and ancient history of those times, in a monotonous and drowsy speed and style. Where, she could have sharpened the content by not leaving it open ended and maybe with some sub-chapters and even span breakers.

    Nevertheless, the book also has some latent strengths, within the long spans of boredom. She is indeed very bold and doesn’t spare anyone which is plus point. She brings in a wide range of topics. But it doesn’t tie up all to well, to derive any lessons of life. So an average reader may not find it very interesting. Especially, if he has mistook the book for an interesting stretched out story. Although the title of the book is SUPERSTAR INDIA. But in reality she is more critical than appreciative about her. Where, I’m forced to think. As to why did Shobhaa think of writing this book at all? It remains a mystery to me. Did she want to criticize the West? Or did she want to praise India. Down the line she also criticizes Indian men to raise the flag of Indian women? She praises India only when she compares her with the Western World. Otherwise, she is critical about her most of the times.

    She starts off well with her visit to Agra but then she goes all over the place after some sixty odd pages. Where, she covers personalities, political system, Indian beliefs, Hollywood, Bollywood, the Mayawatis and the ilks, schedule caste and tribe in great detail. 

    She downloads most of what she knows about India. But then it does not add up to a formidable plot. No doubt she throws her heart out, by being abusive, frank and quite unbothered. But all of that doesn’t churn into an interesting read. Let’s not forget the acid test of any book is the impact it leaves behind after you’ve completed it. She has flagged some great facts and some interesting points as mentioned below:

    People still correlate Bollywood with old songs and not the new ones/She appreciates India here and there, but also criticizes her, no end. But when she compares India with the western world she begins to praise her/Describes how India is evolving sexually/Talks about Indian realities/Promotes the Taj Mahal/Paints a picture of Indian hospitality/Book satisfies the Indian ego but only partially. As it even magnifies the chinks of Indian civilzation/Reveals many hidden facts about Indian Corporate Inc/Facts about foreign citizens of Indian origin … like Zubin Mehta and Laxmi Narain Mittal to name a few/India’s great culture of sacrifice/She sounds like an American Born Confused Desi (ABCD) herself. When she makes fun of Indians when it comes to their age old customs and habits/Her views are quite clear about how we treat our elders/describes an Indian family life/ She also talks of metro cities and its cultures but doesn’t go so much in detail about the rural areas barring the established religious and social practices/Indian weddings including destination weddings/Intermittently even speaks of her family/Talks about big brother America and page 3 culture/At quite a few places it is India versus the Western world/Talks of Indian spices in the US/Talks of Indians being superior in many ways where she builds the tempo in certain pages/Very vividly she describes the contemporary lifestyle  of the Indian megapolis/Indian shamelessness while defecating in the open/She even errs out to see love making in Bombay chawls/Bathroom habits/Death rituals/Bombay municipal corporation/Describes Indians as sex machines/Writes quite bluntly about sex/Talks about ‘nazar’—the evil eye. And calls herself a firm believer of that/She even talks of death rituals/ She is very bold and doesn’t spare anyone—is what I liked about the book/She is descriptive but doesn’t connect the dotted lines/ She describes the lives in China and Pakistan quite well.

 Some catchy lines from the book

    ‘When all hell fails, we pull out Gandhi. The Mahatma has saved India’s ass in more ways than one. If he only knew how frequently and arbitrarily we use the Gandhi trick to impress outsiders.’

    ‘Most Indians are like elastic bands, ready to stretch themselves or shrink, depending on circumstances.’

    ‘Adjust’ is a favourite word in India, and is used across the board, even by those who barely speak intelligible English.’

    ‘The trouble is Indians aren’t used to being prosperous. We are more comfortable dealing with poverty—after all, poverty is a staple here, and has been for centuries.’

    Well … if you have the glorious time and patience pick it up.

*****  

By Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Share it if you like it

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

By Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Share it if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases. Should you wish to donate for the cause the bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

 

BOLLYWOOD, CRICKET & loc

Copyright@shravancharitymission

By Kamlesh Tripathi

indian-jawan

    At times it appears the Indian Army Jawan, who fights terrorism at the Line of Control is only fighting to save his own house, but in reality he is fighting for all of us. But the tragedy with Indians is that they show no solidarity with him. Our Prime Minister preaches so much about terrorism in all international forums. But back home India is a divided and selfish lot. People from all professions are only self-centered about themselves and their professions. We don’t realise by behaving in this insensitive manner tomorrow, people may desist from fighting for the country. What will happen then? There is indeed a greater need to feel for our brave jawans and we must perennially keep their morale high. Colonel Anil Chawla puts it quite beautifully.

…………………………………..

Col Anil Chawla, a serving soldier of the INDIAN ARMY wrote this:

Will sending Pakistani artists back, stopping cricket and business with Pakistan actually end terror from Pakistan?

No, it most certainly will not.

BUT there is an emotion called solidarity.

YOU CANNOT MAKE FILMS, PLAY CRICKET, AND DO BUSINESS AS IF EVERYTHING IS FINE, BECAUSE IT IS NOT.

indian-jawan-3indian-jawan2

It makes the soldier wonder aloud, “Why should I alone bear the weight of conflict?”

This conflict between India and Pakistan is not the soldier’s personal war. He is dying and killing for you and me. Imagine a situation in which the soldier felt, and behaved, like Salman Khan, Karan Johar and Mahesh Bhatt? Imagine if a soldier walked up to his superior and said, “Sir, while I am dying on the Line of Control, these people are going about as if everything is absolutely fine between the two countries.”

Why should he alone sacrifice for India, when others were making merry?

Patriotism and sacrifice is not the sole responsibility of the soldier.

The United States boycotted the Moscow Olympics in 1980, and the Russians did likewise when they boycotted the Los Angeles Olympics in 1984. This is what happens when national interest is held paramount. And this is what must happen now.

18 families have been shattered like glass … But the pain of Fawad Khan’s departure is too much to bear, it seems …”

…………………………………

    Film Stars have nothing to do with terrorism…

    Singers have nothing to do with terrorism ….

    Writers have nothing to do with terrorism …

    Directors have nothing to do with terrorism …

    Performers have nothing to do with terrorism …

    Journalists have nothing to do with terrorism …

    Activists have nothing to do with terrorism …

    Cricketers have nothing to do with terrorism …

    Politicians have nothing to do with terrorism …

    Businessmen have nothing to do with terrorism …

    Professionals have nothing to do with terrorism …

    Lawyers have nothing to do with terrorism …

    Then for whom are the Jawans sacrificing their lives for?

    Jai Hind.

*****

NAWAZUDDIN SIDDIQUI HAS EVERY RIGHT TO ACT IN RAMLILA

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By Kamlesh Tripathi

 

 

By stopping Nawazuddin Siddiqui in Muzaffarnagar, from playing the role of Maaricha, uncle of Ravan, in the local Ramlila, after 20 years, Shiv Sena has stood out like a thorn in the society. Ramlila is a famous play enacted each year, all over India and even abroad. Let me for a moment juxtapose Muzaffarnagar with Lucknow on Ramlila. Both have been holding it since ages. Where, Lucknow is even more famous. For a lot of Muslim actors take part in the local Ramlila, and at times they even go on and on with their acting, even when they are keeping Rozas during Ramzan, if it happens to fall in the same month. This intermingling is the ultimate beauty, of one and only one—India. We are no deep state, but the biggest democracy of the world. Where, Ramlila, Dushera, Durga Puja and Diwali are our tall, widespread, cultural and festive totem-poles. Ramlila is therefore our Indian-ness. That belongs, to we Indians, and not Hindus alone. Nawazuddin is our own son. Rather the worthy son of Muzaffarnagar, and now even of India, who entertains us through his movies. He was born and brought up in Muzaffarnagar. So, Shiv Sena cannot just snatch away the colourful memories of his childhood by not allowing him to act in his home theatre 20 years later. He is free to visit his childhood the way he wants in his own city. Muzaffarnagar is amassed in him, so you just can’t dig it out like that. Shiv Sena needs to understand this. And, last but not the least, you just can’t seize hold of any Indian’s Indian-ness, by just citing his religion, because there is a fine distinction between Religion and Culture.

*****

Article: Bollywood between Diamond and Platinum Jubilee

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Bollywood between diamond and Platinum jubilee  

Remake: epic serial ‘Mahabharat’ starring superstars

 

    Bollywood’ is the sobriquet for the Hindi film industry that is based out of Mumbai. The term is also, loosely used, as a synecdoche to refer to the whole of Indian cinema. It has made millions and trillions through movies. And has a huge Indian following. The name has even made ripples abroad. It has now been in existence for more than eighty five years. Raja Harishchandra, was the first silent feature film made by Dadasaheb Phalke in 1913. By 1930s, the Indian Film Industry was producing over 200 films per annum. Since then it has never looked back. It is one of the largest film producers in India. Representing 43% of net box office revenue. While Telugu and Tamil cinema represent 36%. The rest of the regional cinema constitutes 21% as of 2015. It is also one of the largest centers for film production in the world. Formally referred to as ‘Hindi cinema.’ It is one of the biggest movie industries in the world, in terms of the number of people employed and the number of films produced in 2011. Where, over 3.5 billion tickets were sold across the globe. Which in comparison is 900,000 tickets more than Hollywood.

    Hitherto, Bollywood, has functioned quite enviously, under different banners for more than eighty five years. And has given us some wonderful movies. But it is about time. It now comes under one united banner. To give India the entertainment of a lifetime—the real dhamaka of the century.

    It missed the lifetime opportunity of a diamond jubilee celebration. And platinum is still far away. But by then many superstars of today may hang their boots. So now is the right time. To produce a mega serial where all the diggajes of Bollywood can come together and act, and for the sake of Bollywood’s commemoration they should act free. If we delay it further. We may miss out on many such great actors coming together as they may call it a day. The idea is to make them act together in a mega project. Which may not be possible in a three hour movie. I would therefore suggest a remake of the great epic ‘Mahabharat’ which is still the most popular serial ever made in the Indian history.

    Imagine how would you feel watching Mahabharat. Scripted by the all time famous duo of Saleem-Javed as was done in Sholay, music by A.R Rehman, songs by Lata Mangeshkar, Asha Bhonsale, Anuradha Podwal, Anup Jalota and Bhupendra (unfortunately Kishore and Mukesh are no more). And my dream my caste. To name a few would be: Amitabh Bachchan as Bheeshma Pitamah, Nana Patekar as Dronacharya, Anupam Kher as Mahatma Vidur, Ajay Devgun as Krishna, Amir Khan as Karan, Shahrukh Khan as Yudhistir, Salman Khan as Bheem, Kritik Roshan as Arjun, Ranbir Kapur as Nakul, Abhishek Bachchan as Sahdev, Javed Jafri as Shakuni, Danny as Dhritrasth (ideal would have been Amrish Puri, but sad he is no more), Jaya Bachan as Gandhari, Shabana as Kunti, Priyanka Chopra as Draupadi.

These are only few names and characters with my limited knowledge. Once you start detailing it. Many more icons will surface, to take on many more challenging characters of Mahabharat.

But will this ever happen? Well nothing is impossible. The way we like watching Mughle-Azam even after half a century. This serial too shall be watched for time immemorial.

Come on Bollywood. Start thinking about it.

*

By Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Share if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases. Should you wish to donate for the cause the bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(Archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture)

AADAB LUCKNOW … FOND MEMORIES

(Launched in Lucknow International Literary Festival 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. Book was launched in Lucknow International Literary Festival 2016)

(CAN BE BOUGHT FROM ON LINE BOOK STORES OR WRITE TO US FOR COPIES)

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SHORT STORY: FTII- WHY DID KALCHAKRA HAVE TO PUNISH GAJENDRA SINGH CHAUHAN

Copyright@shravancharitymission

By Kamlesh Tripathi

goi gajendra chauhan kalchakra

Long time back I had read a story about a small sparrow; that goes as follows:

THE STORY OF THE SPARROW


On a beautiful winter day in Siberia, encouraged by the warm rays of the sun in a clear blue sky, a little sparrow left the security of his nest to fly and frolic in the air, but the 40o below zero temperature quickly overcame the imprudent bird who fell on the ground, frozen, and found himself buried in the snow where he would certainly have died in an instant. But by chance a cow trotted by at that moment, and at the very spot where the sparrow was struggling for his last breath, she dropped a large soft cow-dung on top of the bird. The warmth of this dung-bath resuscitated the moribund sparrow. He was so happy, he raised his head out of the cow-shit and started to twitter joyfully, which drew the attention of a wandering homeless cat who delicately pulled the sparrow out of the shit and devoured him.

The moral of this story: Your enemy is not necessarily the one who shits on your head. Your friend, however, is not necessarily the one who pulls you out of the shit. And besides, one should never twitter when one is buried in shit.

The recent controversy in FTII in which actor Gajendra Singh Chauhan got caught up reminded me of the above story, where for no fault of his, Gajendra is in the cross fire. Can we call it the wrath of Kalchakra?

For Gajendra too like the little sparrow was perched in his warm nest, quite away from the limelight doing small roles in movies and television serials, is when the GOI approached him as the warm rays of Siberia and Gajendra then dared to fly out of his nest, quite unaware of the Siberian winters—in this case being the sting of FTII- students.

The new job like the cow-dung covered Gajendra for a while when the wandering cats of Bollywood, Social Media, TV-channels and some Political Parties and so also the students union of FTII, who thought he did not have the tall stature, and moreover, he had committed the grevious crime of acting as Yudhistir in Mahabharat, thereby promoting Hinduism was definitely not suitable for the post. Because, in current day India even talking about Hinduism is considered non-secular by some.

While the wandering cats have so far not devoured the so called sparrow—Gajendra, but the Kalchakra has definitely crushed his film career. For Gajendra Singh Chauhan will now be known more for his poor stalk in Bollywood than the hard-work he has put in to make a career in Bollywood. And quite unknowingly and unintentionally he has antagonised and estranged many bigwigs of Bollywood and the social media; and has emerged as a full-fledged victim of Kalchakra.

    But what was his fault in all of this; that the electronic media almost stripped him naked as far as his career credentials went, that people who didn’t know about his average career also know about it now.

Kalchakra is not in the business of compensating losses and therefore won’t compensate Gajendra Singh Chauhan, for having torn apart his career and making him a laughing stock. I don’t know about GOI how they will view it. But the reality is,

    In life you often don’t get into problems because of your own doings, but it could also be the doing of others and in this case it was clearly the Kalchakra disguised as GOI.

For in life you really don’t know what will come and hit you, or who is friend and how distant is your enemy. But mind you Kalchakra spares no one, not even the wandering cats.

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