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Bhavan’s Journal Places Associated with Sri Krishna Leela
Bhavan’s Journal 1-15 September 2026 Places Associated with Sri Krishna Leela
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Bhavan’s Journal: Every Why has a ‘Wherefore”
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Vijayadashami (Dussehra) – A Celebration of the Victory of Good over Evil
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Vijayadashami (Dussehra) – A Celebration of the Victory of Good over Evil
Kamlesh Tripathi
Vijayadashami, aka Dussehra, is one of the most lesson-imparting festivals of India. It symbolises the victory of good over evil, truth over falsehood, and righteousness over injustice. The festival is celebrated with great devotion, enthusiasm, and joy across the country. According to the Ramayana, Lord Rama defeated the demon king Ravana to rescue his wife, Goddess Sita. This victory represents the triumph of truth, courage, and virtue over arrogance and evil. On this day, tall effigies of Ravana, along with those of Meghnath and Kumbhkaran, are burned in many parts of India. It reminds people that evil and wrongdoing will eventually be defeated. In many regions, Vijayadashami also marks the victory of Goddess Durga over the buffalo demon Mahishasura. It celebrates the power of the divine feminine and the triumph of good over evil. The festival marks the culmination of Navratri, a period of prayer, fasting, devotion, and celebration. Dussehra is celebrated through Ramlila performances, processions, fairs, prayers, and cultural programmes. In some parts of India, the day is considered auspicious for beginning new ventures, learning new skills, and starting important activities. The true message of Vijayadashami goes beyond religious celebrations. It teaches us to overcome negative qualities such as anger, greed, pride, dishonesty, and hatred. It inspires us to follow the path of truth, kindness, humility, and justice in our daily lives. In conclusion, Vijayadashami reminds us that no matter how powerful evil may appear, goodness and truth will ultimately prevail. It inspires hope, courage, and faith in the realm of righteousness.
The victory of good over evil is a universal phenomenon of goodness. Dussehra celebrates Rama’s victory over Ravana and, symbolically, the triumph of dharma over adharma. Easter celebrates the resurrection of Jesus Christ after his crucifixion, signifying the triumph of life over death, hope over despair, and divine promise over apparent defeat. Ravana’s defeat and Christ’s resurrection are different religious narratives, but both inspire faith that evil, suffering, and apparent darkness do not have the final word.
In Christian scripture, Revelation 12:7–9 describes Michael and his angels fighting the dragon, identified with the Devil or Satan, and defeating him. This offers a particularly direct parallel with Rama’s defeat of Ravana and Goddess Durga’s destruction of Mahishasura.
In Greek mythology, Perseus defeats Medusa, a terrifying Gorgon whose gaze turns people to stone. Like Rama confronting Ravana, Perseus must face a seemingly overwhelming adversary through courage, intelligence and divine assistance.
Both stories explore the hero’s struggle against a destructive power. However, Medusa’s story is more complicated than a straightforward good-versus-evil conflict, so the comparison works best around courage and overcoming fear.
Dussehra is more than the burning of Ravana’s effigy. It is a reminder that arrogance, greed and injustice, however powerful they may appear, contain the seeds of their own destruction. This timeless message resonates beyond India. Christianity finds hope in Easter, when resurrection triumphs over the apparent finality of death, while the biblical account of Saint Michael’s battle against Satan depicts the defeat of a force that challenges the divine order. Greek mythology, too, celebrates heroes such as Perseus, who confront terrifying adversaries through courage, intelligence and divine aid.
These stories belong to different religious and cultural worlds, and their meanings should not be confused. Yet they meet at a profound human aspiration: that darkness must not prevail forever, that evil must be resisted, and that courage and righteousness can restore hope. Whether Rama’s arrow strikes Ravana, Christ rises from the tomb, or Perseus confronts Medusa, the enduring question is the same: what must humanity overcome to make the world a better place?
Perhaps the most important lesson of Dussehra is that the Ravana we burn in effigy is not merely an enemy from an ancient epic. He is also a symbol of the pride, anger, dishonesty and hatred that can take root within us. The real victory begins when we recognise and conquer these inner adversaries.
(Kamlesh Tripathi is an author, poet and a columnist)
Written and posted by Kamlesh Tripathi
Author, Poet, & Columnist
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https://kamleshsujata.wordpress.com
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4/9/25 A warning on Intermittent fasting. TOI EDITORIAL
Happy to share my poem The Words Speak…They Have A Tongue published in the Shillong Times on 18/10/26
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WHAT DO YOU DO? HOW DO YOU DO?
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WHAT DO YOU DO? HOW DO YOU DO?
Kamlesh Tripathi
At a party in an upscale housing society, a Page 3 socialite cornered me with the confidence of a customs officer examining a suspicious passport.
“What do you do?” he asked, looking me up and down.
“I did many things in the past,” I replied cheerfully, “but now I do nothing. So, mostly, I dwell on my past.”
He looked puzzled. Perhaps doing nothing was not listed among the respectable professions in his social directory.
“And where are you from?” came his next question.
“I am very much from this place,” I said, “though I have been around the world.”
“Really? And where do you stay?”
“Currently, I stay in a house of my own, just behind that pond you can see.” I pointed towards it. “But during my career, I have stayed in more than three dozen houses.”
“Good heavens! Why so many?”
“Because I always lived in rented accommodation in different cities. My career demanded mobility, while my salary discouraged property ownership.”
For the first time, he smiled. I suspected he had mistaken my explanation for an investment strategy.
“But what is your introduction?” he asked, looking increasingly uncomfortable.
“Well, I have a retired face, a retired figure, and a retired walk, as you can see. I also possess an Aadhaar card, a PAN card, a voter ID card, and a house number. What more does a citizen need to establish his identity?”
He stared at me as though I had just applied for membership of the United Nations.
“Nice to meet youuu…?”
“Samarth,” I replied. “And what about you?”
He straightened his designer jacket. “I am in the corporate world.”
“Wonderful! Which planet?”
He ignored the question. “Which department were you in, Samarth?”
“Several, at different times. I moved from one department to another, met hundreds of people, attended countless meetings, and filled in enough forms to qualify for a post in bureaucracy.”
“And what was your designation?”
“That depended on whom I was talking to. To my boss, I was a subordinate. To my colleagues, I was a colleague. To my juniors, I was a senior. At home, I was simply the man who had forgotten to bring vegetables.”
He laughed politely, although I could tell he was wondering whether I had ever occupied a respectable position.
“And now?” he persisted.
“Now I occupy a sofa, occasionally an armchair, and sometimes a chair at the dining table. I am enjoying the most senior position of my life: nobody can transfer me.”
By then, a few guests had gathered around us. The socialite, however, was not ready to surrender.
“So, how do you spend your time?”
“I read, write, observe people, and attend parties like this. They provide excellent material for my next article.”
He suddenly became alert. “You write?”
“Occasionally.”
“Anything published?”
“Yes. Some of my articles have appeared in newspapers and magazines.”
His expression changed instantly. The retired gentleman had acquired professional relevance.
“Splendid! We must keep in touch. Here is my card. Do call me sometime.”
I accepted it graciously.
As he moved away, another guest approached me with the inevitable question.
“What do you do?”
I smiled.
“Before I answer, may I ask you something?”
“Certainly.”
“How do you do?”
He looked startled. “I beg your pardon?”
“Exactly!” I said. “That is what I have been trying to discover all evening. Everyone wants to know what everybody does, but hardly anyone asks how anybody does.”
The man blinked, then burst out laughing.
Perhaps that was the first honest introduction of the evening.
After all, ‘What do you do?’ asks about your occupation; ‘How do you do?’ ought to ask about your well-being. Unfortunately, at modern parties, your occupation often matters more than your condition.
And if you happen to be retired, be prepared: you may have to introduce your entire past before anyone permits you to enjoy your present.
kamleshsujata@yahoo.com
Poem: Words can speak… They have a tongue
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https://epaper.theshillongtimes.com/news-item/164314/15/9-55-484-1460
Author Haruki Murakami
Book review: Letters to Milena by Franz Kafka
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Letters to Milena by Franz Kafka — Synopsis
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Letters to Milena
Author: Franz Kafka
Genre: Letters, intimate correspondence, literary nonfiction
Published posthumously in 1952
Letters to Milena is a deeply personal collection of letters that reveals Kafka’s emotional vulnerability, his longing for love, and his struggle between intimacy and isolation.
Synopsis
Letters to Milena is a collection of correspondence written by Franz Kafka to Milena Jesenská, a Czech journalist, translator, and writer. Their relationship began when Milena translated some of Kafka’s works into Czech. Although both were married to other people at different points in their lives, they developed a profound emotional connection through their letters.
What begins as an exchange about literature gradually becomes an intense exploration of love, fear, loneliness, insecurity, and the human desire to be understood.
Kafka expresses his admiration for Milena with extraordinary tenderness. He sees her as someone capable of understanding the most private and troubled parts of his mind. Through his letters, he reveals his anxieties, his physical and emotional fragility, and his persistent feeling of being an outsider in the world.
Yet their relationship is complicated by distance, circumstances, and Kafka’s own inner conflicts. He longs for closeness but is also frightened by the demands of intimacy. His letters often move between passionate declarations of affection and painful reflections on why love seems so difficult to sustain.
Milena occupies a unique place in Kafka’s life because she appears to understand him in ways that few others can. Nevertheless, their connection cannot fully overcome the obstacles separating them. The correspondence becomes a record of a love that is emotionally powerful but never settles into an uncomplicated, lasting partnership.
Rather than following a conventional plot, the book unfolds through changing emotions, confessions, misunderstandings, and moments of extraordinary insight. It offers readers a rare glimpse into the private world of a writer whose fiction often explored alienation, helplessness, and the difficulty of human relationships.
Major themes
1. Love and longing
Kafka’s letters portray love as both a source of profound happiness and an experience that intensifies vulnerability. He longs to be close to Milena, yet the very depth of his feelings makes him anxious.
2. Loneliness and isolation
Despite his connection with Milena, Kafka remains painfully conscious of his separation from other people. The letters reveal his desire to escape this isolation through a relationship in which he can be understood.
3. Fear of intimacy
One of the central tensions in the correspondence is Kafka’s simultaneous desire for closeness and fear of what closeness might demand of him. Love promises connection but also exposes his deepest insecurities.
4. The power of writing
Letters become more than a means of communication. They are the space in which Kafka can express feelings that might be difficult to articulate face-to-face. Writing allows intimacy across distance, even as it reminds him of that distance.
5. Emotional vulnerability
Kafka reveals himself without the protective distance of fiction. His confessions expose the uncertainty, self-doubt, and emotional intensity behind his literary persona.
What makes the book special?
Unlike a conventional love story, Letters to Milena does not present love as a simple journey toward happiness. Instead, it explores the contradictions of loving someone deeply while struggling to accept oneself.
The book is especially moving because Kafka’s letters combine intellectual reflection with raw emotional honesty. He can be tender, fearful, passionate, contradictory, and self-critical, sometimes within the same letter.
Milena is not merely the recipient of his affection; she represents the possibility of being truly seen and understood. Their correspondence therefore raises a question that extends beyond their particular relationship: Can another person truly understand us, and can that understanding overcome our deepest fears?
In essence
Letters to Milena is a portrait of a love shaped by longing, distance, and emotional uncertainty. It reveals the intimate human being behind Kafka’s often unsettling fiction and shows how the desire for connection can coexist with an equally powerful fear of being known.
The central message: Sometimes, the deepest relationships are not defined by whether two people can remain together, but by how profoundly they touch and reveal each other.
