Tag Archives: shravan charity mission

BOOK TALK: KALIGRAM–1891 by Gurudev Rabindranath Tagore

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Khidki (Window)

–Read India Initiative—

This is only an attempt to create interest in reading. We may not get the time to read all the books in our lifetime. But such reviews, talk and synopsis will at least convey what the book is all about

KALIGRAM 1891

By Gurudev Rabindranath Tagore

    When Gurudev was young he had written many letters that later on got published as a book, after they were translated into English. In these letters Gurudev has mostly described a village scene in Bengal. He calls letter writing a form of literary extravagance. These letters have now become part of his published works. Kaligram 1891 happens to be once such letter and below is the synopsis of this letter.

    I am feeling listlessly comfortable and delightfully irresponsible. (Perhaps that gives him time to indulge in letter writing). This is the prevailing mood all around here. There is a river here. But it has no current to speak of. And is merely lying, snugly tucked up in its coverlet of floating weeds. Perhaps, it seems to think—‘since it is possible to get on without getting along. Why should I bestir myself to stir?’ The sentence has a deep meaning. The edge that lines the bank knows hardly of any disturbance until the fishermen come with their nets.

    There are four or five large size boats moored nearby. They are floating alongside. On the upper deck of one, the boatman is fast asleep. He is rolled up in a sheet from head to foot. On another, the boatman—while basking in the sun—is leisurely twirling some yarn into rope. And on the lower deck of another boat there is an oldish looking bare bodied fellow leaning over an oar, staring vacantly at our boat. God knows why.

    All along the bank there are various other people. But why they come and why they go, with the slowest of idle steps, or remain seated in their haunches embracing their knees, or keep on gazing at nothing in particular, no one can guess.

    The only signs of activity that one gets to see are the ducks. Who quacking clamorously, thrust their heads under and then bob up again to shake off water with equal energy. It appears as if they repeatedly tried to explore the mysteries below the surface, and every time, shaking their heads, had to report. ‘Nothing there! Nothing there!’

      The days drowse all their twelve hours in the sun. and then silently sleep away the other twelve, wrapped in the mantle of darkness. The only thing you want to do in a place like this is, to gaze and gaze on the landscape, swinging your fancies to and fro, alternately humming a tune and nodding dreamily, as the mother on a winter’s noonday, with her back to the sun, rocks and croons her baby to sleep.

***

Synopsis by Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Share it if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

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BOOK TALK: MERCHANT OF VENICE by William Shakespeare

BOOK TALK: THE MODEL MILLIONAIRE by Oscar Wilde

Copyright@shravancharitymission

 

Khidki (Window)

–Read India Initiative—

This is only an attempt to create interest in reading. We may not get the time to read all the books in our lifetime. But such reviews, talk and synopsis will at least convey what the book is all about.

 

THE MODEL MILLIONAIRE

By Oscar Wilde

 

    Oscar Wilde was an Irish poet and playwright. He lived during 1854-1900.

    Unless one is wealthy there is no point in being a charming fellow. Romance is the privilege of the rich and not the profession of the unemployed. The poor should be practical and unsentimental. It is better to have a routine permanent income than to be a captivating personality. These were some great truths of life which Hughie Erskine never realised. Intellectually Hughie was of fair consequence. He had never said an anything brilliant in his life nor had he said anything offending. But yes. He was a wonderful person and good looking. He had brown hair with clear cut profile and grey eyes. He was popular with men as he was with women and he had every competence except that of making money. His father had bequeathed him his cavalry sword along with a history of peninsular war in fifteen volumes. Hughie had hung the first over his looking glass. And he had put the second on a shelf between Ruff’s guide and Bailey’s magazine. He lived on two hundred a year that was allowed to him by his old aunt.

    He had tried everything. He had worked in a stock exchange for six months but was a butterfly to do among bulls and bears. He had even been a tea merchant for a longer period of time but soon tired out Pekoe and Souchung (variety of tea). Then he tried selling sherry. But there also he didn’t n do well. Finally he became nothing but a delightful, ineffectual young man with a perfect profile but no profession.

     To make matters worse he was in love. The girl he loved was Laura Merton, daughter of a retired colonel who had lost his temper and digestion in India and had never found either of them again. Laura adored Hughie and he was ready to anything for her. They were the handsomest couple of London. But they did not have a penny-piece between them. The colonel was very fond of Hughie but could not hear about their engagement.

    And he used to say. Come to me my boy when you have ten thousand pounds of your own in your pocket and then we will see about it. This used to sadden Hughie who then used to look glum and go to Laura for consolation.

    One morning when he was on his way to Holland Park, where Mertons lived. He dropped by to see a great friend of his, Alan Trevor. Trevor was a greater painter. And an artist too. That was a rare combination. He was a strange rough fellow with a freckled face and a red ragged beard. But when he took up the brush he was a real master. Moreover, his pictures were largely sought after. He was very attached to Hughie mainly because of his personal charm. ‘The only people a painter should know,’ he used to say, ‘are people who are bete and beautiful, people who are artistic pleasure to look at an intellectual repose. To talk to, men who are dandies and women who are darlings rule the world, at least they should do so.’ After he got to know Hughie better he liked him quite as much for his bright buoyant spirits. And his generous reckless nature. Because of which he had given him the permanent entrée to his studio.  

    When Hughie came in he found Trevor applying finishing touches to a wonderful life size painting of a beggar man. The beggar himself was standing on a raised platform in a corner of the studio. He looked a wizened old man with a face like wrinkled parchment and a piteous expression. Over his shoulders was flung a coarse brown cloak all tears and tatters. His thick boots were patched and cobbled. And with one hand he leant on a rough stick, while with the other he held out his battered hat for alms.

    What an amazing model whispered Hughie as he shook hands with his friend.

    ‘An amazing model?’ Shouted Trevor at the top of his voice, ‘I should think so. Such beggars as he are not to be met everyday.’ And he goes on to praise the beggar.

    ‘Poor old chap.’ Said Hughie. ‘How miserable he looks! But I suppose, to you painters. His face is his fortune.’

    ‘Certainly,’ replied Trevor. ‘You don’t want a beggar to look happy, do you?’

    ‘How much does a model get for sitting?’ asked Hughie as he found himself a comfortable seat on a divan.

    ‘A shilling an hour!’

    ‘And how much do you get for your picture Alan?’

    ‘Oh! for this I get two thousand.’

    ‘Pounds?’

    ‘Guineas. Painters, poets and physicians always get guineas.’

    ‘Well I think the model should have a percentage.’ Cried Hughie, laughingly. ‘They work quite hard as you do.’

    ‘Nonsense … nonsense! Why look at the trouble of laying on the paint alone and standing all day long at one’s easel! Its all very well, Hughie, for you to talk, but I assure you that there are moments when art almost attains to the dignity of manual labour. But you mustn’t chatter; I’m very busy. Smoke a cigarette and keep quiet.’

    After some time, the servant came in and told Trevor that the frame maker wanted to speak to him.

    ‘Don’t run away, Hughie,’ he said as he went out. ‘I will be back in a moment.’

    The old beggar man took advantage of Trevor’s absence. He rested for a moment on a wooden bench that was behind him. He looked so forlorn and wretched that Hughie could not help pitying him, so he felt his pockets to see what money he had. All he could find was a sovereign and some coppers. ‘Poor old fellow,’ he thought to himself, ‘he wants it more than I do, but it means no hansoms for a fortnight,’ and he walked across the studio and slipped the sovereign into the beggar’s hand.

    The old man started, and a faint smile flitted across his withered lips. ‘Thankyou sir,’ he said, ‘thank you.’

    Soon Trevor arrived when Hughie took his leave blushing a little at what he had done. He spent the day with Laura, got an affectionate scolding for his extravagance, and had to walk home.

    That night he strolled into the Palette Club at about 11’o clock. He found Trevor sitting by himself in the smoking room drinking Hock and Seltzer.

    ‘Well Alan did you get the picture finished all right? He said as he lit his cigarette.’

    ‘Finished and framed, my boy!’ answered Trevor, and by-the-bye, you have made a conquest. That old model you saw is quite devoted to you. I had to tell him all about you—who you are, where you live, what your income is, what prospects you have.’

    ‘My dear Alan,’ cried Hughie. ‘I shall probably find him waiting for me when I go home. But of course, you are only joking. Poor old wretched! I wish I could do something for him. I think it is dreadful that anyone should be so miserable. I have got heaps of old clothes at home—do you think he should care for any of them? Why his rags were falling to bits.’

   ‘But he looks splendid in them,’ said Trevor. ‘I wouldn’t paint him in a frock-coat for anything. What you call rags I call romance. What seems poverty to you is picturesqueness to me. However, I’ll tell him of your offer.’

    ‘Alan,’ said Hughie seriously. ‘You painters are a heartless lot.’

    ‘An artist’s heart is his head.’ Replied Trevor, ‘and besides our business is to realise the world as we see it, not to reform it as we know it. A chacun son metier. And now tell me how Laura is. The old model was quite interested in her.’

    You don’t mean to say you talked to him about her? Said Hughie.

    ‘Certainly, I did. He knows all about the relentless colonel. The lovely Laura and the ten thousand pounds.’

    ‘You told that old beggar all my private affairs?’ cried Hughie. Looking very red and angry.

    ‘My dear boy,’ said Trevor, smiling, ‘that old beggar as you call him, is one of the richest men in Europe. He could buy all London to-morrow without overdrawing his account. He has a house in every capital, dines off gold plate and can prevent Russia going to war when he chooses.’

    ‘What on earth do you mean?’ exclaimed Hughie.

    ‘What I say,’ said Trevor. ‘The old man you saw to-day in the studio was Barron-Hausberg. He is a great friend of mine, buys all my pictures and that sort of thing and gave me a commission a month ago to paint him as a beggar. Que voulez? La fantaisie d’un millionaire! And I must say he made a magnificent figure in his rags or perhaps I should say in my rags, they are an old suit I got in spain.

    ‘Baron Hausberg!’ cried Hughie. ‘Good heavens I gave him a sovereign!’ and he sank into an armchair the picture of dismay.’

    ‘Gave him a sovereign!’ shouted Trevor and he burst into a roar of laughter. My dear you’ll never see it again. ‘Son affaire c’est I argent des autres.’

    ‘I think you might have told me Alan,’ said Hughie sulkily, ‘and not have let me make such a fool of myself.’

    ‘Well to begin with, Hughie,’ said Trevor, ‘it never entered my mind that you went about distributing alms in that reckless way. I can understand your kissing a pretty model, but your giving a sovereign to an ugly one—by love, no! besides the fact is that I really was not at home today. To anyone; and when you came in I didn’t know whether Hausberg would like his name mentioned. You know he wasn’t in full dress what a duffer he must think me!’ said Hughie.

    ‘Not at all. He was in the highest spirits after you left, kept chuckling to himself and rubbing his old wrinkled hands together. I couldn’t make out why he was so interested to know all about you; but I see it all now. He’ll invest your sovereign for you. Hughie pay the interest every six months. And have a capital story to tell after dinner.’

    ‘I am an unlucky devil,’ Growled Hughie.

    ‘The best thing I can do is to go to bed; and my dear Alan, you mustn’t tell anyone. I should dare show my face in the row.’

    ‘Nonsense! It reflects the highest credit on your philanthropic spirit, Hughie. And don’t run away. Have another cigarette and you can talk about Laura as much as you like.’

    However, Hughie couldn’t stop feeling horrible. He walked home feeling very unhappy and leaving Alan Trevor in fits of laughter.

    The next morning, when he was at breakfast, the servant brought him a card on which was written, ‘Monsieur Gustave Naudin! Dela Part De M. Le Baron Hausberg.’

    ‘I suppose he has come for an apology,’ said Hughie to himself, and he told the servant to show the visitor up.

    An old gentleman with gold spectacles and grey hair came into the room and said in a slight French accent, ‘Have I the honour of addressing Monsieur Erskine.’ Hughie bowed.

    ‘I have come from Baron Hausberg.’ He continued. ‘The Baron … I beg sir that you will offer him my sincerest apologies,’ stammered Hughie.

    ‘The Baron,’ said the old gentleman, with a smile, ‘has commissioned me to bring you this letter,’ and he extended a sealed envelope.

    On the outside was written, ‘a wedding present to High Erskine and Laura Merton, from an old beggar!’ And inside was a cheque of ten thousand pounds.

    When they married Alan Trevor was the best man and the Baron made a speech at the wedding breakfast.

    ‘Millionaire Models,’ remarked Alan, ‘are rare enough: but by love, model millionaires are rarer still.’

***

Synopsis by Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Share it if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

SHORT STORY– UBUNTU–I am because we are

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    The culture of ‘UBUNTU’ comes from Africa—I AM BECAUSE WE ARE

    I bring to you a very nice short story from Africa based on the motivational culture of ‘Ubuntu.’

    Once, an anthropologist, proposed a game to the tribal children of Africa. He placed a basket of sweets near a tree and made the children stand some 100 metres away. He then announced that whosoever reaches first would get all the sweets in the basket. When, he said ‘ready steady go!’

    Do you know what these children did? 

    They all held each others’ hands and ran together towards the tree. Divided the sweets in the basket equally among themselves and ate it and enjoyed it. 

    When the anthropologist   asked the why they did so, they answered,

‘Ubuntu.’

    Which meant

    How can one be happy when others are sad?

    Ubuntu in their language means …

    ‘I am because we are.’

    A strong message for all generations.

    Let us always have this attitude and spread happiness wherever we go.

    ‘Let ‘s have a ‘Ubuntu life.

    ‘I AM BECAUSE WE ARE’

*****

Posted by Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Share it if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

BOOK TALK: THIS UNQUIET LAND … by Barkha Dutt

Copyright@shravancharitymission

 

THIS UNQUIET LAND

(STORIES FROM INDIA’S FAULT LINES)

By Barkha Dutt

(Published in 2016)

Publisher: Aleph

Khidki (Window)

–Read India Initiative—

This is only an attempt to create interest in reading. We may not get the time to read all the books in our lifetime. But such reviews, talk and synopsis will at least convey what the book is all about

    There is an old saying. ‘A reader lives a thousand lives before he dies. The man who never reads lives only once.’ I think the saying fits in quite well in this case as you’ll come across many lives in this book.

    Barkha began working in 1994 for a news show that was originally broadcasted on Doordarshan. Her entry into journalism coincided with the birth of private TV. But, then, why this book all of a sudden? Showcasing India’s fault lines that runs deep and wide. Some of them even go back, centuries. The book is some three hundred plus pages. Where, she has selected certain topics, that have been haunting India for quite some time now. And these topics have even besmirched India’s reputation abroad. Basically she has handpicked issues that she came across during her career as a journalist. And around those issues the book spreads like a Banyan tree, but without any storyline. Hence it is difficult to summarise or even write a synopsis. However, what I’ve attempted here for you is, the trait of the book. Along with its central points that will give a sense of what the book is all about.

    The book spins around issues and the issues spin around Barkha. It has a gamut of aspects—starting right from her childhood, including parents, education, career, enthusiasm and even frustration. But most of the time … it is India’s helplessness. So, not a very superlative narrative for the country I would say. But I guess it can’t be helped. Because, for most journalists the uncompromising tenet is to first broadcast the negatives comprehensively, and beyond that if the time permits a few positive outlines too. Remember by broadcasting achievements you don’t get as many eyeballs as you get by broadcasting disasters. To substantiate the point Barkha quotes a VIP who says—‘India is a country that moves from headlines to headlines.’ Of course sensational ones. 

     The central theme of the book perambulates around, the last hundred years of India. One could call it the not-so-recent as well as the recent events of India. But then, while cruising through the book one does get a stale feeling, as if you’re zipping through some old newspaper columns or an old magazine article in staccato effect. Certain pages get you a feel as if you’re negotiating a long prose, though well described but high on verbosity. And what really keeps you charged during such narrations, are things that you don’t know, and that too, within what you know and also what goes on behind the scene. Many of us know a lot about the Kargil war through electronic and print media. Yet, we may not know, how important a role, late Mr Brajesh Mishra played in solving the crisis. Or we may have heard about Bhanvari Devi rape case in Rajasthan. But we may not know that ‘Bhanvari Devi’ was the starting point in the rape history of India where the other end was ‘Nirbhaya.’ The title covers the following chapters. Where, each chapter appears to be a short book in itself.

    PLACE OF WOMEN:  the chapter is almost like the rape history of modern India. The description below is about Bhanvari Devi and how ghastly.

     ‘Post rape: ‘Back at the police station, she was asked to strip and leave her ghagra behind as evidence. It was past midnight when she made her way home draped in the thin cloth of her husband’s turban.’ she picks the narration from Bhanwari Devi rape case of Rajasthan and links it up with Nirbhaya.

    In between, the lady author also spreads across to other rape cases, that had figured in various headlines during all these years. At times the narration appears as a memoir with a lot of emphasis on the sufferings of Indian women vis-a-vis the unceasing tyranny of the Indian men. Something, that is even otherwise known to most Indians. But then she doesn’t really relay any out-of-the-box suggestions, to at least dampen the malaise. She gives a good account of a lady journalist. Problems she faced while commencing her career. And in all of that, she juggles quite well with the words but the content doesn’t seem to be very uncommon. In certain pages sentences are long. But then they are vivid and to the point. The book has a tilt towards feminism which is quite obvious.

     It’s high on lexicon for an average reader, who might have to Google more often, to keep cruising. Therefore, the target audience is clearly the elite. But shouldn’t books with such historical sparks be, in easy read format? She has dug out some exhaustive statistics on females of India, especially, working women, and their sexual harassment.

    The book has a striking hard cover. The title is appropriate and gets further substantiated by a pin pointing sub title that says—STORIES FROM INDIA’S FAULT LINES. It is well presented in terms of font and flow. But it is still not a very moving book. As it swings between, diverse chapters and the personal memoir and does not have a linear penetrating plot. And it goes on and on. Sure intermittently it has interesting frills. As a messenger she has reported the happenings in the most erudite style, but has not presented too much of her own view points. She also touches upon the Gulabi gang of Uttar Pradesh that once operated in full flow. At places the narration is quite pungent when you compare it with the topic. Chapter deals with women’s issues, especially rape where it also cites three other cases. But then there are no incites or suggestions to solve the menace. She also goes on to describe the methodology of women politicians and about the callousness of women officers who are not sensitive to women’s cause. Superwoman versus supermom is comparison she draws quite artfully.

THE COST OF WAR

    This chapter by and large takes you through the sad tale of Kargil War. During the war Barkha was often seen near the the LOC. It was well covered by the channel she was working for, then. I’m sure. She must be carrying evocative memories about it. Such memories don’t die. Rather, you carry them to your grave. In this chapter, she even goes on to describe the role of Brajesh Misra, principal secretary and national security advisor to Prime Minister Atal Bihari Vajpayee in quite a detail, which you won’t come to know unless you read the book. She even elucidates the role that the diplomats of India played in bringing the war to an end, together with the balancing act of the US. She throws up some good war statistics. But she could have vented her views more ferociously. The chapter has a lot of stuff from ground zero.

    It fleshes out some good war statistics. It also hazily talks about gun configurations. The chapter explicates extensively, about the various wars with Pakistan and even the border skirmishes with China. She mixes the blend of her career and the Kargil war quite efficiently. For the general public doesn’t know what all goes on behind the scene and this is where she makes a killing. Excellent and moving description about martyr’s cremation.

     The sentence that moved me was, ‘And so in Kargil without snow shoes or proper high-altitude gear, Vishal and other first-time troops literally crawled their way up to peaks as high as 18,000 feet, where the temperature slipped to as much as ten degrees below zero to fight for the honour of their platoons and regiments.’

TERROR IN OUR TIME

    The chapter covers the gory parliament attack of 2001. It also gives a good account of, the history of terrorism in modern India. In this the lady author covers selected terrorist attacks. She gives a wide coverage of 26/11 Mumbai attack, describes Ajmal Kasab’s episode in detail. And how, in that moment of disaster, communities come together in Mumbai’s Zaveri bazaar. Narration is good and content is extensive. She also sketchily talks about farmer’s suicide. As a true messenger she reports whatever is happening in India. She talks about various issues without any solutions. Then she goes all over and even touches upon Sheena Bora murder case in page 95. She then even adds Samjhauta express and Malegaon blasts. A lot of it is the same and reverberates in your mind as news items of those times. But yes there are some finer points too, which were kept under the carpet, which is interesting. ‘Extremism is a bigger threat than terrorism’ she hears from another VIP.

    But in the ultimate analysis I would ask. If such books even reach the think tank of the dispensation to act upon, or they just get into their personal libraries and sit their as literary accolades. She further makes an important point–200 districts have Maoist movement—India’s red corridor. Where, she richochet’s some good statistics. And gives a good hidden perspective of India, overall.

IN THE NAME OF GOD

    She covers Gujarat riots together along with with the rapes that happened in 2002. A lot of it is a recount of recent history. How kar-sewaks were murdered and Muslims were massacred as a consequence of that. But she nowhere blames the media for reporting inflammable stuff. Rather she rarely points a finger at the media. She covers Gujarat riots in great detail but has less to say about the sentiments of the relatives of the kar-sewaks who were murdered in Godara. The narration appears as catchy news reports without author’s own modulation. She talks about the strong points of Indira Gandhi. She covers Babri Masjid demolition too. And compares the trinity– Narsimha Rao, Rajiv Gandi and Rahul Gandhi

A CHRONICLE OF KASHMIR

    Barkha mentions the minute India released Maulana Masoor Azhar, Omar Saeed Sheikh and Mushtaq Ahmed on 31.12.99 for hijacking IC-814 India turned into a soft state. Farooq Abdullah who was then the Chief Minister of J&K vehemently protested this. She narrates further, ‘the minute we gave in, India became a soft state; an apoplectic Farooq Abdullah, who was chief minister of Jammu and Kashmir during the hijacking of IC-814, would tell me later. He phoned L.K. Advani, the then home minister, to vehemently oppose the release of terrorist.’ … She doesn’t hesitate in exposing India’s weakness. Then she covers the 1st suicide attack of the valley. Even harps about countries spreading terrorism, such as Pakistan and Afghanistan. She of course has a lifelong obsession about J&K and doesn’t forget to talk about Nehru’s background and the birth and growth of JKLF. An interesting point that she makes is:

    ‘A month later in September, the prevaricating Maharaja Hari Singh made an offer of accession to India for the very first time. Nehru stunned him by making the deal conditional on the release of Sheikh Abdullah from jail. The maharaja refused.’ She also goes on to describe Patel’s conversation with Nehru. And of course she has described J&K’s constitutional history quite well and has also dealt with the malaise of Kashmir in detail.

OF POLITICAL DYNASTS, JUGGERANUTS AND MAVERICKS

    The chapter is full of anecdotal tales which the readers would love reading. It covers lady author’s encounter with various national and international leaders and even there close relatives. Where, it starts from Priyanka, Raga (Rahul Gandhi) and even Robert Vadhra. Barkha is curt and brusque when she wants to be. She compares Modi with Gandhis only to say, ‘Modi was determined to overthrow the political royalty of the Gandhis. He was a citizen who had come to take the kingdom.’ She disparages Raga, who had the luxury of several years of authority without any responsibility. But he neither became a minister in the government nor took charge of the party.

    She then goes on to describe the sum and substance of Arvind Kejriwal and at one point even draws a comparison between him and Raga. Both are youthful men, in their early forties—where, Arvind is acutely educated, and has a self achieved track record.

    Another interesting point that she makes is about Indira Gandhi under whose leadership Congress as an institution collapsed. She then spreads across to various political leaders of India and their parties. Her description about Mani Shankar Aiyar is engrossing. And there is a good compilation of political barbs. And of course how could she leave out Dr Manmohan Singh. L. K. Advani couldn’t have been left out either with his stories about Babri Masjid and his visit to Jinnah’s grave.

    The interesting comparision she draws is in between the ‘Chaiwala’ and the ‘Mufflerman’ (Namo and Arvind Kejriwal). Talks about ‘Achhe Din’ and ‘Make in India.’

    She opines about Modi, ‘I have always felt, in the many years that I have observed him, that Modi’s ambitions are personal not ideological.’

    I personally feel her overexposure to the affairs of Pakistan and Kashmir in some ways narrowed her journalistic prowess. She got branded. And that reflects in the book also. But then exposure is not always in your hands. She covers Nawaz Sharif and his delegation in the US, and his calling Manmohan Singh a ‘Dehati Aurat.’—that she clarifies.

    She talks about AAP party at length and the anti corruption movement.

A SOCIETY IN FLUX

    This chapter flows all over. It has no direction or plot. Whatever she felt … she has written about. And is quite a contrast to the previous chapters. I guess she wanted to close the book now. India is prone to disasters, so she talks about the Nagapattinam Tsunami of 2004, in Tamil Nadu which she had covered. She describes Ambedkar’s conversion ceremony to Buddhism. Where, she doesn’t forget to remind what Mahatma Gandhi had to say about conversion

    ‘I am against conversion, whether it is known as shuddhi by Hindus, tabligh by Mussalmans, or proselytizing by Christians.’

    Then she covers certain topics that had made it to the headlines. She of course digs into the history of India and fetches out things she had not come across in her career. She describes the pliant middle class of India. Talks a bit about the Modern School, where she had studied. Remembers, the Mandal agitation of 1992, and also brushes past IPL, Sunanda Pushkar and even Lalit Modi.

    Overall, a valuable read. Only if you’re interested in knowing how India operates or rather how the government of the day operates.

*****

Synopsis by Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Share it if you like it

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

 

SHORT STORY: LIFE LESSON

Copyright@shravancharitymission

LIFE LESSON

     Once a professor came to his class and said. He is going to teach the students an important lesson. He then placed a glass jar on the table, and then started filling it up with table tennis balls. And he kept filling it till there was no space left.

    He then asked the students. Is the jar completely filled? To which the students collectively replied, ‘Yes sir!’

    Then the professor took out some small pebbles and started slowly putting them in the jar. He then shook the jar and with that a number of pebbles went inside and settled in the empty space available between the tennis balls.

    The professor asked again. Is the jar full now? The students replied, ‘yes sir!’

    After which the professor pulled out some sand and slowly started filling the jar with it. He then asked the students again. Is the jar completely filled now? The students once again said ‘yes sir!’

    By now the students were beginning to get a little restless when the professor lifted two cups of tea from the adjacent table and poured it into the jar. And soon the tea got soaked in the sand.

   And then the professor began explaining in a serious tone.

   Dear students, consider this glass jar as your life. Where, table tennis balls are the most important and are like the God, family, kids, friends, health and your personal fancies. Where, small pebbles are like your job, car, house etc. And sand means, small issues that include small day-to-day talk, fights and even disagreements.

    Now had you first filled the glass jar with sand first, there would have been no space for tennis balls and even pebbles. Or had you first filled the jar with pebbles first there would have been no space for tennis balls but there would have been space for sand.

     Students, exactly the same thing applies in life.

    If we get too involved with smaller things in life we will not have time and energy for important things in life.

    For your peace of mind what is essential. You only have to figure it out. It could be playing with your kids, roaming in the garden, watering the plants, going for a morning walk with your spouse, or remove the clutter from your house, or even get your medical check-up done.

     So, bother about the tennis balls of life first. For, that alone is important. First ascertain what is important for you in life. Rest everything is like sand. By now the students were spellbound.

    When, all of a sudden one student asked. ‘Sir you did not talk about those two cups of tea that you had earlier mentioned?’

    To which the professor smiled and said, ‘I was in fact thinking why till now, nobody has asked this question.

   ‘Anyways the answer to this question is quite simple. No matter how much busy and satisfying your life is. But you must always have time to have a cup of tea with your friends.

*****

By Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

*

Share it if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

 

 

 

BOOK TALK: Gloom Behind the Smile

Copyright@shravancharitymission

Book on fight against cancer. A real life story of a young child Shravan. Book now archived in many libraries including Harvard and Library of Congress.

 

 

By Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Share it if you like it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****