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Book Review: The Man Who Refused to Bow… A Story of Courage … by Pranita Lele

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The Man Who Refused to Bow… A Story of Courage … by Pranita Lele

Reviewed by: Kamlesh Tripathi

 

    The book is a personal account of author Pranita Lele, who is combating horrific situations that life has offered her. Her husband is suffering from Cancer. Cancer, as one can say, is the reverse of the Midas touch. Just as the Midas touch converts everything into gold, cancer can transform life into a gruelling journey. Cancer can walk into anyone’s life surreptitiously, and as an uninvited guest, without any warning, just as it walked into Vikram Lele’s life, the author’s husband. You need a Satyavati to retrieve her husband from the menace of cancer. I’m reminded of the famous story of Satyavati, Satyavan and Yama. The analogy may sound similar. Pranita and Vikram’s story evokes the celebrated episode of Savitri and Satyavan in the Mahabharata. When Satyavan suddenly fell ill while working in the forest, Savitri cradled his head in her lap. When Yama, the god of death, arrived to claim her husband’s life, she refused to abandon him and followed Yama, ultimately persuading him to restore Satyavan’s life. Truly, a kindred metaphor.

    Another glimpse that one gets is of the 1963 Bollywood hit … Dil Ek Mandir, starring Meena Kumari, Rajendra Kumar and Raj Kumar. For a closer fit, consider Elizabeth Barrett Browning and Robert Browning, whose relationship involved emotional support during difficult periods, though it is not principally a story of a wife nursing a seriously ill husband.

    I’m reminded of the first stanza of one of my poems titled, ‘I’m Life,’ where life says:  You think you know me/Well, everyone thinks that way/But believe me/ I’m very sneaky/I’m very tricky/And I rarely play by the rules you make for me.

       Spread across 40 chapters and around 170 pages, the book presents its central message in a precise, concise and accessible manner. Normally, such books are unplanned because tragedies strike without notice, and the author has to play it by ear. The narration is in easy English, in short sentences with a pleasant trickle and flow like a flowing river.

     The book intertwines life’s onerous circumstances with biological calamities. Aged parents above 90. Vikram, after recovering from brain haemorrhage, falls prey to oesophageal cancer. And in this global world, one cannot expect children to be by your side always. And in these frightful circumstances, one finds author Pranita walking through a dark isthmus all by herself.

     But to every downside there is an upside. The world survives because of the balance. The plane has wings. It will glide through high turbulence, provided the pilot is competent and the support system is good. This is where the Oncology Department of Max Hospital Lucknow comes into play. Its team of doctors and support staff extended extensive support to Vikram and Pranita throughout the treatment. The subject book is definitely to honour the entire team of Max Hospital.

    The author has painstakingly acknowledged friends and relatives, contacts, including overseas contacts and hospital staff, for what they did for Vikram.

    The book doesn’t bear a sombre and morose tone. It is filled with lively episodes that take you away from the pain of the patient and the family.

    The author has used the correct terminology in terms of describing each stage of illness. The narrative helps in building the doctor-patient relationship. The narration has a separate chapter for each doctor and support staff. It describes Chemotherapy, Radiation, immunotherapy, and targeted therapy in simple language.

     Pranita Lele’s steadfast companionship also recalls the enduring ideal of marital devotion found in English literature. In John Milton’s Paradise Lost (there is a thematic echo), Adam and Eve’s relationship, despite its trials and consequences, explores the profound bond between husband and wife. While the circumstances differ considerably from Vikram and Pranita’s struggle with cancer, the work invites reflection on companionship when life becomes difficult. Pranita’s story brings this ideal into the everyday world of medical appointments, uncertainty and caregiving, showing how commitment is expressed not merely through words but through continued presence and practical acts of love…. A real page-turner.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

Appreciation received from a reader.

Wow .I read the article .So well written .His writing proves that he is an highly intellectual person .So much depth and meaning in his writing .
Great work Pranita .I am sure and confident with all your support ,prayers and positivity Vikram will be fine .Our prayers and best wishes are always with you both .God bless .👍❤️❤️❤️

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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BOOK REVIEW: Journey to the Centre of the Earth by Jules Verne:

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The Novel That Dug the Foundations of Science Fiction.

Kamlesh Tripathi

    Even after 160 years since its publication, Journey to the Centre of the Earth continues to inspire media, scientists, writers, filmmakers, and dreamers alike. It tells us that every great discovery begins as an improbable idea, often dismissed by conventional wisdom before eventually reshaping our understanding of the world.

    The title remains one of the top classics of world literature. The imaginative scope Verne brings to this novel remains par excellence. The narration didn’t accurately predict science, but it captured the adventurous spirit that makes scientific discovery possible. Very few novels have merged imagination, intellect, and excitement so successfully. No wonder, Jules Verne’s descent into the centre of the Earth remains one of literature’s greatest ascents.

    “Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.”  In his evergreen classic Journey to the Centre of the Earth, Jules Verne has his protagonist, Professor Otto Lidenbrock, spell out these lines to his nephew Axel. It is to explain that false theories and errors are normal and valuable steps on the road to real discoveries. Published in 1864, the novel is absorbing and offers a unique reading experience.

    Verne changed the ground rules because earlier imaginative voyages mostly belonged to mythology or fantasy. He based his narrations on scientific knowledge, technological possibilities of his time and created extraordinary adventures. He encouraged his readers to assess the scientific possibilities behind the plot rather than accept the plot blindly. This approach became the hallmark of his novels and influenced other writers from H.G. Wells to Arthur C. Clarke and beyond.

    An eccentric geologist is the chief protagonist of the novel, and it starts with him. His name is Professor Otto Lidenbrock. He comes across a puzzling manuscript written by a 16th century Icelandic alchemist named Arne Saknussemm. The encrypted message claims that one can reach the Earth’s centre through the crater of the extinct volcano Snæfellsjökull in Iceland. Professor Lidenbrock embarks on an expedition that defies logic but requires a plethora of common sense. He is accompanied by his reluctant nephew Axel and the stoic guide Hans.

    What follows is English literature’s iconic and memorable exploration. Verne takes his readers through subterranean passages, massive caverns, underground oceans, forests of gigantic fungi, and landscapes inhabited by prehistoric creatures. Each discovery is explained with remarkable precision. The author gives it a touch of realism that distinguishes it from conventional fantasy. The intellectual honesty with which Verne presents his theories is praiseworthy even when the science is inaccurate by today’s standards.

    Though Professor Lidenbrock is driven by a strong desire to uncover truth, his determination often hinges on recklessness, but Verne doesn’t ridicule his ambition. Instead, he labels scientific inquiry as one of humanity’s most difficult pursuits. In contrast, Axel, the Nephew of Lidenbrock, serves as the doubtful observer, voicing the doubts and fears shared by readers. Hans, on the other hand, demonstrates that courage is measured not by words but by enduring action.

    From a modern scientific perspective, Verne’s subterranean adventure looks impossible. The immense pressure and heat of Earth would obviously render such an expedition inconceivable. Yet to play down the novel purely on scientific grounds is to misunderstand its intent. Verne was not predicting a geological reality; rather, he was illustrating the spirit of a scientific exploration. Like all great fiction, the novel is less concerned with being correct than with encouraging readers to imagine the possibility.

    Stylistically, Journey to the Centre of the Earth has both meticulous description and narrative momentum. Verne’s detailed explanations of geology, mineralogy, and palaeontology occasionally slow the pace of the novel for readers used to faster storytelling. When detailing increases, the pace of the novel slows down.  Yet, these passages provide the novel with intellectual depth. They remind us that genuine exploration requires patience, observation, and evidence.

    The novel is not without limitations. Female characters virtually play no role in the book, a characteristic common to much nineteenth-century adventure fiction. Some episodes rely heavily on coincidence. The conclusion, following the painstaking descent, appears abrupt. Nevertheless, these weaknesses are insignificant when weighed against the novel’s originality, imagination, and historical significance.

    The novel’s most remarkable achievement is its lasting relevance. Today, humanity explores the depths of the oceans, maps distant planets, and probes the origins of the universe with sophisticated technology. The scientific impulse driving these endeavours remains identical to that which animated Professor Lidenbrock, with the irresistible desire to understand what lies at the centre of the Earth.

    Jules Verne didn’t merely write an adventure novel. He prescribed curiosity. His message is as relevant today as it was in the nineteenth century. Civilisation progresses because there are always those willing to descend into darkness in search of light.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

Life Lesson From French Author Jules Verne

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Life Lesson from French Author Jules Verne

Kamlesh Tripathi

    The greatest journey in life is not the journey across continents, but the journey into the unknown. More than 160 years ago, Jules Verne asked his readers to imagine something that seemed impossible, and that was the journey to the centre of the Earth.

    In his classic novel Journey to the Centre of the Earth, by Jules Verne, the chief protagonist, Professor Otto Lidenbrock, discovers a mysterious manuscript written by the Icelandic scholar Arne Saknussemm. It reveals a secret route into the Earth through the crater of an extinct Icelandic volcano. Lidenbrock does not dismiss the idea simply because it sounds impossible. He decides to explore it. And that is where the first lesson of life begins. Never allow the word “impossible” to become the end of your curiosity.

    Lidenbrock sets out with his reluctant nephew Axel and their Icelandic guide Hans. The journey takes them deep beneath the Earth, through dark passages, enormous caverns, underground seas and landscapes populated by prehistoric creatures. But beneath all the adventure lies a much deeper story. It is the story of human beings confronting the unknown. Axel is frightened. He doubts the expedition. He questions whether they will survive. And who among us has never behaved like Axel?

    We all have moments when we stand before an uncertain future and think, What if I fail? What if I get lost? What if I cannot come back? Fear is natural. But fear can’t always be allowed to make our decisions. Then there is Hans. He speaks little, but when difficulties arise, he acts. He reminds us of another important truth: Courage is not the absence of fear. Courage is continuing despite fear.

    And then comes one of the most memorable ideas in the novel. Lidenbrock tells Axel that science is made up of mistakes. Mistakes that are useful because they gradually lead us towards truth. What a lesson for life!

     We often consider mistakes to be failures. We hide them. We regret them. Sometimes we allow one mistake to define our entire life. But mistakes can also be teachers. A wrong decision can show us what not to do. A failed attempt can reveal a better direction. A closed door can force us to discover another entrance. Failure is not always the opposite of success. Sometimes it is a part of the road to success.

    The expedition also teaches us something about perseverance. Imagine descending into darkness without knowing what lies ahead. That is life. We rarely have the complete map. We take one step, then another. Sometimes the path disappears. Sometimes we have to turn back. Sometimes we discover something extraordinary precisely because the journey did not go according to plan.

    Jules Verne’s science may not always agree with modern scientific knowledge. The immense heat and pressure deep inside the Earth would make such a journey impossible in reality. But that is not the real point. Verne was teaching us to imagine beyond the boundaries of the familiar.

    Human progress has always begun with somebody asking an unreasonable question. Can we fly? Can we reach the Moon? Can we travel beneath the oceans? Can we communicate instantly across the world? Yesterday’s impossibility can become tomorrow’s reality.

    So perhaps Journey to the Centre of the Earth is not really about reaching the centre of the Earth. It is about reaching the centre of ourselves. Deep inside every person lie unexplored chambers: our courage, creativity, resilience, curiosity and dreams. The greatest discoveries may not be beneath our feet. They may be within us. So, when life presents you with an unknown path, do not immediately turn it away. Take the first step. Make mistakes. Learn. Keep going. Because sometimes the darkest journey leads us to the brightest discovery.

    And perhaps that is Jules Verne’s greatest lesson. To discover the world, we must first have the courage to explore the unknown within ourselves.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

 Pitru Paksha: Remembering Ancestors in Hindu Tradition … by Kamlesh Tripathi

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Pitru Paksha: Remembering Ancestors in Hindu Tradition

Kamlesh Tripathi

    In this fast-paced world, one hardly gets time to remember one’s ancestors. But God has devised a methodology to find ways and means to bridge this gap. Pitru Paksha is one such occasion and season when we remember our ancestors with reverence. It is a 16-lunar-day period in the Hindu calendar, dedicated to the remembrance and reverence of ancestors (pitrs), falling typically in the lunar month of Bhadrapada (September). It commences on the Pratipada, the first day of the dark fortnight, and concludes on Amavasya (the new moon).

    This fortnight is deemed inauspicious because of its association with death rituals and culminates with the Shradh ceremony. The ritual includes food offerings to deceased ancestors, believed to bring peace to their souls and ensure blessings for the living.

    Pitru Paksha is based on Hindu scriptures and the principles of astronomy. When the Sun moves from the northern hemisphere to the southern hemisphere, it symbolically enters the realm of the ancestors, also known as the south celestial sphere. This transition typically coincides with the autumnal equinox, which is why Pitru Paksha falls during this time.

    Hindu scripture Garuda Purana emphasises the importance of Shradh. They describe how the offerings reach the ancestors through a cosmic chain. From Varuna (the god of waters) to Vishnu, then to Surya, and finally to the pitrs (ancestors).

    A popular tale from the Mahabharata adds a mythological flavour to the observance of Pitru Paksha. After Karna died and reached heaven, he discovered that the food he touched turned into gold. This puzzled him. He asked Indra the reason. He was told that while he donated gold throughout his life, he had never offered food to his ancestors. To atone, Karna was granted a fortnight to return to Earth to perform Shradh and offer food. These 15 days came to be known as Pitru Paksha. It emphasises the necessity of feeding the departed souls for their peace and well-being.

    Shradh and Tarpana are the central rituals that involve offering food (pindas made of rice and barley), water (tarpana), and prayers. Shradh is performed on the tithi (lunar date) that corresponds with the ancestor’s date of death. Specific days are designated for those who died in particular ways, such as violent deaths, children, or ascetics. Sarvapitri Amavasya is the most important day for honouring all ancestors, regardless of their specific date of death. It can also make up for missed Shradh rituals. Gaya (in Bihar) is considered the holiest place to perform Shradh, where, during Pitru Paksha, lakhs of pilgrims gather at the banks of the Falgu River for the Pitru Paksha Mela. A symbolic aspect of the shradh is the feeding of crows, believed to be messengers of Yama or the ancestors themselves. If a crow eats the offering, it is taken as a sign that the offering has been accepted.

    The Garuda Purana details the journey of the soul after death and the importance of Shradh. Several key verses stand out: “On Amavasya, the airy manes appear at the door of their descendants. If they are not offered, they sigh and curse their descendants.” “Offerings made with faith during Shradh reach the ancestors wherever they may be.” These verses demonstrate that rituals are not merely traditions but acts of spiritual continuity, filial duty, and love that connect generations across life and death.

    Pitru Paksha shares striking similarities with All Saints’ Day and All Souls’ Day in Christianity, and with ancient Greek ancestor rituals in the form of funerary customs, highlighting a universal human concern for honouring the dead. All Saints’ Day honours all saints who have reached heaven. All Souls’ Day is dedicated to praying for departed souls in purgatory, helping them attain peace. Practices include Masses, candles, almsgiving, and visiting graves, much like the offerings made during Shradh.

    Across cultures and ages, humanity shares this sacred impulse to honour those who came before them and continue to walk with us, unseen but never forgotten. Death is not an end, but a passage.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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THE LEGACY OF INVENTIONS

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THE LEGACY OF INVENTIONS

Kamlesh Tripathi

       Scientists and inventors may create something with good intentions. But depraved minds may commandeer it for nefarious motives. Truly speaking, inventions do leave an indelible legacy behind, where some may turn out to be serenades of life, and some the hounding baggage difficult to carry.

    Scottish physician and microbiologist Alexander Fleming was awarded the Nobel Prize in Medicine for the discovery of penicillin. Penicillin was later developed into an antibiotic to kill bacteria. It has since then saved many lives. Fleming therefore must have left the world with pleasant memories of his invention.

    Alfred Nobel invented ‘dynamite’, a high-power explosive that ravaged humanity. He made a fortune out of that. But it was only during his lifetime that he realised that the invention of dynamite was a great threat to humanity. He later bequeathed his fortune to institute the Nobel Prize for Excellence.

    Conversely, Eadweard Muybridge, often called the ‘father of the motion picture’, left the world with glorious recollections. This isn’t the case with General Mikhail Kalashnikov, the creator of the AK-47 assault rifle, though it was designed for the defence of his country. He was an author and a poet too. Later, he rose to become a general with innovative attributes, but his inventions appear to be for the wrong causes. Kalashnikov maintained that his rifle was an ‘armament for defence and not a weapon of offence.’ Yet, numerous killings have taken place with this invention.

    Kalashnikov claimed he was always motivated more by service to the nation than money. But the rifle that was once good for the nation was used by terrorists in illegal and dreadful killings. In the final years of his life, he was saddened by the awful responsibility for the millions of deaths that his invention had caused, as per his published letter to the head of the Russian Church. Kalashnikov died at the age of 94. In his interviews, he insisted that he created the AK-47 assault rifle only to protect his country, and rejected responsibility for killings perpetrated by zealots and terrorists using his weapon.

    Kalashnikov didn’t have a simple life. In his old age, he was troubled to learn that his rifle was used for evil acts, even though he knew that his weapons were also used to destroy adversaries and defend his motherland. In order to find peace, like Alfred Nobel and Oppenheimer, Kalashnikov too retired to a quiet life in the hope of experiencing a godly touch sometime and somewhere before his death. To seek pardon, he wrote a letter to the head of the Russian Church, saying:

    “My soul’s ache is unbearable and has irresolvable questions: If my rifle took lives, does it mean that I, Mikhail Kalashnikov, aged 93, a peasant woman’s son, an Orthodox Christian in faith, am guilty of those people’s deaths, even if they were enemies?”

    Kalashnikov spent a major part of his life as an atheist in an atheist country. Only at the age of 91 did he feel the call of faith and answered it. As he was approaching the end of his life, doubts entered his mind that his invention gave a chance to millions of miscreants … to butcher innocents.

    Surely, inventions do leave a legacy behind. Some legacies are insurmountable for the soul to carry through. But sadly, the inventor only realises that when it’s too late in life.

    The story remains incomplete without knowing what Oppenheimer felt after the atomic bombs exploded in Hiroshima and Nagasaki. Did he feel exalted or miserable? Only he’d be able to tell. But of course, the sting of karma does follow you beyond the frontiers of your present life.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

Shravan Charity Mission: Publications of Author, Poet & Columnist Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

Publications of Kamlesh Tripathi

BOOK TITLE: GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in eight prestigious libraries of the US, which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; and University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in the libraries and archives of Canada; the Open Library; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh; and Azim Premji University, Bangalore and the Library of Cancer Aid and Research Foundation, Mumbai. The title also finds a mention in a book titled ‘Enduring Cancer: Life, Death and Diagnosis in Delhi’ by Dwaipayan Banerjee, published by the Duke University Press).

BOOK TITLE: ONE TO TANGO … RIA’S ODYSSEY

(It is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

BOOK TITLE: AADAB LUCKNOW … FOND MEMORIES

(This is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is catalogued and included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland; Charlotte-Mecklenburg Library, Mecklenburg County, North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California; The Peshastin Public Library and The George Public Library near Washington, a Northern Central Washington Libraries branch; the Flagstaff City-Coconino County Public Library in Arizona in the US and the Salina Public Library, Kansas, USA.

BOOK TITLE: REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan-India NGO and Shravan Charity Mission, which works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD, Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

BOOK TITLE: TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read, not only for salesmen but for any reader. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

BOOK TITLE: RHYTHM … IN POEMS

(Published in January 2019. The book contains 50 poems. The poems are about our day-to-day life. Poems from this book have been published in Shillong Times, Bandra Times, Bhavan’s Journal, Arunachal Times and Goan net. The book is available on Amazon, Flipkart and Onlinegatha).

BOOK TITLE: MIRAGE

(Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

BOOK TITLE: AWADH ASSAM AND DALAI LAMA … The Kalachakra

(It is the story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness the Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR), Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness the Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE. Included in the library of Friends of Tibet and Maharashtra Mitra Mandal Library in Bandra, Mumbai.

BOOK TITLE: RHYTHM IN POEMS

The book was relaunched with additional poems at the Lucknow Book Fair on 7th March.2025

(POEMS, SHORT STORIES AND ARTICLES OF KAMLESH TRIPATHI PUBLISHED IN NEWSPAPERS, JOURNALS AND MAGAZINES)

THE TIMES OF INDIA (Speaking Tree)

Speaking Tree: 1. Basant Celebrates Ma Saraswati, Shiv, And Spring 1.2.25; 2. Mahashivratri: A Night of Divine Illumination, 26.2.25; 3. Kabir Spun Indic Syncretism Through His Dohas, 12.6.25; 4. The Soul Connection 19.7.25; 5.  Every Separation Diminishes the Whole 16.9.26;

THE ECONOMIC TIMES (Speaking Tree)

Speaking Tree 1. Celebrating Transitions 15.1.26; 2. The Colours of Holi, 3.3.2026; 3. Celebrating Baisakhi 14.4.26; 4. AI: Wisdom No Guarantee 30.6.26; 5. Marcusian Formulations, 14.8.26; 6. Celebrating Krishn 4.9.26

THE SENTINEL, USA

  1. Is Ambition the double-edged sword of greatness, 23.11.25;

SENTINEL ASSAM

  1. Short Story: Return of Sangeeta, 21.6.26

BHAVANS JOURNAL

Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.2019; 2. Sending the Wrong Message, 31.5.2020; 3. Eagle versus Scholars, June 15 & 20, 2020; 4. Indica, 15.8.2020; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22; 27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 31.12.22; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. The Nag Mandir 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23; 45. Book review: Jungle Nama … a story of the Sundarban 16.3.24; 46. Book review: A Forgotten Chapter 16.5.24; 47. Exploring Ancient Egypt, 1.8.24; 48. The Story of Dhruva, 16.8.24; 49. Two Hundred Years of Tea in Assam 16.9.24; 50. The Cosmic Messenger 16.10.24; 51. Biblioburro: The Four-Legged Library 16.11.24; 52. The Cologne Cathedral 1.1.25; 53. Gandhi to Mahatma 16.1.25; 54. Huxley’s Take on Translated Works 16.3.25; 55. Ernest Hemingway’s Iceberg Theory 1.7.25; 56 The Story of Bhishma Pitamah 1.9.25; 57. A Twist in the Tale, October 1-15, 2025; 58. Philosophy Overdose (Book Review) November 16-30, 2025; 59. Ambedkar: From Caste to Constitution April 1-15, 2026; 60. Book Review; A Timeless Work… The Epic of Gilgamesh (May 16-31, 2026); 61. Rainforests: Earth’s lungs and world’s pharmacy, 1.6.26; 62. Every ‘Why’ has a ‘Wherefore’, 1-15, August 2026; 63. Places Associated with Sri Krishna Leela, 1.9.26;

THE SHILLONG TIMES

Articles & Poems: 1. Poem: Happy New Year 8.1.23; 2. Poem: Spring 12.3.23; 3. Poem: Right and Wrong 20.3.23; 4. The Gush of Emotion—Writing, 26.3.23; 5. The Nag Mandir, 7.5.23; 6. Poem: Mother 7.5.23; 7. Poem: Rain Rain 9.7.23; 8. Poem: You Come Alone You Go Alone 6.8.23; 9. Poem: Rain Rain (Second Time) 10.8.23; 10. Poem: Guru Teacher 1.10.23; 11. Poem: Autumn … The Interim Heaven 15.10.23; 12. Poem: Happy Diwali 12.11.23; 13. Overcoming Blindness: Learn it the John Milton Way 10.12.23; 14. The Happy Prince and The Happy Man’s Shirt 31.12.23; 15. Annus Mirabilis -2024 7.1.24; 16. Gandhi to Mahatma Gandhi- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. Poem: Together But Not Made For Each Other, 11.2.24; 18. The Birds Bees and The Spiders of Nicholas Guildford and Jonathan Swift 25.2.24; 19. The Overcoats of Nikolai Gogol and Ruskin Bond 10.3.24; 20. The Ethnic Colours of Holi 24.3.24; 21. A Lesson from Dalai Lama, 21.4.24; 22. Poem: Morning Walk 28.4.24; 23. Trip to Rhine Falls, Switzerland, 19.5.24; 24. Poem: Hurt 2.6.24; 25. Poem: Your Conscience Was My Sign On 16.6.24; 26. Poem: The Eerie Ways of Time 7.7.24; 27. Poem: Celebrating the T20 World Champions 14.7.24; 28. Read to Rise above mediocrity, 4.8.24; 29. Poem: Desire vs Reality 11.8.24; 30. Jack Ma’s Pristine Advice to Employers, Employees and the Youth 22.9.24; 31. Tagore and Kipling 3.11.24; 32. Poem: Merry Christmas 22.12.24; 33. Poem: The Sunset Point, 5.1.25; 34. Cancer Warning Labels on Alcoholic Beverages, 12.1.25; 35. Poem: Hope … In the Arc of Twilight, 19.1.25; 36. Basant Panchami celebrates the Arrival of Spring 2.2.25; 37. Poem: The Falling World Order, 9.2.25; 38. A Peep into Native American Literature, 23.2.25; 39. Poem: Good day, Bad day 9.3.25; 40. Reincarnation of Dalai Lama in a free World, 6.4.25; 41. Ambedkar: Fighting the Caste Monster, 13.4.25; 42. Switzerland: The Scenic Mount Titlis & Lucerne 18.5.25; 43. Poem: A Ray of Hope 8.6.25; 44. Poem: Monsoon Melodies 27.7.25; 45. Poem: There Is Nothing Right, says Gen-Z 14.9.25; 46. Poem: The Golden Voice of Zubeen Garg 28. 9.25; 47. Poem: Diwali: The Festival of Lights 19.10.25; 48. Poem: When the Summer is Through, 7.12.25; 49. The Golfer’s Pride, 11.1.26; 50. Poem: The World Within Books, 15.2.26; 51. Poem: Meet His Majesty The AI, 1.3.26; 52. There Was A Time 22/3/26; 53. Poem: In Nature’s Lap 7.6.26; 54. Poem: The Comeback Trail 5/7/36; 55. Poem: Life is Short, 2.8.26;

THE ASSAM TRIBUNE

Article: 1. The Magic of Reading 11.12.23; 2. Gandhi to Mahatma 29.1.24; 3. Geography of Solitude 8.4.24; 4. A Lesson From Dalai Lama, 22.4.24; 5. A Source of Inspiration, 29.4.24; 6. The Four-Legged Library, 12.5.24; 7. Age and Achievement, 10.6.24; 8. Read … To Rise Above Mediocrity, 1.7.24; 9. Crusade for a College, 25.8.24; 10. Hemingway’s Iceberg Theory (Panorama) 27.9.24; 11. Short story: Love in the Air, 20.10.24; 12. Short story: The Prick of Conscience, 5.1.25; 13. Lost in translation, 6.1.25; 14. Travellers’ tales 20.1.2025; 15. Audit your days, 17.2.25; 16. When Darkness became Vision, 27.10.25; 17. Remembering Bhagat Singh, 23.3.26; 18. Tunnel Vision, 19.7.26;

THE ARUNACHAL TIMES

Poem: 1. Hope—In The Arc of Twilight, 13.8.23; 2. Poem: Spring 3.3.24; 3. Poem: The Morning Walk, 10.3.24; 4. Poem: The Golden Voice of Zubeen Garg 5.10.25; 5. A Happy Republic Day to Indians, 25.1.26;

BANDRA TIMES, MUMBAI

Articles & Poems: 1. Poem: SPRING, 1.4.23; 2. Poem: Mother, 1.6.23; 3. Poem: Rain Rain, 1.8.23; 4. A Lesson From Dalai Lama, 1.6.24; 5. Read to rise above Mediocrity 1.8.24; 6. Poem: Merry Christmas 1.12.24; 7. Poem: Happy New Year 1.12.24; 8. The Enduring Colours of Holi 1.2.25; 9. Poem: Global Warming 1.4.25; 10. Pahalgam Carnage 1.6.25; 11. Life Lessons 1.6.25; 12. Poem: Arrogance 1.8.25; 13. Poem There is nothing right … says Gen Z 1.10.25; 14. Celebrating the joy and rights of Children 1.10.25;

THE GOAN NET

Poem: 1. Autumn – The Interim Heaven, 6.10.24; 2. Reader’s Rewind 17.11.24; 3. Reader’s Rewind: The Irony of Tash Moustache or Mooch 5.12.24; 4. The Sunset Point 22.12.24; 5. Reader’s Rewind: The Joy of a Morning Walk, 3.1.25; 6. Harmony in creation 26.1.25; 7. Poem: What is truly Good for me? 2.1.25; 8. Poem: We both were left behind, 9.2.25; 9. India Afloat like Ship of Theseus, 23.2.25; 10. Maha Shivratri: A night of divine illumination, spiritual awakening, 26.2.25; 11. Poem: Good Day Bad Day, 2.3.25; 12. After Birth, Death is the First Spiritual Tip, 30.3.25; 13. Poem: Aspiration 31.8.25; 14. Poem: Fascinating Goa, 7.9.25; 15. The Secret to long life lies in deeds, not years 6.11.25; 16. Poem: The other side of hometown, 9.11.25; 17. Children’s Day 14.11.25; 18. Poem: Why do things happen 23.11.25; 19. Poem: I Want More, 30.11.25; 20. Poem: Small to Big … Reborn Poem, 7.12.25; 21.What is life without mirth and laughter 18.12.25; 22. I find the Joys of Heaven here on Earth 4.1.26; 23. Be the Wise Man 18.1.26; 24. A Happy Republic Day to Indians, 25.1.26; 25. Kasauli: A jewel in the Himalayan Crown, 1.2.26; 26. I dreamt of Utopia 8.2.26: 27. Legends surrounding the Parijaat Tree, 27.3.26; 28. Poem: Eros’s Love Arrow 29.3.26; 29. Poem: The all-round beauty of ‘namaste’ 5.4.26; 30. Twilight Tremors: When Solitude meets Companionship, 26.4.26: 31. World Music Day: A Tribute to Music’s Enduring Magic 21.6.26;

SENTINEL GUWAHATI, ASSAM

  1. Return of Sangeeta, 21.6.26;

CITY ESSENCE MAGAZINE

  1. Three Love Stories: A Comparison, July 7. 2025; 2. Without Genghis Khan’s Daughters There Would Have Been No Mongol Empire 11.1.26;

SRIJON MAGAZINE

Articles & Poems: Poem: 1. Global Warming 1.5.25; 2. India Afloat Like The Ship of Theseus 1.5.25; 3. Reincarnation of the Dalai Lama In A Free World, 1.5.25;

SANT VIVEK MAGAZINE

  1. Hindi Poem: Parmarth Chintan

ARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI

Aritcles: 1. 29.12.2020: Indica by Megasthenes; 2. 14.3.22: About The Dimasa Kingdom Assam; 3. 10.12.22: Grand Trunk Road–Uttarapath; 4. 5.10.23: The Ghost Town of Kuldhara Near Jaisalmer;

(ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

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BOOK REVIEW: INDIAN CARTOONISTS ON TIBET (1950-2025)

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BOOK REVIEW: INDIAN CARTOONISTS ON TIBET (1950–2025)

Kamlesh Tripathi

    Indian Cartoonists on Tibet (1950–2025) is a compelling visual chronicle of Tibet’s long and painful journey, told not through conventional history but through the sharp, fearless ink of India’s most fearless and leading cartoonists.

    Spanning over seven decades, the book captures the evolving relationship between India and Tibet. It highlights moments of solidarity, silence, diplomatic and moral dilemma and the tragedy of a lost homeland. At its heart is His Holiness the XIV Dalai Lama, a spiritual leader in exile, a Nobel laureate and a global symbol of peace and compassion, whose life and legacy are reflected in these powerful illustrations. His ever smiling face has remained a remarkable expression of resilience despite the loss of his kingdom and homeland depicted grandly in the book. One can say so much about a man who kept smiling even after losing his kingdom? HH Dalai Lama’s early pictures will tell you that.

    The cartoons are far more than satire. They are acts of truth-telling. With wit and poignancy they reveal what headlines often miss: The heartbreak of displacement, the courage of resilience, the complexities of India-China relations, and the quiet strength of people who refuse to be forgotten. They also remind us that India not only lost a peaceful neighbour but also a serene Himalayan frontier.

    In a world where voices are often silenced, cartoonists become the storytellers of humanity, distilling complex realities into strokes that inform, provoke and inspire.

            The collection features 34 renowned Indian cartoonists as follows:

    Shankar, R.K. Laxman, Chandi, Ranga, Vijayan, Abu, Mario, Thackeray, Ninan, Puri, Kaak, Prriya Raj, Yesudasan, Varma, Nanda Soobben, Ravi Shankar, Ponnappa, Manjula, Morparia, Abe Gowda, Prakash Shetty, Mrityunjay, Unny, Jayanto, Shankar, Manjul, Sajith Kumar, Suku, Satish Acharya, Soumyadip Sinha, Narendra, Thommy, Krish and Eskay.

    The narration opens with an enlightened message from His Holiness the Dalai lama followed by a stimulating endorsement by Prof Samdhong Rinpoche.     The crisp foreword is by Tushar Gandhi, author and great-grandson of Mahatma Gandhi and Kasturba Gandhi. The all-encompassing preface is by French born author, researcher and Tibetologist, Claude Arpi, followed by reflections (We The People of India and Friends of Tibet!) by Medha Patkar, Social Activist and founder of Narmada Bachao Andolan. And then you have ‘Smile over Tears’ by Sethu Das, Founder and Friends of Tibet Foundation.

    Each cartoon (in all 50 plus) is accompanied by Arpi’s peppy commentary, placing the drawings within the historical and political context of Tibet, China and the complex Indo-China relationship.

    His Holiness the Dalai Lama reminds us that humour should not demean others but bring people together. The ability to laugh at oneself creates common ground and makes laughter wholesome.

    Prof. Samdhong Rinpoche calls the cartoonist a uniquely important communicator and praises the collection and commentary as excellent, noting the power of visual expression to transcend spoken language.

    Tushar Gandhi, sees the book as an engaging visual chronicle of India’s relationship with China. The early cartoons, particularly those addressing the Nehruvian era, offer direct and often unsettling criticism of diplomatic decisions. The book, he says, is also a mirror of changing political ideologies, public consciousness and India’s ethical engagement with the Tibetan cause.

    Claude Arpi describes the book as the story of the tumultuous years in the life of the Dalai Lama and the fate of Tibet. Despite the global recognition of the Dalai Lama as a man of peace, the older world order (Power, money, violence, etc.) still prevails and the fate of the Tibetan people is ignored. Claude cities Dalai Lama’s favourite quote, “If it can be remedied, there is no need to be unhappy. If it can’t be remedied, what is the use of being unhappy?”

    Medha Patkar, the founder of the Narmada Bachao Andolan, writes about, Tibet’s culture, surviving in exile and credits the Dalai Lama and his team for creating Dharamshala as a centre and symbol of the Tibetan freedom movement. She invokes the spirit of “We, the People of India and Friends of Tibet”, recalling the worldwide support for the Tibetan cause and urging continued solidarity with Tibetans.

    Says, Sethu Das, Founder of the Tibet Foundation: Friends of Tibet’s cartoon journey began with Mario Miranda (1926-2011), the celebrated cartoonist from Goa. As a steadfast supporter of the Tibetan cause, Mario served as an advisor for Friends of Tibet’s Festival of ‘Tibet 2000’ in Mumbai, inaugurated by the Dalai Lama himself. In one of our several conversations, His Holiness once asked me, “Why don’t you make your supporters laugh using cartoons instead of making them shed tears over photographs on Tibet?” It was this question that sparked the initial idea for Indian Cartoonists on Tibet.

    Published by The Alcove Publishers in association with Friends of Tibet Foundation, the book grew from a travelling exhibition into a powerful visual record. It is ultimately a tribute to art as resistance, memory and hope—and to the cartoonists who drew so that others could see.

               In these drawings, history smiles, protests, questions and sometimes grieves. And above all it remains the eternal smiling face of the Dalai Lama—a smile that says that even when a kingdom is lost, dignity, compassion and hope need not be.

(Kamlesh Tripathi is the son of the person who received HH Dalai Lama when he entered India in 1959)

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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STORY OF THE FOOLISH DEMON BAKASUR

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Bakasur was a very strong and powerful asur (demon). But he was also very foolish. He was a great devotee of Lord Shiva. Bakasur was very ambitious. He wanted to rule over the world. But, he did not know how to achieve his objective. He thought deeply over the matter, still he could not find a solution. So one day, he decided to please Shiva by worshipping him in order to fulfill his ambition. He knew that of all the Gods, Lord Shiva was the easiest to please.
He sat outside his cave in the jungle to pray. Each day, he would religiously cut off a part of his body and offer it to the Lord. This went on for several days. At last Shiva was impressed with his devotion and loyalty. He appeared before Bakasur and told him to ask for any boon that he wished. Bakasur was overjoyed. He said, “O Almighty! Please grant me a boon that on whosoever’s head I place my hand, he should die instantly.” The boon was granted by Shiva immediately.
Bakasur decided to begin his conquest of the world with Shiva himself. He raced towards Shiva to place his hand on his head. Terrified, Shiva ran for his life. Bakasur chased him with all his might. They ran across hills and mountains and rivers and ponds. But Bakasur did not give up the chase. Shiva was at his wit’s end. He did not know how to get rid of the demon. At last, Shiva decided to seek Vishnu’s help to get Bakasur off his back. He raced to Vishnu’s abode and quickly explained the whole story to him. On learning about the evil designs of Bakasur, Vishnu was furious. He decided to finish him off. “Don’t worry,” he said, “I will take care of the rogue.”
Disguised as a priest, Vishnu suddenly appeared before Bakasur.
“Why are you running like this Bakasur? And where are you going?” He asked. The foolish Bakasur quickly narrated the whole story about Shiva’s boon to him. Hearing this, Vishnu burst out laughing, “You foolish asur, Shiva is running away because he has deceived you. His boon is simply not true.” Bakasur looked confused. “If you don’t believe me,” continued Vishnu, “why don’t you put your hand on your head. You will know immediately.” This idea appealed to the foolish demon. He promptly did so and died. Lord Shiva heaved a sigh of relief and thanked Lord Vishnu for saving his life.

QUOTES 8/9/26

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QUOTES

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Size unfortunately, is a proxy for importance. That’s why king’s ride elephants, and forbade plebeians to be mounted around them.
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They do not see eye to eye, but they sing from the same sheet.
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Do unto others as you would have them do unto you.
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Keep your goals small and doable. Small steps, big results, is what I keep reminding myself.
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All civilization has from time to time become a thin crust over a volcano of revolution…HAVELOCK ELLIS
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The Buddha said, “The past no longer exists, and the future is not yet here.” There is only a single moment in which we can truly be alive, and that is the present moment…THICH NHAT HANH
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Economics is extremely useful as a form of employment for economists…JOHN KENNETH GALBRAITH
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The difference of great players is at a certain point in a match they raise their level of play and maintain it. Lesser players play great for a set, but then less…PETE SAMPRAS
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Attitude at altitude
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There are two inscriptions engraved on the temple of Apollo at Delphi: “Know thyself” and “Nothing in excess”.
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Students rarely disappoint teachers who assure them in advance that they are doomed to failure…SIDNEY HOOK
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There are always two different consciousnesses in the human being, one outward in which he ordinarily lives, the other inward and concealed…As sadhana progresses, one begins to live more and more in this inner being and the outer becomes more superficial…SRI AUROBINDO
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POEM: SHOW-OFF

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Poem: Show-Off

Kamlesh Tripathi

A show-off wears his wealth upon his sleeve,
And boasts of all that he has achieved,
His car must shine, his clothes must glow,
So that the world will stop to know.

He speaks of his friends in high places,
And counts his victories, his trips, as his aces;
His watch glitters, loud and bright,
As he flexes his wrist in great delight.

He pictures each meal and vista that he sees,
He shows off each brand he owns, each thing he knows.
He doesn’t live for the moment’s grace,
Rather, he lives it up to put it on display.

He measures his worth in likes and praises,
He walks through life in borrowed ways.
For every smile, he needs an applause,
For every deed, a hundred wows.

But beneath the ostentatious show,
There beats a heart that fears to know:
That wealth may fade, and fame may flee,
And masks reveal what none can see.

The truly rich need not proclaim
their wealth, their wisdom, or their name.
Deep rivers make no sound
Modest trees bear fruit to ground.

So let the ‘show-off’ blare and scream,
And decorate his fragile shrine.
For those who truly know their worth
Need no display to prove their worth.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***