Tag Archives: poetry

Panchatantra: The Curious Monkey

book corner, short story, short story on wild life, snippet, story, Uncategorized, , , , , , , , , , , , , , , , , ,

Copyright@shravancharitymission

“Wow! What’s that?” The curious monkey asked his friends–fellow monkeys. The friends, looking in the direction he was pointing, saw what had attracted his attention. It was a log of wood.
“What’s so interesting about a log of wood?” His friends asked.
Instead of answering the friends, the curious monkey ran to the log and jumped on it. Looking at the wedge in the middle of the log, the monkey reached out to touch it.
A little further down, a group of woodcutters were laughing and enjoying their meal, unaware of the prank the curious monkey was about to play. They had been cutting this log of wood all morning and had managed to cut a part of it, but they had to take a break for lunch. Not wanting the log to close up again, they had placed a wedge in the slit to keep it open.
This wedge was what the curious monkey began to tug at, while the other monkeys stepped aside. Suddenly, the wedge snapped and the log of wood shut, trapping the curious monkey’s leg.
While all his friends ran away in fear, the sad little monkey sat there in pain, waiting for the woodcutters to return from their break.
Lesson: Unnecessary interference in others’ matters may interfere with the matters of your life.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

POEM: MONSOON MELODIES

poem, POETRY, Uncategorized, , , , , , , , , , , , , ,

Copyright@shravancharitymission

MONSOON MELODIES

*

“The vibrant monsoon is a bonanza that revives the flora and fauna. Each drip and drop of rain feels like manna, falling from heaven and breathing life into Planet Earth.”

**

When the clouds occupy the sky,

And the day becomes overcast,

When the raindrops begin to fall,

My mind slips into a flashback.

*

When the downpour turns generous,

The world begins to hum in mellifluous,

The gardens swell with spirited life,

And streets flush clear, washed of strife.

*

The trees stand rinsed and tall,

Leaves shimmer in the rainfall,

Flowers beam their brightest hue,

The air feels clean, the world feels new.

*

My flashback swells and opens wide,

Revealing the joy I once kept inside,

The cool breeze brushes against my skin,

With the gentle warmth of life within.

*

The rainy day,

Pulls me out of my hideout,

For once,

Outside appears to be better than the inside.

*

In the slush and storm, I start my stride,

No longer wishing to hide,

The atmosphere becomes soothing,

When each moment becomes moving.

*

While sitting on the park bench,

I notice the droplet that lands on the shining leaf,

It remains there for a brief,

And then starts rolling down the leaf,

Taking with it all the heat.

*

The scourge of global warming,

Momentarily cools under the heavy downpour,

But the Hydra-Headed Monster,

Will soon rise, fears Mother Earth.

*

Life transforms and becomes mellifluent,
Thoughts become benevolent,
The air, though soaked, feels light and delirious,
Each moment is sweetly reminiscent.

*

The beauty of life sleeps in off time,

It awakens when the monsoon arrives,

It dresses up when the showers go by,

So enjoy the rain, the biggest gift to mankind.

**

“Monsoons give renewed life to Planet Earth. Typically, we don’t attach much importance to them. But can you imagine life on Planet Earth without the drip and drop of Rain?”

**

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

INTERESTING FACTS: OLD AND NEW DELHI: A COMPARISON

article, city, Uncategorized, , , , , , , , , , , , , , , , , ,

COPYRIGHT@shravancharitymission

BIGGER, MESSIER DELHI STILL HAS ITS ARMS WIDE OPEN

    …. DELHI IS A RARE CITY WITH A LONG PAST BUT NO HANKERING TO TIE ITSELF DOWN TO IT. WHETHER IT’S PEOPLE OR SPACES, IT ABSORBS THEM ALL WITHOUT RESERVE


  Delhi changed for me forever one day in the mid-1980s when a friend took me with him to the site where he was planning to buy a flat. There wasn’t much to see. The large tracts of nothingness, which became what we know today as Vasant Kunj, had no redeeming features. What was astonishing to me, however, was that when I looked towards Delhi, between me and the city stood the visage of Qutub Minar. That there could be a Delhi beyond Qutub Minar was something that made no sense to me. For in my imagination, it was pretty much at the very edge of the city. After all, that was a time when I remember going on a picnic in a bus with family friends to the exotic destination called Deer Park, far from our residence in Karol Bagh.
.         The Delhi that resides permanently in my mind is a cross between the city shown in Chashme Buddoor (the original, not the ghastly remake) and Oye Lucky, Lucky Oye. On the one hand, there are memories of wide open roads, a time scented with languidness, glorious winter mornings, neighbourhoods basking in leafy silence, and on the other hand, the untidy energy, the hustle, the ability to live loudly and publicly, and friends called Lovely, Pinky, Tinkle, Kuki and OK.
    The biggest change Delhi has seen is physical. It has burst out of its seams in all directions and has colonised spaces around it. It began with the conquest of Jamnapaar, which started out as a relocation drive of ‘unauthorised settlements’ under the watch of Sanjay Gandhi, but then took on a life of its own. Noida and Gurgaon are now cities in their own right, with their own cultural imprints, while drawing liberally from the mother ship.
    There are many more cars and there is a lot more money, which gives Delhi more mediums to express itself in. Delhi traffic nips at the heels of those in front, ready to kill to gain an inch of space. The murderous intent is expressed first in sound, achieved by honking persistently, and then sometimes followed by action, as evidenced by the number of road rage incidents. The money is visible everywhere – the old colony markets that continue to thrive, lavish weddings at farmhouses, crowds at high-end restaurants, and homes that overflow with decor.
    Perhaps the biggest loss is that of the Delhi winter. Delhi’s best, most glorious feature is now shrouded in noxious pollution that hangs like a foreboding and stings like regret. The joy of the outdoors, the enlivening experience of bone-chilling cold being thawed out by the sun as one sat on a charpoy and ate rewari and moongphali, basking for several glorious hours, is now an alleged memory, so far removed it has become. Winters are the time now to start muttering about migrating out of the city, while anxiously looking out for an AQI reading that tells us it is safe to step out of the home for a short walk.
    There are other losses, too. The cinema theatres, which served as a practical guide to different localities in the city, included Plaza, Odeon, Regal, and Rivoli in CP; Golcha, Novelty, Ritz, Delite, and Moti, which marked out Old Delhi; and Anupam, Savitri, Sapna, and the infamous Uphaar, which dotted areas of South Delhi. Some of these theatres remain, some have been refurbished, while others lie in dilapidated disuse. Nirula’s exists, but it is hard to believe it was at the cultural heart of  Delhi’s upper-middle-class youth once. The classic Delhi restaurants – Kwality, Embassy, Moti Mahal and Gaylord- are still around, but their role today is to serve as nostalgic artefacts. One goes there to savour the memory of a Delhi that once was. And while street food in Delhi continues to be as delicious, the famous names are now tourist spots more than unselfconscious, humble eating places.
    And yet, while Delhi has changed in so many ways, at its core, it feels the same. The life that one leads today is poles apart from one’s experiences growing up, but the idea of Delhi has not shown much change. It still lives fiercely in the present and remains unmindful of the history it is set smack in the middle of. Contrary to its popular image, Delhi is India’s only genuinely cosmopolitan city, in that only a small fraction of its residents can claim to be originally from the city. Everyone is a stranger, and everyone is in the city as a user. Delhi hones our appetite, keeps our competitive edge intact and gives us many opportunities to advertise our success. It might have sprawled in ungainly ways in the last few decades and become even louder and shinier, but there is nothing unrecognisable about Delhi.


(WRITTEN BY SANTOSH DESAI. TOI COLUMNIST AND AUTHOR)
TIMES OF INDIA ARTICLE 12.9.21

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

KABIR: BRIDGING FAITHS THROUGH VERSE

article, author profile, famous personalities, POETRY, Uncategorized, , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Copyright@shravancharitymission

    Imagine a wandering poet in 15th-century India, reciting verses that touched both kings and commoners. That was Kabir Das, a weaver who spun not just threads, but words that would echo through centuries. His dohe (two-line verses) weren’t just poetry. They were life lessons presented in everyday parlance, cutting across the noise of religious divisions and social barriers. Even today, his razor-sharp wisdom hits home, whether you’re puzzling over life’s essential questions or just trying to be a better person.

    Kabir is one of the most fascinating personalities in the history of Indian mysticism. Born in or near Benares to Muslim parents, likely around the year 1440, he became a disciple of the renowned Hindu ascetic Ramananda early in life. Ramananda had brought to North India the religious revival that Ramanuja, the great twelfth-century reformer of Brahmanism, initiated in the South.

    At a time when the great Persian mystical poets like Attar, Sadi, Jalaluddin Rumi, and Hafiz were exercising a powerful influence on India’s religious thought process, Kabir dreamt of reconciling the intense and personal Muslim mysticism with the traditional theology of Brahmanism. Kabir was a significant religious reformer and the founder of a sect to which millions of north Indian Hindus still belong.

A hater of religious exclusivism, his wonderful dohe (self-contained rhyming couplets) survive to convey the spontaneous expressions of his vision and love for all religions. It is impossible to tell if Kabir was a Brahman, Sufi, Vedantist, or Vaishnavite. He is, as he says himself, “at once the child of Allah and of Ram.”

    Kabir’s life is steeped in contradictory legends, none of which can be verified. Some originate from Hindu sources, while others come from Muslim traditions. They depict him as either a Sufi or a Brahmin saint. Nonetheless, his name serves as definitive proof of his Muslim heritage. A credible story portrays him as the biological or adopted child of a Muslim weaver from Benares, where the chief events of his life transpired.

    The syncretic tendencies of the Bhakti religion had reached their full potential in the fifteenth century. The Sufis and Brahmins often had disagreements. Kabir, who was born with religious passion, saw in Ramananda his destined teacher. But he knew the chances were slight that a Hindu guru would accept a Muslim as his disciple. Nevertheless, he hid on the steps of the River Ganges, where Ramananda used to frequent to bathe. The guru, while coming down the steps to the water, trod upon his body unexpectedly, and exclaimed in amazement, “Ram! Ram!” … the name of the incarnation that he worshipped. Kabir then announced that he had received the mantra of initiation from Ramananda’s lips and was, by it, admitted to his discipleship. This led to protests by orthodox Brahmins and Muslims. They both were equally annoyed by this contempt, but Kabir persisted with his claim. It appears Ramananda accepted him. Though Muslim legends speak of the famous Sufi Pir, Takki of Jhansi, as Kabir’s guru in his later life, the Hindu saint is the only human teacher to whom, in his dohe, he acknowledges indebtedness.

    Kabir, for years, remained the disciple of Ramananda. He participated in the theological debates which his guru held with the Mullahs and Brahmins of the day. He may or may not have submitted to the traditional education of the Hindu or the Sufi ruminative. And he never adopted the life of the professional ascetic. He remained grounded as a householder and weaver.

    Kabir can certainly be considered a unifier, especially in the context of religious and spiritual thought processes in medieval India. His fearless critique of both Hinduism and Islam, as well as his rejection of empty ritualism and dogma, was par excellence. It places him among the most important voices of syncretic spirituality in the Indian subcontinent.

    He was certainly an isthmus between Hindu and Muslim traditions. Kabir was born at a time (15th century India) when religious tensions between Hindus and Muslims were rampant. Despite this, his poetry flourished from both traditions. He used Hindu concepts like Rama and Karma. He invoked Sufi Islamic ideas such as Allah, soul-union with the divine, and the murshid (spiritual guide). But he was critical of both Brahmanical orthodoxy and Muslim clergy, often mocking the meaningless rituals of both groups. His criticism had an oblique humour which blunted the ill feeling, if any, like the verse below:

    “Mo ko kahan dhunro bande/Main toh tere paas mein/Naa main deval naa main masjid/Naa kaabe kailaas mein/Naa mein koune kriya karam mein/Nahi yog vairaag mein/Khoji ho to turate mila-ihe pal bhar ki talaas mein/Kahyen Kabir suno bhaai saadho sab swason ki swans mein.” (O Servant, where are you seeking Me? I am beside you. I am neither in a temple nor a mosque; I am neither in Kaaba nor in Kailash: Neither am I in rites and ceremonies, nor in Yoga and renunciation. If you are a true seeker, you shall at once see Me: You shall meet Me in a moment of time. Kabir says, “O Sadhu! God is the breath of all breath.”)

    Kabir’s mysticism was Bhakti in form, but Sufi in essence. He focused on the inner connection with God, a theme shared by both traditions. He believed in the emphasis of inner experience over rituals. He emphasised personal devotion (Bhakti) over temple rituals. Like Sufi mystics, he stressed on love, surrender, and the heart’s experience of the Divine.

    Kabir wrote in vernacular Hindi (a mix of Awadhi, Braj, and Bhojpuri), not in Sanskrit or Persian. For example, “Guru Govind dono khade, kaake laagu pai/Balihaari guru aapne, Jin Govind diyo batay. (When Guru and God both are standing before you, whom will you bow to first? I am indebted to the Guru, who has shown me the path to God, hence, I will bow to him first.)

    This made his teachings accessible to ordinary people across caste and religious boundaries, uniting them through shared human concerns such as life, death, love, hypocrisy, suffering, and salvation. Kabir is revered among communities such as Hindus, Muslims, and Sikhs. Several of Kabir’s verses are included in the Guru Granth Sahib. The Kabir Panthis is a sect that still follows his teachings and promotes interfaith harmony.

    Kabir can be seen as a harmoniser. Not because he merged religions into one, but because he rose above sectarian identities and pointed toward a universal spiritual truth that transcended dogmas. His fearless voice called for a unity of hearts, not of institutions. He remains a timeless symbol of spiritual integrity, courage and harmony.

    Kabir’s dohas (couplets) and poems are a key part of his fearless critique of religious dogma. He did not spare either Hinduism or Islam in pointing out hypocrisy, meaningless rituals, or spiritual arrogance.

    Kabir wasn’t against religion per se, but against the ritualistic, dogmatic, and divisive practices that religions had become associated with. His criticism was not destructive—it was reformative, calling people back to the core spiritual experience, love of God, and inner transformation.

Written by author & columnist Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

The Significance of Number 18 in Hindu Scriptures

article, facts, mythology, shravan charity mission, snippet, spiritual, Uncategorized, , , , , , , , , , , , ,

Copyright@shravancharitymission

    Number 18 unquestionably is considered auspicious and has great significance in Hindu scriptures. This significance is highlighted in the great epic, the Mahabharata. While reading the holy epic Mahabharata, you will find that it is divided into 18 parvas (sections). Let’s not forget that the holy war of the Mahabharata, fought in Kurukshetra, was fought over 18 days. The battlefield witnessed 18 divisions (akshauhinis) of armies. 11 divisions were on the Kauravas’ side and 7 were on the Pandavas’ side. At the end of the war, which lasted 18 days, it is believed that only 18 prominent individuals survived. This underlines the transformative impact of this conflict, which had spiritual and moral dimensions.

    The Bhagavad Gita, which is a sacred discourse delivered by Lord Krishna and is the most important part of the Mahabharata, also consists of 18 chapters. At the end of its 2nd chapter, Lord Krishna outlines 18 qualities that define a person of steady wisdom (sthita-prajna), highlighting the traits of one who has achieved spiritual victory.

    Apart from the Mahabharata, the number 18 also appears in other key Hindu texts. There are 18 major Puranas and 18 Upapuranas, which include stories, teachings, and cosmological concepts. There are 18 Dharmashastras, guiding principles of law and ethics for righteous living.

    The central idea of all scriptures of all religions in the world is the same. The prime idea is the victory of the higher being over the lower one, or righteousness over unrighteousness, or of the good over the evil, and of dharma over adharma. Ved Vyas had originally titled the Mahabharat as Jaya (victory). The word Jaya is in the opening stanzas of both the Mahabharata and the Gita.

    Interestingly, in the ancient Katapayadi system (numerical notation system) of Sanskrit numerology, where letters are assigned numerical values, the word “Jaya” (meaning “victory”) equals 18. The original name of the Mahabharata was Jaya Samhita, and it appears in the opening verses of both the Mahabharata and the Gita. This numerical value emphasises the theme of spiritual triumph. To highlight the significance of the word Jaya, the number 18 is given a prominent place not only in the Mahabharata but also in various other Hindu scriptures. Thus, the number 18 is repeatedly used as an auspicious reminder to stay alert in our constant battle for inner spiritual victory.

Across all Hindu scriptures, the central message remains unchanged: the victory of dharma (righteousness) over adharma (unrighteousness), the higher self over the lower, and good over evil. The repeated use of the number 18 serves as a symbolic reminder of this ongoing inner battle—and the ultimate goal of achieving spiritual victory, or jaya.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*kamleshsujata@yahoo.com

.**

The Story of King Bali

short story, spiritual, story, Uncategorized, vignette, , , , , , , , , , ,

Copyright@shravancharitymission

    Once upon a time, there lived a daitya king named Bali, also known as Mahabali, Indrasenan, or Maveli. He was the noble grandson of Maharaja Prahlad. Though born of a demon lineage, King Bali aspired to rule over the devatas (celestial beings). To fulfil his ambition, he performed a fire-sacrifice (Yajna) and received a boon of powerful weapons from the Fire-God.

    Armed with these divine weapons, King Bali marched toward the Indraloka. Upon hearing of Bali’s intent, Indra—the king of Indraloka—sought advice from his guru, Brihaspati. On his guru’s counsel, Indra fled and went into hiding. Bali seized control of Indra’s kingdom and performed a grand sacrifice to gain even greater power than the devatas.

    Aditi, the mother of the devatas, was distressed by the demon king’s rule. She turned to her husband, the great sage Kashyapa, for help. He advised her to observe payovrata—a vow of subsisting only on milk for a set period—to please Lord Vishnu. “Only Lord Vishnu can help us,” he said.

    Pleased with Aditi’s devotion, Lord Vishnu appeared before her and promised, “I will take birth as your son and protect the devatas.” Aditi was overjoyed. In time, Lord Vishnu incarnated as her son, Vamana, a dwarf brahman. All the devatas and sages came to greet the divine child.

Sage Brihaspati conducted Vamana’s upanayanam (sacred thread ceremony), while Yamaraja chanted the Gayatri Mantra. Indra gifted Vamana an umbrella; Brahma gave a Kamandalu (water pot). Chandra offered a shaft, and the seven sages presented Kusha grass.

Meanwhile, King Bali was performing the Ashvamedha Yajna to increase his dominion. Vamana, now a radiant young brahman, entered Bali’s palace. His brilliance astonished the king and the assembled sages.

King Bali welcomed Vamana with great respect and asked, “Lord, what can I do for you?”

Pleased with the king’s hospitality, Vamana praised his lineage and humbly requested, “Grant me just three steps of land, measured by my feet.”

Amused by such a modest request, Bali replied, “I am a king! You may ask for villages, gold, cows—anything you desire.” But Vamana smiled and insisted on only three steps of land.

Maharaj Bali agreed to the request, but his guru, Shukracharya, warned him, “This is no ordinary brahman. He is Lord Vishnu in disguise, come to destroy you and restore the devatas.”

Even after realising Vamana’s true identity, Bali stood firm in his promise. He chose to honour his word over his guru’s warning. He performed the ritual and granted Vamana the three steps of land.

At once, Lord Vamana began to grow—taller and taller—until his form encompassed the entire earth with his first step. The galaxies became his crown. As he grew further, they became his necklace, waistband, and anklets. With his second step, he covered all the worlds.

Then Vamana turned to Bali and asked, “Where is the land for my third step?”

In a gesture of absolute surrender, King Bali offered his head for the final step. Touched by Bali’s devotion and integrity, Lord Vamana blessed him and granted him rule over the lower realms, promising, “I will be your gatekeeper, so you may always have my darshan.”

The devatas showered flowers from the heavens and praised both Lord Vamana and King Bali for their selfless devotion.

King Mahabali is revered in early Hindu texts as a noble and generous ruler. His reign was marked by fairness, prosperity, and happiness for his people. It is believed that in the next Yuga, Mahabali will become the king of heaven.

In Kerala, Mahabali is remembered as the greatest ruler of all time. His legend forms the heart of the annual Onam festival. His story is also celebrated across Maharashtra, Karnataka, Gujarat, Telangana, and Andhra Pradesh as Balipratipada, Balipadyami, or simply Bali.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

POEM: GLOBAL WARMING

poem, POETRY, Uncategorized, , , , , , , , ,

Copyright@shravancharitymission

Enjoy my poem published in the Bandra Times newspaper:

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

****

THREE LOVE STORIES: A COMPARISON

about authors, article, Uncategorized, , , , , , , , , , , , , ,

Copyright@shravancharitymission

     William Shakespeare’s Romeo and Juliet and O. Henry’s The Gift of the Magi and A Service of Love are three love stories that were written in different periods and contexts, but they share significant thematic elements. Despite the stark differences in style and setting, all three stories explore the concepts of love, sacrifice, fate, and irony. In Romeo and Juliet, the love between the two protagonists is intense, impulsive, and passionate. Shakespeare portrays their love as something that transcends the societal boundaries and family feuds that separate them. Their love is pure but becomes tainted by haste and miscommunication, leading to their untimely deaths.

    In contrast, O. Henry’s The Gift of the Magi and A Service of Love presents love in a more grounded manner. In A Service of Love, the love between the narrator and Delia is expressed through everyday acts of devotion and sacrifice. Delia’s love is not exhibited in grand gestures but through her ongoing, selfless actions that reflect her deep commitment to her husband. Similarly, in The Gift of the Magi, the love between Della and Jim is conveyed through selflessness. They each sacrifice their most prized possessions—Della’s hair and Jim’s watch—to buy meaningful gifts for one another. These stories show that love can be expressed through small, meaningful gestures. While the love in Romeo and Juliet is more dramatic and intense, the love in O. Henry’s stories is equally profound, though more subtle and enduring.

    Sacrifice is a key element that runs through all three stories, though the nature and consequences of these sacrifices differ greatly. In Romeo and Juliet, the sacrifices made by the characters are both tragic and irreversible. The lovers’ decision to end their lives in response to the misunderstanding of Juliet’s “death” demonstrates the extreme measures they are willing to take for love. Shakespeare suggests that while love can transcend boundaries, it can also lead to irreversible consequences.

    In contrast, the sacrifices in A Service of Love and The Gift of the Magi are significant but not life-threatening. In A Service of Love, Delia sacrifices her time and comfort to help her husband, performing physically demanding tasks to make his life easier. Her love is expressed through her efforts, which, though modest, speak volumes about her dedication. In The Gift of the Magi, Della and Jim make significant sacrifices—selling their most prized possessions—but their actions result in an ironic twist, as their sacrifices make their gifts useless. Though these sacrifices are not tragic like those in Romeo and Juliet, they still highlight the depth of devotion between the characters.

    The endings of the three stories underscore the different treatments of love and sacrifice. Romeo and Juliet end tragically, with both lovers dying as a result of a series of misunderstandings. Their deaths, though stemming from a genuine desire to be together, illustrate the destructive power of family feuds, social expectations, and fate. On the other hand, O. Henry’s stories end on a more bittersweet note. In A Service of Love, while the narrator reflects on the sacrifices made by Delia, there is no major calamity. Similarly, in The Gift of the Magi, the irony of Della and Jim’s sacrifices—where their gifts become useless—is poignant, but the story ends with a sense of warmth and affection.

    Romeo and Juliet explores the class-based conflict, with the Montagues and Capulets representing two wealthy, influential families. Their feud drives much of the plot. Whereas, O. Henry’s stories play out in more modest, working-class settings. In A Service of Love, the couple’s humble lifestyle and sacrifices reflect the struggles of everyday life. Similarly, in The Gift of the Magi, the focus on modest means emphasizes that love cannot be measured by material wealth. The story suggests that the most valuable gifts are often those that come from the heart.

    The role of fate in these stories varies significantly. In Romeo and Juliet, fate plays a central role. The lovers are described as “star-crossed,” suggesting that their tragic end is predetermined by forces beyond their control. Their love, though intense and pure, is ultimately doomed due to family loyalty, social pressures, and the unavoidable force of fate.

    In contrast, O. Henry’s characters in A Service of Love and The Gift of the Magi are not bound by fate in the same way. The outcomes of these stories are shaped more by the characters’ decisions and sacrifices. The irony that emerges in O. Henry’s works stems not from external forces but from the characters’ internal desires to express their love, leading to unexpected yet touching outcomes.

    Irony plays a significant role in all three stories. In Romeo and Juliet, dramatic irony intensifies the tragedy. The audience knows that Juliet is not dead, but Romeo, unaware of this, tragically takes his own life. This sense of irony heightens the impact of the play, underscoring the dangers of miscommunication and haste in matters of the heart.

    In O. Henry’s stories, the irony is more bittersweet. In The Gift of the Magi, Della and Jim sacrifice their most valuable possessions to buy each other meaningful gifts, only to discover that their sacrifices have rendered their gifts useless.

    While Shakespeare’s Romeo and Juliet explores love’s tragic consequences in a world of social conflict and fate, O. Henry’s stories—The Gift of the Magi and A Service of Love—present love as something that transcends material concerns through sacrifice and selflessness.

Posted by Kamlesh Tripathi

Author, Poet & Columnist

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

NO EFFORT GOES IN VAIN

article, Uncategorized, , , , , , , , , , , , , , , , , , , ,

Copyright@shravancharitymission

    Primordial times are privy to the fact that nothing is achieved in life without effort. The effort could be either positive or negative. The choice is yours as God doesn’t control your Karma. A negative effort could lead to the dropping of the atomic bomb on Japan’s Hiroshima and Nagasaki, destroying it completely, whereas a positive effort could be the construction of the Suez Canal, which shortened the maritime distance considerably, between Asia and Europe, thereby accelerating the cargo and passenger movement by sea. And every inch of effort bears a proportionate result, as per the law of nature.

     Hu Shih, a former Chinese diplomat to America who was also an essayist, fiction writer, literary scholar, philosopher and politician once said, ‘Life on its own does not mean anything – it takes on any meaning that you decide to give it. Instead of spending all day contemplating the meaning of life, we may as well attempt to do something that gives it one.

    Be bold when making a case and cautious in seeking evidence; be earnest in all matters and solemn in your conduct. We must be firm in believing that today’s failure is yesterday’s lack of hard work and effort and that today’s effort and hard work will surely lead to tomorrow’s great success.

    The moments when you are sad and disappointed are the times when you need courage and faith the most. You need to firmly believe that no effort and hard work ever goes wasted in this world. I may not be the one to succeed – yet no effort will go in vain.

    Every part of yesterday makes up for what I am today; do not think too far ahead and grieve. From now on, I shall reap as I sow.’

    The sane advice from the Buddhist Dharmapada is, ‘The effort is like a treasure. Those who make positive efforts are mindful, pure in conduct, self-disciplined, and live in accordance with the Dharma, have ever-increasing glory. Through effort, heedfulness, and self-discipline, the wise make a continent for themselves that cannot be submerged by flood. The foolish and ignorant indulge in heedlessness, while the wise guard his heedlessness as if protecting a gem.’

     ‘There is a story of effort behind every success’ says the Chinese venerable master Hsing Yun. He says ‘The name of the effort may vary. Just as, to succeed, one needs hardships; to be celebrated one needs pressure; to gain honour one needs to labour; to achieve one needs to sacrifice and be dedicated. An ancient tree survives wind and frost. A skyscraper is raised with money and sweat. An old business has its ups and downs. An old man is tested by misfortune. Those who don’t look back have no past. Those who don’t look forward have no future. Those who don’t seize the moment have no present. Those who don’t master themselves will not change the society.’

    Hsing Yun further says ‘Repeated action becomes a habit, the habit becomes a character, the character becomes fate and fate rules your life and when you work hard, don’t worry about success or failure. When you have done your best don’t worry if you’ve failed, for no effort goes in vain.’

        Here I’m also reminded of the Greek tragedian Sophocles who said, ‘Success is dependent on effort’, and have you ever seen an idle man succeed?

Posted by Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

*

Like it and Share it

*

Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Publications of Kamlesh Tripathi

BOOK TITLE: GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in eight prestigious libraries of the US which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in the libraries and archives of Canada; the Open Library; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh and Azim Premzi University, Bangalore and the Library of Cancer Aid and Research Foundation, Mumbai. The title also finds a mention in a book titled ‘Enduring Cancer: Life, Death and Diagnosis in Delhi’ by Dwaipayan Banerjee published by the Duke University Press).

BOOK TITLE: ONE TO TANGO … RIA’S ODYSSEY

(It is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

BOOK TITLE: AADAB LUCKNOW … FOND MEMORIES

(This is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is catalogued and included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland; Charlotte-Mecklenburg Library, Mecklenburg County, North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California; The Peshastin Public Library and The George Public Library near Washington, a Northern Central Washington Libraries branch; the Flagstaff City-Coconino County Public Library in Arizona in the US and the Salina Public Library, Kansas, USA.

BOOK TITLE: REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

BOOK TITLE: TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read not only for salesmen but for any reader. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

BOOK TITLE: RHYTHM … IN POEMS

(Published in January 2019. The book contains 50 poems. The poems are about our day-to-day life. Poems from this book have been published in Shillong Times, Bandra Times, Bhavan’s Journal and Arunachal Times and Goan net. The book is available on Amazon, Flipkart and Onlinegatha)

BOOK TITLE: MIRAGE

(Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

BOOK TITLE: AWADH ASSAM AND DALAI LAMA … The Kalachakra

(It is the story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness The Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR) Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness The Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE. Included in the library of Friends of Tibet and Maharashtra Mitra Mandal Library in Bandra, Mumbai.

(POEMS, SHORT STORIES AND ARTICLES OF KAMLESH TRIPATHI PUBLISHED IN NEWSPAPERS, JOURNALS AND MAGAZINES)

THE TIMES OF INDIA

Speaking Tree: 1. Basant Celebrates Ma Saraswati, Shiv, And Spring 1.2.25; 2. Mahashivratri: A Night of Divine Illumination, 26.2.25;

    BHAVANS JOURNAL

    Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.19; 2. Sending the Wrong Message, 31.5.20; 3. Eagle versus Scholars, June, 15 & 20, 2020; 4. Indica, 15.8.20; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22;27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 1.1.23; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. The Nag Mandir 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23; 45.Book review: Jungle Nama … a story of the Sundarban 16.3.24; 46. Book review: A Forgotten Chapter 16.5.24; 47. Exploring Ancient Egypt, 1.8.24; 48. The Story of Dhruva, 16.8.24; 49. Two Hundred Years of Tea in Assam 16.9.24; 50. The Cosmic Messenger 16.10.24; 51. Biblioburro: The Four-Legged Library 16.11.24; 52. The Cologne Cathedral 1.1.25; 53. Gandhi to Mahatma 16.1.25;

    THE SHILLONG TIMES

    Articles & Poems: 1. Poem: Happy New Year 8.1.23; 2.Poem: Spring 12.3.23; 3.Poem: Right and Wrong 20.3.23; 4. The Gush of Emotion—Writing, 26.3.23; 5. The Nag Mandir, 7.5.23; 6. Poem: Mother 7.5.23; 7. Poem: Rain Rain 9.7.23; 8. Poem: You Come Alone You Go Alone 6.8.23; 9. Poem: Rain Rain (Second Time) 10.8.23; 10. Poem: Guru Teacher 1.10.23; 11. Poem: Autumn … The Interim Heaven 15.10.23; 12. Poem: Happy Diwali 12.11.23; 13. Overcoming Blindness: Learn it the John Milton Way 10.12.23; 14. The Happy Prince and The Happy Man’s Shirt 31.12.23; 15. Annus Mirabilis -2024 7.1.24; 16. Gandhi to Mahatma Gandhi- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. Poem: Together But Not Made For Each Other, 11.2.24; 18. The Birds Bees and The Spiders of Nicholas Guildford and Jonathan Swift 25.2.24; 19. The Overcoats of Nikolai Gogol and Ruskin Bond 10.3.24; 20. The Ethnic Colours of Holi 24.3.24; 21. A Lesson from Dalai Lama, 21.4.24; 22. Poem: Morning Walk 28.4.24; 23. Trip to Rhine Falls, Switzerland, 19.5.24; 24. Poem: Hurt 2.6.24; 25. Poem: Your Conscience Was My Sign On 16.6.24; 26.Poem: The Eerie Ways of Time 7.7.24; 27.Poem: Celebrating the T20 World Champions 14.7.24;28. Read to Rise above mediocrity, 4.8.24; 29. Poem: Desire vs Reality 11.8.24; 30. Jack Ma’s Pristine Advice to Employers, Employees and the Youth 22.9.24; 31. Tagore and Kipling 3.11.24; 32. Poem: Merry Christmas 22.12.24; 33. Poem: The Sunset Point, 5.1.25; 34. Cancer Warning Labels on Alcoholic Beverages, 12.1.25; 35. Poem: Hope … In the Arc of Twilight, 19.1.25; 36. Basant Panchami, celebrates the Arrival of Spring 2.2.25; 37. Poem: The Falling World Order, 9.2.25; 38. A Peep into Native American Literature’ 39. Poem: Good day Bad day 9.3.25;

    THE ASSAM TRIBUNE

    Article: 1. The Magic of Reading 11.12.23; 2. Gandhi to Mahatma 29.1.24; 3. Geography of Solitude 8.4.24; 4. A Lesson From Dalai Lama, 22.4.24; 5. A Source of Inspiration, 29.4.24; 6. The Four-Legged Library, 12.5.24; 7. Age and Achievement, 10.6.24; 8. Read … To Rise Above Mediocrity, 1.7.24; 9. Crusade for a College, 25.8.24; 10. Hemingway’s Iceberg Theory (Panorama) 27.9.24; 11. Short story: Love in the Air, 20.10.24; 12. Short story: The Prick of Conscience, 5.1.25; 13. Lost in translation, 6.1.25; 14. Travellers’ tales 20.1.2025; 15. Audit your days 17.2.25;

    THE ARUNACHAL TIMES

    Poem: 1. Hope—In The Arc of Twilight, 13.8.23; 2.Poem: Spring 3.3.24; 3.Poem: The Morning Walk 10.3.24;

    BANDRA TIMES, MUMBAI

    Articles & Poems: 1. Poem: SPRING, 1.4.23; 2. Poem: Mother, 1.6.23; 3. Poem: Rain Rain, 1.8.23; 4. A Lesson From Dalai Lama, 1.6.24; 5. Read to rise above Mediocrity 1.8.24

    THE GOAN NET

    Poem: 1. Autumn – The Interim Heaven, 6.10.24; 2. Reader’s Rewind 17.11.84; 3. Reader’s Rewind: The Irony of Tash Moustache or Mooch 5.12.24; 4. The Sunset Point 22.12.24; 5. Reader’s Rewind: The Joy of a Morning Walk, 3.1.25; 6. Harmony in creation 26.1.25; 7. Poem: What is truly Good for me? 2.1.25; 8. Poem: We both were left behind, 9.2.25; 9. India Afloat like Ship of Theseus; 10. Maha Shivratri: A night of divine illumination, spiritual awakening, 26.2.25; 11. Poem: Good Day Bad Day, 2.3.25;

    ARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI

    Aritcles: 29.12.2020: Indica by Megasthenes; 14.3.22: About The Dimasa Kingdom Assam; 10.12.22: Grand Trunk Road–Uttarapath; 5.10.23: The Ghost Town of Kuldhara Near Jaisalmer;

    (ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

    *****

    INDIA AFLOAT LIKE THE SHIP OF THESEUS

    Uncategorized, , , , , , , , , , , ,

    Copyright@shravancharitymission

        Resilient India, much like the Ship of Theseus, has undergone profound and continuous transformations over the centuries, yet its essence remains remarkably consistent. The Ship of Theseus’s paradox is a classic philosophical thought experiment that queries whether an object that has had all its parts replaced over time can still be considered the same object. The paradox raises fundamental questions about identity, continuity, and change—questions that can be deeply applied to the story of India.

        During its primordial history, India has been subjected to multiple invasions, foreign influences, colonial rule, and internal upheavals. From the early invasions of the Mughals to British colonisation, followed by independence and the ongoing evolution of its society, India has seen drastic political, social, and cultural changes. Yet, despite these transformations, India has retained its core identity, much like the Ship of Theseus, which, although constantly repaired and refurbished, still retains its function and spirit. The question, then, arises: Is India still the same India after all these changes? Or has it become something fundamentally different?

        The analogy of the “rotting planks” and the “invaders” is especially apt in this context. India’s history has been marked by waves of foreign influence and control. Yet, like the ship that stays afloat even as its parts and planks are gradually replaced, India has managed to preserve its relevance through the centuries. The country’s resilience and ability to absorb and adapt to these changes demonstrate its remarkable continuity.

        Hinduism, in particular, serves as an example of this enduring continuity. Despite the multiple invasions, foreign rule, and the introduction of different religions and philosophies, Hinduism has not only survived but has thrived. It has evolved, integrating new ideas and practices, yet its core spiritual principles have remained unchanged. Hinduism flourished during ancient times, including the Ram Rajya and Mahabharata, and even after the numerous foreign invasions, it continues to flourish even today. (Mahakumbh is a live example of that).

        The Ship of Theseus’s paradox becomes even more compelling when we apply it to India’s history. Just as the ship’s identity persists even as its parts are replaced, India’s identity remains intact, even though it has undergone substantial transformations. Over the centuries, India has experienced numerous political and cultural shifts—each of these changes can be seen as the replacement of one “plank” of the ship. British colonial rule introduced new administrative systems, ideologies, and governance structures, while independence and partition created dramatic changes in India’s political landscape.

        Yet, beneath these changes, the core of India remains the same. The specific manifestations of India’s identity may have shifted over time, but its fundamental essence remains intact. India’s ability to absorb external influences while maintaining its unique cultural identity is what allows it to continue to thrive, much like a ship that, despite repairs and refurbishments, retains its original course.

        The paradox of identity that the Ship of Theseus presents raises important philosophical questions: If every component of India has changed over the centuries, is it still the same India? Or is it a new entity altogether? From a metaphysical perspective, the answer may lie in the idea that identity is not static. Just as the ship retains its spirit even as its physical form changes, India retains its soul even as its political, social, and cultural structures evolve.

        India’s story, then, is one of dynamic continuity. It is a living, breathing entity that evolves while retaining the essence of its civilization. Each phase of India’s history—whether the ancient period, the medieval era, the colonial period, or post-independence India—adds a new layer to the country’s identity. These layers are not a sign of India losing its original self, but rather of a nation that is constantly redefined, reshaped, and yet always remains connected to its roots. Just like the Ship of Theseus, India’s identity is not determined by the individual parts but by the broader spirit that she carries through time.

    Written and posted by Kamlesh Tripathi

    *

    https://kamleshsujata.wordpress.com

    *

    Like it and Share it

    *

    Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

    NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

    Account no: 680510110004635 (BANK OF INDIA)

    IFSC code: BKID0006805

    *

    Publications of Kamlesh Tripathi

    BOOK TITLE: GLOOM BEHIND THE SMILE

    (The book is about a young cancer patient. Now archived in eight prestigious libraries of the US which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in the libraries and archives of Canada; the Open Library; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh and Azim Premzi University, Bangalore and the Library of Cancer Aid and Research Foundation, Mumbai. The title also finds a mention in a book titled ‘Enduring Cancer: Life, Death and Diagnosis in Delhi’ by Dwaipayan Banerjee published by the Duke University Press).

    BOOK TITLE: ONE TO TANGO … RIA’S ODYSSEY

    (It is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

    BOOK TITLE: AADAB LUCKNOW … FOND MEMORIES

    (This is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is catalogued and included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland; Charlotte-Mecklenburg Library, Mecklenburg County, North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California; The Peshastin Public Library and The George Public Library near Washington, a Northern Central Washington Libraries branch; the Flagstaff City-Coconino County Public Library in Arizona in the US and the Salina Public Library, Kansas, USA.

    BOOK TITLE: REFRACTIONS … FROM THE PRISM OF GOD

    (Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

    BOOK TITLE: TYPICAL TALE OF AN INDIAN SALESMAN

    (Is a story of an Indian salesman who is, humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read not only for salesmen but for any reader. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

    BOOK TITLE: RHYTHM … IN POEMS

    (Published in January 2019. The book contains 50 poems. The poems are about our day-to-day life. Poems from this book have been published in Shillong Times, Bandra Times, Bhavan’s Journal and Arunachal Times and Goan net. The book is available on Amazon, Flipkart and Onlinegatha)

    BOOK TITLE: MIRAGE

    (Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

    BOOK TITLE: AWADH ASSAM AND DALAI LAMA … The Kalachakra

    (It is the story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness The Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR) Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness The Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE. Included in the library of Friends of Tibet and Maharashtra Mitra Mandal Library in Bandra, Mumbai.

    (POEMS, SHORT STORIES AND ARTICLES OF KAMLESH TRIPATHI PUBLISHED IN NEWSPAPERS, JOURNALS AND MAGAZINES)

    TIMES OF INDIA

    Speaking Tree: Basant Celebrates Ma Saraswati, Shiv, And Spring 1.2.25; 2. Mahashivratri: A Night of Divine Illumination, 26.2.25;

    BHAVANS JOURNAL

    Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.19; 2. Sending the Wrong Message, 31.5.20; 3. Eagle versus Scholars, June, 15 & 20, 2020; 4. Indica, 15.8.20; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22;27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 1.1.23; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. The Nag Mandir 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23; 45.Book review: Jungle Nama … a story of the Sundarban 16.3.24; 46. Book review: A Forgotten Chapter 16.5.24; 47. Exploring Ancient Egypt, 1.8.24; 48. The Story of Dhruva, 16.8.24; 49. Two Hundred Years of Tea in Assam 16.9.24; 50. The Cosmic Messenger 16.10.24; 51. Biblioburro: The Four-Legged Library 16.11.24; 52. The Cologne Cathedral 1.1.25; 53. Gandhi to Mahatma 16.1.25;

    THE SHILLONG TIMES

    Articles & Poems: 1. Poem: Happy New Year 8.1.23; 2.Poem: Spring 12.3.23; 3.Poem: Right and Wrong 20.3.23; 4. The Gush of Emotion—Writing, 26.3.23; 5. The Nag Mandir, 7.5.23; 6. Poem: Mother 7.5.23; 7. Poem: Rain Rain 9.7.23; 8. Poem: You Come Alone You Go Alone 6.8.23; 9. Poem: Rain Rain (Second Time) 10.8.23; 10. Poem: Guru Teacher 1.10.23; 11. Poem: Autumn … The Interim Heaven 15.10.23; 12. Poem: Happy Diwali 12.11.23; 13. Overcoming Blindness: Learn it the John Milton Way 10.12.23; 14. The Happy Prince and The Happy Man’s Shirt 31.12.23; 15. Annus Mirabilis -2024 7.1.24; 16. Gandhi to Mahatma Gandhi- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. Poem: Together But Not Made For Each Other, 11.2.24; 18. The Birds Bees and The Spiders of Nicholas Guildford and Jonathan Swift 25.2.24; 19. The Overcoats of Nikolai Gogol and Ruskin Bond 10.3.24; 20. The Ethnic Colours of Holi 24.3.24; 21. A Lesson from Dalai Lama, 21.4.24; 22. Poem: Morning Walk 28.4.24; 23. Trip to Rhine Falls, Switzerland, 19.5.24; 24. Poem: Hurt 2.6.24; 25. Poem: Your Conscience Was My Sign On 16.6.24; 26.Poem: The Eerie Ways of Time 7.7.24; 27.Poem: Celebrating the T20 World Champions 14.7.24;28. Read to Rise above mediocrity, 4.8.24; 29. Poem: Desire vs Reality 11.8.24; 30. Jack Ma’s Pristine Advice to Employers, Employees and the Youth 22.9.24; 31. Tagore and Kipling 3.11.24; 32. Poem: Merry Christmas 22.12.24; 33. Poem: The Sunset Point, 5.1.25; 34. Cancer Warning Labels on Alcoholic Beverages, 12.1.25; 35. Poem: Hope … In the Arc of Twilight, 19.1.25; 36. Basant Panchami, celebrates the Arrival of Spring 2.2.25; 37. Poem: The Falling World Order, 9.2.25; 38. A Peep into Native American Literature’

    THE ASSAM TRIBUNE

    Article: 1. The Magic of Reading 11.12.23; 2. Gandhi to Mahatma 29.1.24; 3. Geography of Solitude 8.4.24; 4. A Lesson From Dalai Lama, 22.4.24; 5. A Source of Inspiration, 29.4.24; 6. The Four-Legged Library, 12.5.24; 7. Age and Achievement, 10.6.24; 8. Read … To Rise Above Mediocrity, 1.7.24; 9. Crusade for a College, 25.8.24; 10. Hemingway’s Iceberg Theory (Panorama) 27.9.24; 11. Short story: Love in the Air, 20.10.24; 12. Short story: The Prick of Conscience, 5.1.25; 13. Lost in translation, 6.1.25; 14. Travellers’ tales 20.1.2025; 15. Audit your days 17.2.25;

    THE ARUNACHAL TIMES

    Poem: 1. Hope—In The Arc of Twilight, 13.8.23; 2.Poem: Spring 3.3.24; 3.Poem: The Morning Walk 10.3.24;

    BANDRA TIMES, MUMBAI

    Articles & Poems: 1. Poem: SPRING, 1.4.23; 2. Poem: Mother, 1.6.23; 3. Poem: Rain Rain, 1.8.23; 4. A Lesson From Dalai Lama, 1.6.24; 5. Read to rise above Mediocrity 1.8.24

    THE GOAN NET

    Poem: 1. Autumn – The Interim Heaven, 6.10.24; 2. Reader’s Rewind 17.11.84; 3. Reader’s Rewind: The Irony of Tash Moustache or Mooch 5.12.24; 4. The Sunset Point 22.12.24; 5. Reader’s Rewind: The Joy of a Morning Walk, 3.1.25; 6. Harmony in creation 26.1.25; 7. Poem: What is truly Good for me? 2.1.25; 8. Poem: We both were left behind, 9.2.25; 9. India Afloat like Ship of Theseus; 10. Maha Shivratri: A night of divine illumination, spiritual awakening, 26.2.25;

    ARTICLES IN THE DIGITALARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI MAGAZINE ESAMSKRITI

    Aritcles: 29.12.2020: Indica by Megasthenes; 14.3.22: About The Dimasa Kingdom Assam; 10.12.22: Grand Trunk Road–Uttarapath; 5.10.23: The Ghost Town of Kuldhara Near Jaisalmer;

    (ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

    *****