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Book Review: The Man Who Refused to Bow… A Story of Courage … by Pranita Lele

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The Man Who Refused to Bow… A Story of Courage … by Pranita Lele

Reviewed by: Kamlesh Tripathi

 

    The book is a personal account of author Pranita Lele, who is combating horrific situations that life has offered her. Her husband is suffering from Cancer. Cancer, as one can say, is the reverse of the Midas touch. Just as the Midas touch converts everything into gold, cancer can transform life into a gruelling journey. Cancer can walk into anyone’s life surreptitiously, and as an uninvited guest, without any warning, just as it walked into Vikram Lele’s life, the author’s husband. You need a Satyavati to retrieve her husband from the menace of cancer. I’m reminded of the famous story of Satyavati, Satyavan and Yama. The analogy may sound similar. Pranita and Vikram’s story evokes the celebrated episode of Savitri and Satyavan in the Mahabharata. When Satyavan suddenly fell ill while working in the forest, Savitri cradled his head in her lap. When Yama, the god of death, arrived to claim her husband’s life, she refused to abandon him and followed Yama, ultimately persuading him to restore Satyavan’s life. Truly, a kindred metaphor.

    Another glimpse that one gets is of the 1963 Bollywood hit … Dil Ek Mandir, starring Meena Kumari, Rajendra Kumar and Raj Kumar. For a closer fit, consider Elizabeth Barrett Browning and Robert Browning, whose relationship involved emotional support during difficult periods, though it is not principally a story of a wife nursing a seriously ill husband.

    I’m reminded of the first stanza of one of my poems titled, ‘I’m Life,’ where life says:  You think you know me/Well, everyone thinks that way/But believe me/ I’m very sneaky/I’m very tricky/And I rarely play by the rules you make for me.

       Spread across 40 chapters and around 170 pages, the book presents its central message in a precise, concise and accessible manner. Normally, such books are unplanned because tragedies strike without notice, and the author has to play it by ear. The narration is in easy English, in short sentences with a pleasant trickle and flow like a flowing river.

     The book intertwines life’s onerous circumstances with biological calamities. Aged parents above 90. Vikram, after recovering from brain haemorrhage, falls prey to oesophageal cancer. And in this global world, one cannot expect children to be by your side always. And in these frightful circumstances, one finds author Pranita walking through a dark isthmus all by herself.

     But to every downside there is an upside. The world survives because of the balance. The plane has wings. It will glide through high turbulence, provided the pilot is competent and the support system is good. This is where the Oncology Department of Max Hospital Lucknow comes into play. Its team of doctors and support staff extended extensive support to Vikram and Pranita throughout the treatment. The subject book is definitely to honour the entire team of Max Hospital.

    The author has painstakingly acknowledged friends and relatives, contacts, including overseas contacts and hospital staff, for what they did for Vikram.

    The book doesn’t bear a sombre and morose tone. It is filled with lively episodes that take you away from the pain of the patient and the family.

    The author has used the correct terminology in terms of describing each stage of illness. The narrative helps in building the doctor-patient relationship. The narration has a separate chapter for each doctor and support staff. It describes Chemotherapy, Radiation, immunotherapy, and targeted therapy in simple language.

     Pranita Lele’s steadfast companionship also recalls the enduring ideal of marital devotion found in English literature. In John Milton’s Paradise Lost (there is a thematic echo), Adam and Eve’s relationship, despite its trials and consequences, explores the profound bond between husband and wife. While the circumstances differ considerably from Vikram and Pranita’s struggle with cancer, the work invites reflection on companionship when life becomes difficult. Pranita’s story brings this ideal into the everyday world of medical appointments, uncertainty and caregiving, showing how commitment is expressed not merely through words but through continued presence and practical acts of love…. A real page-turner.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

Appreciation received from a reader.

Wow .I read the article .So well written .His writing proves that he is an highly intellectual person .So much depth and meaning in his writing .
Great work Pranita .I am sure and confident with all your support ,prayers and positivity Vikram will be fine .Our prayers and best wishes are always with you both .God bless .👍❤️❤️❤️

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

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Storyteller Soothsayer: Margaret Atwood

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STORYTELLER SOOTHSAYER: MARGARET ATWOOD
FROM THE NEW YORK TIMES
Published in Economic Times 16/11/25
Storyteller Soothsayer
The New York Times
    Margaret Atwood doesn’t like being called a prophet.
    “Calm down, folks,” was her response when asked why her fiction often seems eerily predictive. “If I could really do this, I would have cornered the stock market a long time ago.”     Still, she concedes she’s been right on occasion.
    When she published The Handmaid’s Tale in 1985, some critics were sceptical of Atwood’s vision of an authoritarian America, where the government controls women’s reproduction and persecutes dissidents.
    Since then, events in the novel have come to pass. Abortion has been outlawed in parts of America. The rule of law feels increasingly fragile. Censorship is rampant — Atwood, 85, herself is a frequent target.
    In a career that spans nearly six decades, she’s published more than 50 books, including poetry, short stories, non-fiction, speculative fiction, psychological thrillers, children’s books, graphic novels and historical fiction. Memoir was one of the few literary forms Atwood hadn’t already tried, but that too changed with Book of Lives: A Memoir of Sorts.
    Her book has been adapted into ballet, opera, film and television, including an award-winning television series based on The Handmaid’s Tale. She’s won the Booker Prize twice and has sold more than 40 million copies of her books worldwide, which have been translated into 50 languages. She’s a perennial contender for the Nobel Prize.
    TELL-ALL OF SORTS
    For years, Atwood maintained that she had no interest in writing a memoir; she thought it would be tedious. When asked what changed: “Two words: People died,” she said. “There are things you can say that you wouldn’t say when they were alive.”
    In the memoir, Atwood lays into childhood bullies who tormented her, blasts male critics and reveals how the Canadian literary scene was, at times, a hotbed of vicious gossip, jealousy and backstabbing, particularly among poets.
    Atwood admits that, once crossed, she holds onto resentments and that she has occasionally taken revenge in her fiction. “It’s not an admirable trait, but why deny it?”
    MAKING OF AN AUTHOR
    Atwood was born in Ottawa, Ontario, in 1939. Nicknamed Peggy, she grew up spending time in the wilderness in northern Quebec, where her father, an entomologist, studied insects that caused forest infestations. Books were one of the few forms of entertainment. In first grade, she started writing poetry and fiction; one early story was about a heroic ant named Annie.
    An awkward child who had a caterpillar for a pet, Atwood sometimes struggled to fit in. At age nine, she was tormented by a group of girls who left her out in the snow and buried her in a hole. She drew on the experience in her novel Cat’s Eye.
    Atwood got her start as a poet. She self-published her first book of poems, Double Persephone, in 1961, and sold copies for 50 cents. A few years later, she started to gain recognition when another poetry collection, The Circle Game, won a prestigious award.
    Her provocative debut novel, The Edible Woman, a satire about a young woman who develops a strange relationship with food and struggles to eat, made waves in 1969.
    The novel generated debate — female critics saw it as groundbreaking, men generally found it unsettling, she writes — but was far from an overnight success. Her first book signing was held in the sick and underwear section of a department store in Edmonton, Alberta, where she sold two copies.
    Atwood’s international breakthrough came with the release of The Handmaid’s Tale. In 2019, Atwood published a sequel to it, titled The Testaments, which she’d been mulling over for decades. While she was promoting the book, her long-time partner, novelist Graeme Gibson, died after a cerebral haemorrhage, following a years-long decline into dementia.
    Atwood went on with her tour, in a daze. Later, she wrote about the disorienting experience of living without him in her story collection, Old Babes in the Woods.
    She cried while writing the stories, but also found it comforting to imagine Gibson’s amused reaction.
Sometimes, she can’t shake the certainty that “Graeme is in the next room”, she said. The Testaments was a risky gambit. But it became a bestseller and won Atwood a second Booker Prize. It’s also being adapted into a TV series.
PLAYFUL, GOOFY, OMINOUS
Throughout her career, Atwood has resisted categorisation. She’s often bucked being labelled a feminist, noting that “there are 75 different kinds of feminists”. She’s bristled at her futuristic stories being classified as science fiction and prefers the term speculative fiction.
Stephen King said he was struck by Atwood’s ability to infuse her futuristic visions with gleefully weird details. “Science fiction has never been so goofy and so ominous at the same time,” he said by email.
Atwood’s contrarian streak colours her worldview. She’s fascinated by science and technology — she reads pop science magazines for fun– but she also has a charming affinity for astrology and the occult, having learnt tarot and palm reading.
In her memoir, she describes how a home she and Gibson once lived in was haunted by a spectral woman in a blue dress who could wander into her tiny writing room. She attributes her habit of holding grudges to being a Scorpio — specifically a Scorpio with Gemini rising, Jupiter in the 11th house and the Moon in Aquarius.
As for her own outlook, Atwood remains surprisingly upbeat — a trait she attributes to the resourcefulness she developed growing up in the wilderness. “I’m an optimistic person,” she said. “‘I’m doomed’ is very far down the line. I wouldn’t say ‘I’m doomed’ unless you’re about to be eaten by a bear.”
   
   

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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The Famous Five … Enid Blyton

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    The Famous Five is one of the most beloved children’s adventure series written by Enid Blyton, first published between 1942 and 1963. The series spans 21 novels, all centred on the thrilling escapades of four children—Julian, Dick, Anne, and George (Georgina)—and their loyal dog, Timmy. Set mainly in the British countryside and coastal regions, these stories capture the magic of childhood freedom, courage, and friendship against the backdrop of mystery and danger.

    The series begins with Five on a Treasure Island (1942), where siblings Julian, Dick, and Ann, along with their cousin Georgina, who insists on being called George, are sent to spend their holidays with their cousin at her home, Kirrin Cottage, near the sea. George owns an island called—Kirrin Island—and a dog, Timmy, both of which become central to the adventures that follow. In this first story, the children discover the ruins of an old castle on the island and find a mysterious map leading to hidden gold.   Their courage and cleverness helped them uncover the treasure and outwit adult villains, setting the tone for the rest of the series.

    Each subsequent book follows a similar pattern: the children go on school holidays, explore new settings (moors, hills, farms, caves, lighthouses), stumble upon suspicious activities or hidden secrets, and end up solving mysteries that often involve smugglers, spies, thieves, or lost treasures. Yet, despite the recurring structure, each story offers fresh excitement through new locations, ingenious clues, and colourful characters.

   Across the series, Julian, the eldest, acts as the natural leader—sensible, brave, and responsible. Dick, the quick-witted and humorous brother, balances Julian’s seriousness with his sharp thinking. Anne, the youngest, represents domesticity and caution, often preferring comfort and order but proving loyal and brave when needed. George, the most unconventional character, is a tomboy who rejects traditional expectations of girls. Fiercely independent and short-tempered, she insists on being treated as an equal to the boys and often drives the adventures with her stubbornness and spirit. Timmy, her dog, is as much a hero as any of them—faithful, protective, and courageous, often rescuing the children from danger.

    One of the enduring appeals of The Famous Five is Blyton’s evocative depiction of the English countryside. These stories overflow with descriptions of cliffs, secret tunnels, stormy seas, moorlands, and quaint villages—landscapes that become almost characters in themselves. The children’s world is filled with picnics of sandwiches, lemonade, and ginger beer, which have become iconic symbols of carefree British childhood.

    While outwardly simple, the series also mirrors the social and moral values of mid-20th-century Britain. Themes of loyalty, honesty, courage, teamwork, and justice dominate every story. The children rely on intuition and reason rather than adult intervention, underscoring Blyton’s belief in the resourcefulness of youth. Adults are often absent, misguided, or even the villains, allowing the children to take control and show responsibility and initiative.

    Throughout the adventures—whether rescuing kidnapped scientists in Five Go Adventuring Again, uncovering smugglers in Five Go Off to Camp, or thwarting criminals in Five Have a Mystery to Solve—the Five exhibit a blend of innocence and daring that continues to inspire readers. Their adventures reinforce a sense of moral clarity, where good always triumphs over evil through courage, loyalty, and friendship.

    Enid Blyton’s clear, direct prose and rhythmic storytelling made the series immensely readable for children. Her focus on dialogue and action over description keeps the pace fast and engaging. Despite occasional criticism for outdated stereotypes or class attitudes reflective of the era, the books remain celebrated for their imagination, adventure, and timeless charm.

    By the final book, Five Are Together Again (1963), the characters retain their youthful spirit and love for adventure, embodying an ideal of friendship and integrity that transcends time. The series’ consistent formula—a mysterious setting, a moral puzzle, and a thrilling resolution—makes each story familiar yet exciting.

    Ultimately, The Famous Five endures not just as a collection of adventure tales but as a literary celebration of childhood freedom, courage, loyalty, and the joy of discovery. Blyton created a world where children, unburdened by adult interference, confront challenges with moral strength and curiosity. More than seven decades after its debut, The Famous Five continues to captivate readers across generations, offering a nostalgic glimpse into a simpler, braver, and endlessly adventurous childhood.

   

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Book Review: The Roads of Destiny … by O Henry

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    O. Henry’s The Roads of Destiny may not be a structured poem, but it carries a poetic spirit by way of exploration of fate, choice, and the unpredictable nature of life. The story is about a man named David who stands at a crossroad, literally and figuratively, and each road represents a different future. Through this branching narrative, O. Henry entreats readers to ponder how small choices can lead to vastly different outcomes, and how fate can shape our lives in ways we don’t expect. Although written in prose, the theme and emotions in the story are rich with poetic meaning.

    The story’s central theme is how fragile and powerful our choices could be. O. Henry conveys that even decisions that seem minor can send our lives into different directions. Life is full of small, quiet moments that later turn out to be incredibly important. A step to the left or the right might not seem significant in the moment, but later it could be the reason why everything changed. Every decision holds a potential. Life is made up of many such turning points, often unrecognized until we look back.

    Closely tied to personal choice is the grip of fate. In each stage of David’s life, no matter which road he takes, he ends up facing difficult or tragic outcomes. This suggests that fate has a stronger grip on our lives than we would like to believe. The author doesn’t present fate as something harsh or cruel, but rather as mysterious and unpredictable. We walk ahead thinking we know where we’re going. But the road can suddenly curve into a completely unexpected direction. This uncertainty gives life its beauty and its difficulty. The poetic lesson here is that though we may have no control where the road leads to, we still have to walk it.

    Life’s unpredictability is another theme that gives the story its emotional weight. David’s various life unfolds in unexpected ways, proving that no plan is ever guaranteed. Even when we try to do the right thing or follow a certain path, we can’t guarantee how things will turn out. O. Henry’s storytelling reminds us that surprises, both joyful and tragic, are always around the corner and they will get you. This paradigm of unpredictability is common in poetry, where meaning often emerges in layers and can shift with time or mood. Just like an intricate poem, life unfolds with twists and surprises that challenge our understanding.

    Time also plays a pivotal role in the story. It moves forward no matter which path David takes, and it never pauses or gives him a second chance. The passing of time gives weight to our choices because we rarely get an opportunity to revisit them. This is another idea that feels deeply poetic: time is always moving, and once a moment passes, it becomes a memory. The story implores readers to be mindful of the time they have and the decisions they make within it. It also encourages reflection. Looking back at the roads we’ve taken and wondering how things might have been different.

    Regret and reflection are intertwined themes that show up throughout David’s story. Each life he lives seems to carry a shadow of what might have been if he had chosen to live differently. This idea is emotionally powerful because almost everyone, at some point, has wondered “what if?” Regret isn’t always a loud or dramatic feeling. It can be quiet, something that lingers as we look back into the past. O. Henry captures this subtle emotion in a way that feels similar to poetry, where a single line can express a lifetime of feeling.

    The author uses irony in a poetic way. In each of David’s paths, he faces hardships despite choosing different directions. This irony teaches us that even when we try to avoid danger or seek happiness, we can’t always escape what life has in store for us. The roads of destiny seem to curve back towards difficulty no matter which road he chooses. This twist reflects O. Henry’s trademark storytelling style. In poetry, irony often reveals the hidden truths and helps readers think more deeply about life’s contradictions.

    Perspective is another layer that deepens the story’s meaning. Often, we only understand the importance of a choice or event after the time has passed. What appears small at the moment may turn out to be life-changing. Just as a poem seems confusing at first and later makes perfect sense, our understanding of our own lives also changes with the perspective. This reminds us to look at our lives with curiosity and patience. The meaning of life sometimes reveals itself slowly.

     All these ideas connect to the phrase “difficult poems make easy mutton.” Though it’s a playful and unusual expression, it captures an important truth: sometimes, the things that are hardest to understand at first—like complex poems or life’s confusing events—can later become clear and deeply meaningful. Just as tough meat becomes tender after careful preparation, a difficult story or experience can eventually offer comfort, insight, or wisdom. The Roads of Destiny is that kind of story. At first glance, it seems simple, but the more you think about it, the more it says about life, choice, and the strange, beautiful mystery of where we end up.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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My titles on the stands of Universal Booksellers, Hazratganj, Lucknow

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Happy to see two of my titles on the book stand of the leading book-seller in Lucknow. … AADAB LUCKNOW and AWADH ASSAM AND DALAI LAMA. (Extreme left/top stand) Happy reading.

Written and posted by Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

BOOK CORNER: THE FINAL DIAGNOSIS by Arthur Hailey

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Illness … doctor … pathologist … investigation … diagnosis … treatment. Yes, I’m talking about THE FINAL DIAGNOSIS by Arthur Hailey.

At times, even an ace pathologist might have to send his findings in the form of slides to two experts who are contemporaries in the same discipline. Where one might say the tumour is malignant and the other non-malignant or benign.

So then, what does Chief Pathologist, Dr Joseph Pearson, finally script as his … final diagnosis? The basis on which the surgeon would have to decide whether the amputation of the leg is required or not. The pathologist is often known as the doctor the patient seldom sees.

In ‘THE FINAL DIAGNOSIS’, author Arthur Hailey unveils the tension-packed drama that is being played in the mammoth complexity of a great hospital. A world where one faulty diagnosis or one irrevocable error precipitates into appalling tragedies.

In the enthralling story, there is a continuous struggle between the Chief of Surgery, Kent O’ Donnel and Dr Joe (Joseph) Pearson, Chief Pathologist, who was once an ace pathologist, but with the passage of time, he has stagnated, which he realises towards the end of his career.

The book also describes the struggle of a young pathologist, David Coleman, who happens to be Dr Joe Pearson’s deputy, in terms of restoring the standards of a hospital laboratory. Controlled by the ageing but once brilliant doctor Joseph Pearson, Hailey takes us behind the reception areas, and into those emergency rooms and the bustling world of medicine, to reveal those hidden corridors of a world that the patient never gets to see.

The centre of action is the three-counties hospital in Burlington in Pennsylvania. The novel has a plethora of characters … the prime being:

Orden Brown—Chairman of Three Counties Hospital

Eustace Swayne—Board Member and a retail magnet of a departmental store empire.

Doctor Joseph Pearson—Chief Pathologist around whom the entire novel revolves.

Doctor Kent O’ Donnel—Chief of Surgery and Head of the Medical Board.

Doctor David Coleman—Deputy to Doctor Joseph Pearson

Doctor Charles Dornberger—The baby’s doctor … Paediatrician

Doctor Lucy Grainger—Orthopaedic Surgeon

Hilda Straugham—Chief Dietitian

Vivian Lobourton—Trainee nurse

Mike Seddons—Doctor

Alexander and his wife, Elizabeth.

The language is moving and precise, with tailor-made sentences that fit the bill. There is usage of high-toned vocabulary, but it doesn’t give that shade of verbosity. The intensity and tone of the sentences change as frequently as the change of scene. The flow of the book gives you a feel as if you’re seeing and not reading—something close to a movie. Most descriptions are vivid as if you are witnessing the scene. Especially, the ones that describe the happenings in autopsy, pathology and even surgery.

The novel makes an important point for doctors through the Chief Pathologist, Dr Pearson.  One should never give up his or her pursuit as far as the latest inventions in the medical world are concerned, no matter how much pressure of work there is. For that was the sole cause of doctor Pearson’s failure. And that holds good for any career today.

  And the scenes when Vivian is diagnosed with cancer and when Alexanders lose their newborn baby because of a faulty medical blood test report in the hospital are nail-biting and highly emotive.

I would give nine out of ten to this book. So, don’t just miss it.

One last point—I was amazed at the manner in which these doctors smoked in the hospital and drank at parties. And to their patients, they must be canvassing otherwise. It is said about authors that they try and paint the real picture of the times when the novel was written. I now believe in it ever more. This novel was written way back in 1959. Pick it up even if you have to find time.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*** 

 

 

Literature: Three love stories published today in Cityessence.

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Don’t miss this unique comparison of three short stories.

Written by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

Book Review: Voice For The Voiceless … Review in The Shillong Times by Kamlesh Tripathi

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Book Review: The Voice for The Voiceless by Kamlesh Tripathi in The Shillong Times

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

Book review: Political History of Assam 1947 -1971 Vol-1

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Oplus_131072

Political History of Assam 1947- 1971 VOL – 1

Rajen Saikia, Editor

Published by Publication Board Assam

    Why were so many dharnas, agitations and public movements required to build Assam and the North East? Find it out for yourself by reading the book. The voluminous text under the guise of Assam covers the political history of undivided Assam, more precisely the northeast. It covers the period between 1947 and 1971. I would fancy calling this treatise the Political History of the North East as it was only after the independence that Assam was divided into various smaller states in the decades to follow.

    But let’s stop here for a moment to ponder if such narrations (Political History) are conducive and should be written. Well, they are useful, provided, they capture the untold story of the state from reliable sources. Dr. Himanta Biswa Sarma, Chief Minister of Assam, deserves praise for approving this.

    The uniqueness of the title is that it stems from the archives of the state and the central government, the public sector, libraries, newspapers, columns, books by citizens, and recorded statements of political and social heads who squarely construct the narrative. It is not a politically driven narrative but a neutral one based on facts. The archive records put the ruling dispensation of those times, especially the government of India, in poor light.

    The title enumerates the linguistic and ethnic fissures of the North East after independence. It tells the gory story of the partition of India on the eastern border and the scheming role of the Muslim League in dividing her. The leaders of the Muslim League allowed Muslims from East Pakistan to enter India and live here only to build a sizeable Muslim population and dwarf the local population of Hindus, the effects of which are still visible. It also reveals the names of certain Indian Muslim leaders of that era who were close to Mohammed Ali Jinnah.

    The editor appears dispassionate in his job because of which the narration enjoys that flush of impartiality. Eminent people from all walks of life have contributed munificently in bringing this spine to light. The book is divided into eight chapters, which are further divided into sub-chapters. This does not include the customary chapters. The catchy foreword is by the honourable Chief Minister of Assam.

    A striking point that repeatedly comes up chapter after chapter is how the Congress government of Assam had to entreat the government of India for projects and issues relevant to the North East. To succinctly put it, Assam and the North East required many agitations, protests, and strikes to progress.   No state, region or country is complete without the panorama of its history and mythology. The book does well to cover that. As a border region, the northeast had to face many invasions and wars described well in the pages one after another. The Tea industry has been the mainstay of Assam. The chapter is a real eye-opener when it comes to tea. The book is a comprehensive assortment of institutions, movements, local heroes and the all-time great personalities of India.  It has some explosive chapters too. For example, did Nehru for the sake of the vote bank tamper with the ethnic and demographic tapestry of Assam and the northeast? The answer lies embedded in the pages of the title.

     Why were things not as easy for the North East as they were for the western borders of India? So many dharnas and agitation were required to build Assam. Assam unlike Punjab (both border states) which was close to the capital had tough logistics and credibility issues while tackling the government of India.  The central leadership was perhaps not aware of the complexities of the region. For every small project, Assam had to confront the government of India.

    The book does well in capturing the ancient history of the land. The sources of data collection are extensive.  Northeast is a complete potpourri of cultures. There was bitterness and mistrust between the plains (Assam), the hills and the government.  Language was always a sensitive issue.   The people of the northeast had to continuously fight for their identity. This spoke of the complexity of the land where they belonged to. The curse of partition and its shady manoeuvres haunts Assam and the northeast even today. Northeast was subject to linguistic dissensions. Assam is a politically sensitive border state. There was a time when people called it a Cinderella State.

    The narrative is a brilliant effort by the Government of Assam. Congratulations to the education minister and the editor too. The idea should be embraced by all Indian states to understand their current position and trace their origins.

By Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety in content. We also accept donations for our mission. Should you wish to donate to the cause? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Kamlesh Tripathi’s Publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 8 prestigious libraries of the US which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in libraries and archives of Canada; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh and Azim Premzi University, Bangalore).

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland and Charlotte-Mecklenburg Library, Mecklenburg County in North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California).

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

RHYTHM … in poems

(Published in January 2019. The book contains 50 poems. The poems describe our day-to-day life. A few poems from the book have been published in Shillong Times, Bandra Times and Bhavan’s Journal. The book is available on Amazon, Flipkart and Onlinegatha)

MIRAGE

(Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

AWADH ASSAM AND DALAI LAMA … The Kalachakra

(The story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness The Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR) Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness The Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE).

BHAVANS JOURNAL

Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.19; 2. Sending the Wrong Message, 31.5.20; 3. Eagle versus Scholars June, 15 & 20, 2020; 4. Indica, 15.8.20; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22;27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 1.1.23; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. The Nag Mandir 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23; 45.Book review: Jungle Nama … a story of the Sundarban 16.3.24; 46. Book review: A Forgotten Chapter 16.5.24;

THE SHILLONG TIMES

ARTICLES & POEMS: 1. POEM: HAPPY NEW YEAR 8.1.23; 2. POEM: SPRING 12.3.23; 3. POEM: RIGHT AND WRONG 20.3.23; 4. THE GUSH OF EMOTION—WRITING, 26.3.23; 5. THE NAG MANDIR, 7.5.23; 6. POEM: MOTHER 7.5.23; 7. POEM: RAIN RAIN 9.7.23; 8. POEM: YOU COME ALONE YOU GO ALONE 6.8.23; 9. RAIN RAIN (SECOND TIME) 10.8.23; 10. POEM: GURU TEACHER 1.10.23; 11. POEM: AUTUMN … THE INTERIM HEAVEN 15.10.23; 12. POEM: HAPPY DIWALI 12.11.23; 13. OVERCOMING BLINDNESS: LEARN IT THE JOHN MILTON WAY 10.12.23; 14. THE HAPPY PRINCE AND THE HAPPY MAN’S SHIRT 31.12.23; 15. ANNUS MIRABILIS 2024 7.1.24; 16. GANDHI TO MAHATMA GANDHI- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. POEM: TOGETHER BUT NOT MADE FOR EACH OTHER, 11.2.24; 18. THE BIRDS BEES AND THE SPIDERS OF NICHOLAS GUILDFORD AND JONATHAN SWIFT 25.2.24; 19. THE OVERCOATS OF NIKOLAI GOGOL AND RUSKIN BOND 10.3.24; 20. THE ETHNIC COLOURS OF HOLI 24.3.24; 21. A LESSON FROM DALAI LAMA, 21.4.24; 22. POEM: MORNING WALK 28.4.24; 23. TRIP TO RHINE FALLS, SWITZERLAND, 19.5.24; 24. POEM: HURT 2.6.24; 25. POEM: YOUR CONSCIENCE WAS MY SIGN ON 16.6.24; 26. THE EERIE WAYS OF TIME 7.7.24;

THE ASSAM TRIBUNE

ARTICLE: 1. THE MAGIC OF READING 11.12.23; 2. GANDHI TO MAHATMA 29.1.24; 3. GEOGRAPHY OF SOLITUDE 8.4.24; 4. A LESSON FROM DALAI LAMA, 22.4.24; 5. A SOURCE OF INSPIRATION, 29.4.24; 6. THE FOUR-LEGGED LIBRARY, 12.5.24; 7. AGE AND ACHIEVEMENT, 10.6.24; 8. READ … TO RISE ABOVE MEDIOCRITY, 1.7.24;

THE ARUNACHAL TIMES

POEM: 1. HOPE—IN THE ARC OF TWIGHT 2. SPRING 3.3.24; 3. POEM: THE MORNING WALK 10.3.24;

BANDRA TIMES, MUMBAI

ARTICLES & POEMS: 1. POEM: SPRING, 1.4.23; 2. POEM: MOTHER, 1.6.23; 3. POEM: RAIN RAIN, 1.8.23; 4. A LESSON FROM DALAI LAMA 1.6.24;

ARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI

29.12.2020: INDICA BY MEGASTHENES; 14.3.22: ABOUT THE DIMASA KINGDOM ASSAM; 10.12.22: GRAND TRUNK ROAD-UTTARAPATH; 5.10.23: THE GHOST TOWN OF KULDHARA NEAR JAISALMER;

(ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****

THE ‘OVERCOATS’ OF NIKOLAI GOGOL AND RUSKIN BOND

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     I just returned from a short holiday in Kasauli, Himachal Pradesh, a picturesque hill station where I’m a member of the well-known Kasauli Club. The place was freezing at 6000 feet. The weather warranted that we wear an ‘Overcoat’ when outdoors almost all the time to be comfortable. Our club premises are adjacent to the languishing bungalow of the noted author late Khushwant Singh. Strangely, the combination of Kasauli and the Overcoat reminded me of two famous short stories that I had read some time ago by two noted authors. One was Ruskin Bond, who was born in Kasauli in 1934 and who wrote a short story titled ‘Overcoat’. The other was the famous Ukrainian-born Russian author, Nikolai Gogol, who too, wrote a short story titled ‘The Overcoat’. Not even for a moment I’m trying to compare the two authors for their literary heft but merely trying to put across the point as to how the girth of an overcoat created two impactful stories.

    Though the stories have the same title ‘Overcoat’, their plots are different and they have an eerie connection between them; ending up with a ghost—which is a surprising coincidence. Just as overcoats are worn in cold climates the two short stories were also written in cold weather conditions. One in Ukraine and the other on the hills of present-day Uttaranchal where Ruskin Bond lives. The plots too play out in the cold weather and so do the ghosts.

     “The Overcoat” by Nikolai Gogol, was published in the year 1842 and had a great influence on Russian literature. Ruskin Bond on the other hand is one of India’s well-known authors and started writing in the second half of the 20th century.

    But why is it that the two authors who were a century apart and a continent away from each other find a common cause in an overcoat and pen a story ending up with a ghost? Gogol brought forward the economic distress in the Russian capital of St. Petersburg. He flags the life-and-death of a titular councillor Akaky Akakievich Basmachkin, an impoverished government clerk. Though dedicated to his job, he is faintly recognised in his department for his hard work. And the younger clerks tease him and attempt to distract him whenever they can. His threadbare overcoat is often the centre of their jokes.  

    In contrast, Ruskin Bond’s ‘Overcoat’ is set in a hill station. It’s about a merry encounter with a ghost. The Overcoat by Nikolai Gogol is a serious read that ends up in a tragedy whereas Ruskin Bond’s Overcoat is a light story that ends up in a vacuum.

    When the overcoat of Basmachkin gets beyond repair he is forced to buy a new one. The cost of a new overcoat is beyond Akaky’s meagre salary, so he forces himself to live within a strict budget to save sufficient money to buy a new overcoat. In addition, he gets an unexpected salary bonus and with that he manages to buy a new overcoat. Celebrations follow. His superior decides to host a party in honour of the new overcoat, but Akaky who is habitually solitary feels out of place. After the party, Akaky goes home, far later than he normally would. But en route home, two ruffians short-shrift him, take his coat, kick him down badly, and leave him in the snow to die.  Akaky gets no help from the authorities in recovering his lost overcoat.

    Finally, on the advice of another clerk in his department, he asks for help from an important person, a Russian general recently promoted to his position. After keeping Akaky waiting, the general queries as to why he had brought such a trivial matter to him, personally, and not presented it to his secretary. Socially inept, Akaky makes an unflattering remark about departmental secretaries, inviting a loud scolding from the general that he nearly faints and has to be led away from the general’s office. Soon after, Akaky falls, seriously ill with a fever. In his last hours, he is delirious, imagining himself again sitting before the general. At first, Akaky pleads for forgiveness, but as his death nears, he curses the general.

   Soon, a ghost, identified as Akaky’s ghost, haunts areas of St. Petersburg, snatching overcoats from people. The police are unable to catch him. Finally, Akaky’s ghost catches up with the general, who since Akaky’s death, had begun to feel guilty for having mistreated him. The ghost finally takes the general’s overcoat by frightening him intensely. Satisfied, Akaky is not seen again. The narrator ends his narration with the account of another ghost seen in another part of the city. It is a simple story of a common man and his tribulations, and the final denouement.

    In contrast, Ruskin Bond has three characters in his story. The story starts with the narrator’s journey through the hills to attend the Kapadia party. As he is walking through the hills, he comes across a girl who also joins him for the party. She calls herself Julie. The narrator doesn’t ask questions from her as he is new in the area. Soon, they arrive at the party. Kapadias think that the girl is the narrator’s relative while the narrator thinks that maybe she’s Kapadia’s relative. After the party ends, the girl returns with the narrator. The author shares the weather in the story as the snow is falling. To protect Julie the narrator provides his overcoat to her to keep her warm. She tells the author that she lives in “Wolfsburg“. The narrator says he’ll come tomorrow and take his coat.

    The next day, the narrator goes to the location where Julie lived to get his overcoat. But he is told that no one by the name of Julie lives in the town. Soon, a neighbour “Mrs.Taylor” comes up and says that Julie had died years ago because of tuberculosis. She was the daughter of the Mackinnon family.

    This astonishes the narrator and he moves to the nearby graveyard where he finds Julie’s grave and his overcoat lying on it neatly wrapped and the story ends there.

    Let’s wait for the third overcoat.

***

Written by Kamlesh Tripathi

*

https://kamleshsujata.wordpress.com

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Like it and Share it  

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety in content. We also accept donations for our mission. Should you wish to donate to the cause? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Kamlesh Tripathi’s Publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 8 prestigious libraries of the US which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in libraries and archives of Canada; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh and Azim Premzi University, Bangalore).  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland and Charlotte-Mecklenburg Library, Mecklenburg County in North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California).

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

RHYTHM … in poems

(Published in January 2019. The book contains 50 poems. The poems describe our day-to-day life. A few poems from the book have been published in Shillong Times, Bandra Times and Bhavan’s Journal. The book is available on Amazon, Flipkart and Onlinegatha)

MIRAGE

(Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

AWADH ASSAM AND DALAI LAMA … The Kalachakra

(The story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness The Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR) Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness The Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE).

BHAVANS JOURNAL

Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.19; 2. Sending the Wrong Message, 31.5.20; 3. Eagle versus Scholars June, 15 & 20, 2020; 4. Indica, 15.8.20; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22; 27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 1.1.23; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. THE NAG MANDIR 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23;

THE SHILLONG TIMES—SUNDAY EDITION

ARTICLES & POEMS: 1. POEM: HAPPY NEW YEAR 8.1.23; 2. POEM: SPRING 12.3.23; 3. POEM: RIGHT AND WRONG 20.3.23; 4. THE GUSH OF EMOTION—WRITING, 26.3.23; 5. THE NAG MANDIR, 7.5.23; 6. POEM: MOTHER 7.5.23; 7. POEM: RAIN RAIN 9.7.23; 8. POEM: YOU COME ALONE YOU GO ALONE 6.8.23; 9. RAIN RAIN (SECOND TIME) 10.8.23; 10. POEM: GURU TEACHER 10.8.23; 11. POEM: AUTUMN … THE INTERIM HEAVEN 15.10.23; 12. POEM: HAPPY DIWALI 12.11.23; 13. OVERCOMING BLINDNESS: LEARN IT THE JOHN MILTON WAY 10.12.23; 14. THE HAPPY PRINCE AND THE HAPPY MAN’S SHIRT 31.12.23; 15. ANNUS MIRABILIS 2024 7.1.24; 16. GANDHI TO MAHATMA GANDHI- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. POEM: TOGETHER BUT NOT MADE FOR EACH OTHER, 11.2.24; 18. THE BIRDS BEES AND THE SPIDERS OF NICHOLAS GUILDFORD AND JONATHAN SWIFT;

THE ASSAM TRIBUNE

ARTICLE: 1. THE MAGIC OF READING 11.12.23; 2. GANDHI TO MAHATMA 29.1.24

BANDRA TIMES, MUMBAI

ARTICLES & POEMS: 1. POEM: SPRING, 1.4.23; 2. POEM: MOTHER, 1.6.23; 3. POEM: RAIN RAIN, 1.8.23;

ARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI

29.12.2020: INDICA BY MEGASTHENES; 14.3.22: ABOUT THE DIMASA KINGDOM ASSAM; 10.12.22: GRAND TRUNK ROAD-UTTARAPATH; 5.10.23: THE GHOST TOWN OF KULDHARA NEAR JAISALMER;

(ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****