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Nobel winner – Tanzanian British Novelist
Abdulrazak Gurnah FRSL (born 20 December 1948) is a Tanzanian-born British novelist and academician. He was born in the Sultanate of Zanzibar but moved to the United Kingdom in the 1960s as a refugee during the Zanzibar Revolution. His novels include Paradise (1994), which was shortlisted for both the Booker and the Whitbread Prizes; By the Sea (2001), which was long-listed for the Booker and shortlisted for the Los Angeles Times Book Prize; and Desertion (2005), shortlisted for the Commonwealth Writer’s Prize.
Gurnah was awarded the 2021 Nobel Prize in Literature for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents”. He is an Emeritus Professor of English and Postcolonial Literature at the University of Kent. Gurnah has his own viewpoints on various subjects which he revealed in a recent interview.
West’s response to migrants is almost inhuman, says Nobel winner Gurnah.
In 1967, Abdul Razak Gurnah fled an uprising in Zanzibar for the safer shores of England. But asylum came with overt racism and the tag of ‘illegal immigrant’. Those experiences have shaped his oeuvre, with novels like Paradise and Desertion. The 73-year-old is only the fourth black person to have won the Nobel Literature. He hails the role of fiction in telling stories about the migrant experience.
Gurnah came from Zanzibar to the UK as a refugee when he was only 18. His beginning to write after arriving in the UK wasn’t a conscious decision according to him. It was more like going through certain kinds of feelings and experiences such as being young and homesick in a strange country and dealing with all sorts of uncertainties –like not having money, a job, or a family around. And it was because of that sense of alienation that he began to write things down.
He says sometimes we write to clarify our own thinking or just simply to try and disentangle ideas or feelings. In the process, you also read about other people’s experiences and something that approximates to what you’re feeling, and you get infected by the desire to reconstruct it in your own way. But it took a while, and my first book came out when I was almost 40. Here are the answers to some of the questions that were asked of him in a recent interview:
On being asked if the racist response to the pandemic surprise him- first, towards China, and then Africa because of Omicron?
He replied. ‘No, it didn’t surprise me. In the first instance, you will remember it was led by the US and their mad emperor who, at the time, was at war with China in every respect, as well as at war with everybody really within striking distance, including being in denial of the existence of this contagion. So China was the obvious target of this angst. Now there is a variant discovered in Africa, so it is Africa. The same thing happened with AIDS. This is the same blame game that plays out in routine.’
By mad emperor, Gurnah means Trump and his idea of a wall to keep the migrants out. On being asked about Poland who too is planning a similar barrier, Gurnah said.
‘This particular attitude towards migrants and refugees is almost incomprehensible, particularly in Europe and the US. Only just seven to eight decades ago, Europe experienced a huge movement in population because of World War II. So Europeans are quite familiar with the condition of the refugee and many of them, of course, would have been refugees themselves or children of refugees, including, of course, the British Home Secretary (Priti Patel), and yet there is this kind of inhuman response to the difficulties that these migrants are going through – risking their lives, even dying while crossing the Mediterranean. As for the US, the so-called nation of immigrants, putting up borders to keep Central Americans and Mexicans out, that’s just as hard to understand. Should we be vilifying these migrants rather than treating them as human beings who, in most cases, are escaping violence, wars and poverty?
Upon being asked that besides writing about post-colonialism, you have also taught the subject. Do you feel that colonialism should be taught at the school level in Britain? His reply was:
‘Well, it’s being done, and there is a debate going on about whether we should focus more on it. There are people with power who are still defensive about issues like colonialism. But as I see it, it’s quite clear that the argument has been lost, and that there is no way of defending imperialism. Its consequences are around us every day, with border closures and this deep problem with poverty, and so on.
To a question: Do you feel that the British have romanticized imperial history, especially, when it comes to India? He replied.
In some respects, certainly, when they speak about India, there is this glow about the Raj and all that sort of stuff, which I think is a mutual appreciation. I don’t think there’s anything like this in most African former colonies where it was a largely brutal relationship with the British. Of course, it was much shorter than the 200 years or so they were in India, not long enough for any affection to grow though its impact cut deep.
In their statement, the Nobel note committee said your “dedication to truth and aversion to simplification” can make your work “bleak and uncompromising”. Do you agree with that description? The author replied.
Well, I’m not going to argue with a Nobel jury. There may be other ways also to describe my work but I don’t argue with people, so long as they’re saying, generally approving things.
Your writing deals a lot with the experience of being a refugee. Do you feel fiction addresses these themes better than, say, academic texts?
Yes, I do. Of course, there’s a lot of scholarship already about this but people in a popular way do not read scholarship. Fiction can provide a kind of bridge between what scholars do and what the popular imagination lacks or doesn’t know or doesn’t understand. If you’re talking historical writing you’re also providing a link between history and popular knowledge by allowing people to live in that period. I do think that fiction has a role, which is both to give pleasure but also to broaden our understanding.
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By Kamlesh Tripathi
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https://kamleshsujata.wordpress.com
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