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BEWARE OF MISCOMMUNICATION: LEARN IT FROM MYTHOLOGY AND LITERATURE … by Kamlesh Tripathi

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    It is always safer to over-communicate than to under-communicate. History, mythology and literature repeatedly show how a single misunderstanding can change destinies. One striking example comes from the Mahabharata — the life of Bhishma Pitamah. Bhishma had vowed lifelong celibacy. When he went to Kashi for the swayamvara of the three princesses — Amba, Ambika and Ambalika, on behalf of his half-brother King Vichitravirya, he decided to bring all three back as brides for him. As Bhishma entered the swayamvara hall, a hush fell. None of the princes dared to oppose him.

He announced, “I am taking these three Rajkumaris to Hastinapur so that they may marry my brother Vichitravirya. I am ready to fight anyone who objects to it.” The frightened King of Kashi offered no resistance. But on the way back to Hastinapur, the eldest princess, Amba, confessed, “I cannot marry your brother. I love Prince Salwa of the Saubala kingdom and had intended to garland him. You brought me without taking my consent.” Bhishma, stunned, admitted his mistake. He stopped the chariot and told her, “Had you told me at the swayamvara itself, I would have left you with your beloved and taken only your sisters.”

He sent Amba to Prince Salwa while continuing on with Ambika and Ambalika. But tragedy unfolded. Salwa refused to accept Amba. She returned to Bhishma, begging him to marry her, but he was bound by his vow. Even a duel with his guru Parashurama could not resolve the matter. Amba finally undertook a fierce penance and was reborn as Shikhandi, who became the cause of Bhishma’s death on the battlefield of Kurukshetra. Had Bhishma clarified Amba’s wishes at the outset—or had Amba voiced them earlier—the course of his life and perhaps the Mahabharata itself might have been very different.

    Two of Shakespeare’s greatest tragedies, Romeo and Juliet and Othello, also pivot on fatal miscommunication. In Romeo and Juliet, Juliet fakes her death with a potion. Friar Lawrence sends a letter to Romeo explaining the plan, but because of a plague quarantine, the messenger never reaches him. Romeo instead listens to second-hand information from his servant Balthasar, who truly believes Juliet is dead. Acting on this false news, Romeo buys poison and dies beside her. She wakes up to find him dead and takes her own life. A single undelivered letter seals their fate.

In Othello, the miscommunication is a chain of manipulation. Iago, angry at being passed over for promotion, insinuates to Othello that his wife Desdemona is unfaithful to Cassio. He plants “evidence” — especially the handkerchief that Othello had given Desdemona. Othello never verifies the facts with Desdemona directly, and by the time he confronts her, he is already convinced of her guilt. Desdemona’s innocent references to Cassio deepen his suspicion. Emilia (Iago’s wife), who could expose the plot, stays silent until it’s too late. Othello murders Desdemona in a jealous rage and then kills himself when the truth emerges.

    Whether in mythology or literature, these stories teach the same lesson: miscommunication can destroy lives. In Bhishma’s case, a single assumption led to his greatest karmic debt. In Romeo and Juliet, a missed letter caused a double suicide. In Othello, unchecked insinuations ended in murder and self-destruction. Clear, timely and honest communication could have changed every one of these outcomes.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

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Interesting Facts: Sweet Mango Faces a Bitter Heat Challenge

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(THE TIMES OF INDIA 21/7/24 SWEET MANGO FACES A BITTER HEAT CHALLENGE


    Be it the sweet and succulent Dussehri of Maal-Malihabad, Langda of Varanasi, Saharanpur’s  Chausa, or Rataul variety of Baghpat – mango, the king of fruits, continues to reign supreme.
    Another significant constituent of UP’s diverse mango wealth is Gaurjeet of Gorakhpur, for which the UP government is trying to get a GI tag. If this happens, UP will become the state with the maximum GI-tagged mango varieties.
    What, however, has emerged as a challenge for mangoes in UP in the last few years is the unpredictable weather. Lucknow-based ICAR lab, Central Institute for Subtropical Horticulture (CISH), is working to make mangoes climate-resilient by introducing new technologies and, also, new varieties.
    “Last year, it was the untimely rain, and this time, it was the extreme temperature and heat which affected the crops.” Said director, CISH, T Damodaran.
    CISH Lab conducts research on mandated subtropical fruits, mangoes being the one, to come with improved varieties.
    In the case of mangoes, Dussehri, being an early ripening variety, is 80% more susceptible to heat and high temperatures. “In many fruits, we saw premature ripening this time, ” the director said.
    To deal with the impact of weather on mangoes, CISH is working at two levels – developing climate-resilient technologies and making efforts to come up with genetically improved hybrids. Many orchards in Malihabad had mangoes covered with paper bags this year, to control the impact of the heat. “This was only one of the ways devised to tackle the impact of heat. We have also come up with technologies to control the attack of pests on mangoes, as unpredictable weather may also trigger that,” he said.
    The institute has already released two hybrid mangoes – Ambika and Arunika. The varieties are genetically improved and were tested over a period before they were released for commercial production. Each is a cross of two types of mangoes.
    Ambika is a cross of Amrapali and Janardan Pasand, and Arunika is a cross of Amrapali and Vanraj, a mango from Gujarat.
    Two more varieties developed by CISH, Samriddhi and Madhurika, are ready for release shortly. Besides, at least 11 other hybrid mangoes may be up for screening by the institute to be released for commercial production.
    The hybrids are genetically improved, have high productivity and yield a better-quality fruit. They are also tolerant to heat waves and biotic stress due to the attack of pests and insects. The varieties developed scientifically are also nutraceutically improved. Along with this, CISH has also come up with improved varieties of Dussehri.
    It is by mid-March that a Dussehri tree usually completes its flowering stage, and within a week, the fruit may set in. In Dussehri’s cycle of growth, rain in March may be damaging because that is when the flowers just open and pollination takes place. “Rain may make flowers either drop or turn black, something that happened last year,” said Naseeb Khan, a mango entrepreneur in Malihabad.
In that case, some fruits that develop may be false fruits as they would lack seeds. Mangoes need a temperature between 27 degrees Celsius and 35 degrees Celsius to grow ideally in March and April. The varying temperature damages the fruit. Cloudy weather, high humidity and high velocity winds may further hit the crop. “In many fruits, this year, the seed may become soggy, affecting the taste. It was because of the extreme heat,” said Khan. UP accounts for over 23% of the total mango production in the country. Lucknow, Saharanpur and Meerut are the main mango-producing regions. In the last few years, mango varieties from the state have been exported to Singapore, Malaysia, the US, England and Dubai.
(PICTURES OF MANGO VARIETIES ON A PLATTER)
(‘OG’ (ORIGINAL) MANGOES OF UP)
– Dussehri from Maal-Malihabad in Lucknow, Langda from Varanasi, Rataul from Baghpat, Gaurpreet from Gorakhpur and Chausa from Saharanpur grow naturally in UP.
– Dussehri, Rataul and Langda are GI tagged. The UP government has sought a GI tag for Chausa and Gaurpreet.
– Dussehri, Langda and Chausa are exported outside UP and India and are commercially successful and popular.
FIRST HYBRID MANGO VARIETIES
– Work to develop hybrid varieties of mangoes started in the 1960s at the Indian Agricultural Research Institute, New Delhi
– The purpose was to develop varieties that would bear every year and have high productivity, besides yielding good quality fruits.
– Amrapali (cross of Dussehri and Neelam) and Mallika (cross of Neelam and Dussehri) were the first hybrids.
– Dussehri is from North India, and Neelam is from South India. While North Indian varieties are biennial, those from South India bear annually.
– CISH CONSERVES AND PROPAGATES 775 MANGO VARIETIES
– CISH has the biggest collection of mango germplasm in the world.
– Many varieties are now extinct at their places of origin
– Collection started in 1975 when the institute started as the Central Mango Research Station.
– Kensington Pride from Australia was the first exotic variety brought to the institute.
– Today, it has 17 others, including Tommy Atkins, Sensation, Edward, Eldon, Keitt, Kent, Osteen, Palmer, Kitchner, Starch, Filipino, Lilly, Maya, Carabao, Kowasaji Patel, St Alexander & Prior-de-Amroesia.
– Mangoes have been sourced from nurseries and orchard owners over a period of time, and are used to develop new varieties.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

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THE STORY OF BHISHMA PITAMAH

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        Long ago, the capital city of Hastinapur was ruled by the great King Shantanu. Once, while he was walking along the banks of the Ganges River, he met a beautiful maiden. Shantanu asked if she would like to marry him. She agreed, provided Shantanu was ready to fulfil certain conditions: ‘She desired that he should not interfere with what she does whether he likes it or not and he should address her respectfully. The moment these conditions are broken she would leave him forever.’ Shantanu agreed and married the maiden and started living with her happily.

    Each time a child was born, the maiden would go and throw the child into the river. This disturbed the king. But he didn’t dare to ask her why because he was bound by his promise and feared she would leave. But when their eighth child was born, King Shantanu couldn’t hold himself. He advised her to desist from the cruel act of throwing the infant into the Ganges.’ The maiden replied, ‘You have broken your promise.’

    She spared the child but revealed her identity, ‘I am Goddess Ganga and the children born to us are the eight ‘Vasus’ cursed to suffer human birth. Your reproachful words freed us from the curse. My time has come. I will leave now.’ And she disappeared with the child.

    Years passed … Once while chasing a deer on the banks of River Ganga, Shantanu noticed the river was abnormally shallow. He began to look for the cause. He saw a boy checking the river’s flow. He looked Godlike. The boy knew that the king was his father, but Shantanu failed to recognise him. The boy clouded the king’s mind with his mystic power and disappeared. Shantanu realised the boy was his son. He pleaded with Ganga, ‘Please be merciful and give me back my son so that my dynasty lives.’

    Ganga appeared with her son. She said, ‘He is Gangeya, our eighth child. He has mastered the Vedic Knowledge and knows the duties of a king. Hereafter, he will be known as Devavrata. Take care of him, for he will perform wonders.

    King Shantanu returned with Devavrata. Devavrata was declared the heir apparent to the royal throne. Once while riding along the banks of the River Yamuna, Shantanu saw a young woman. He enquired about her identity.

    ‘I’m Satyavati, the daughter of the chief fisherman.’ Enchanted by her beauty, the king desired to marry Satyavati. He approached her father for consent. The father said, ‘Maharaj! I can never find a more suitable husband than you for my daughter but the son born to her should only be the successor to the royal throne of Hastinapur.’

    The intense desire for Satyavati wanted King Shantanu to accept, the condition of the chief fisherman but his deep love for his son Devavrata stopped him from doing so. This depressed Shantanu very much. He returned to Hastinapur and started suffering in silence. Seeing his father in this condition, Devavrata enquired about the reason.

    The King replied, ‘Devavrata you’re my only son. But what if you’re slain in a war, the great Bharat Dynasty will come to an end’. Devavrata understood this wasn’t the real reason for his father’s sorrow. From the king’s charioteer, he came to know about the inner story and the king’s desire to marry Satyavati. Devavrata approached the chief fishermen and begged on behalf of King Shantanu. He even promised he would never accept the royal throne.

    ‘But what about your sons? They might claim the throne despite your refusal.’ Pointed the fisherman. Devavrata knew where this was heading, so he took another oath.

    ‘I vow to observe Brahmacharya (celibacy) all my life.’

    Happy, the demigods showered flowers on Devavrata and exclaimed, “Devavrata is worthy of the title ‘Bhishma’ (mighty) for taking such a vow for the sake of his father.”    Delighted, Satyavati’s father agreed to marry his daughter to Shantanu and Bhishma escorted her to Hastinapur.

    Pleased, King Shantanu granted Bhishma a vardan (blessing) of not dying against his own will. Shantanu married Satyavati and had two sons, Chitrangada and Vichitravirya. Chitrangada died in a duel with the king of Gandharvas, leaving Vichitravirya as the successor to the throne.

    When the King of Kashi held a Svayamvara (self-choice marriage) for his three daughters- Amba, Ambika and Ambalika, intending to marry them to his step-brother Vichitravirya, Bhishma abducted them by force and challenged the other kings in combat. He defeated them all. After that, he set out for Hastinapur with all the three princesses in his chariot. On his way back, Salva the king of Saubala, who was in love with Amba, fought with Bhishma but he was defeated. At the request of the princesses, Bhishma spared his life.

    After reaching Hastinapur, Amba pleaded with Bhishma, not to force her to marry Vichitravirya, as she had chosen Salva as her husband. Bhishma pondered and then let her go.

    Vichitravirya was married to Ambika and Ambalika. Amba went to Salva and told him what had happened but Salva wasn’t happy. He decided not to accept Amba. Helpless she returned to Hastinapur and explained the situation to Bhishma.

    Bhishma tried to convince Vichitravirya to marry Amba but he declined. Nowhere to go, Amba asked Bhishma to marry her. But since the oath of Brahmacharya bound him, he refused Amba. Enraged, Amba approached sage Parashurama and implored him to slay Bhishma and avenge her. Parashurama directed Bhishma to marry Amba.

    Parashurama was Bhishma’s guru. But Bhishma desisted from heeding him because of the oath he had taken for his father’s sake. Parashurama challenged Bhishma. They fought for several days, but neither could defeat the other.

    Amba held Bhishma responsible for her misfortune. She undertook penance by jumping into a funeral pyre and was granted a boon by Lord Shiva—that in her next life, she would be born as Shikhandi, the eunuch child of King Drupada.

    Meanwhile, Dhritarashtra and Pandu were born to Ambika and Ambalika. Their sons were the hundred Kauravas and the five Pandavas respectively, whom Bhishma looked after as his own. From childhood only Kauravas and Pandavas were rivals. The enmity thus continued.

    Bhishma advised the cousins to distribute the kingdom amicably amongst themselves to avoid conflict but the Kauravas were not happy with the idea and the great war of Mahabharat broke out for eighteen days. Bhishma was constrained to fight from the Kauravas’ side.

    Though the two armies fought furiously the Pandavas were one up. They struck terror in the heart of Duryodhana. He spoke harshly to Bhishma that he was not fighting to his full potential and that he was letting the Pandavas win. The accusation pricked Bhishma’s heart like a dagger. Infuriated, he took a wow that he would kill Arjuna the next day. The third day of the battle between Arjuna and Bhishma was very fierce.

    Krishna observed how Bhishma was strategizing his moves on that day. Arjuna was unable to stop him. Just then Bhishma’s arrow hit Arjuna’s chariot and he fell. This angered Lord Krishna. Despite his vow not to wield a weapon in the war, he took out his divine disc to attack Bhishma. But before Krishna could make a move, Arjuna clasped Krishna’s legs and begged him not to do so. He vowed he would kill Bhishma very soon. As a result, Krishna retracted the disc.

    On the tenth day of the battle, Arjuna rained arrows on Bhishma, while taking cover behind Shikhandi. Bhishma realized Shikhandi was none other than Amba in her previous life. So he allowed himself to be attacked by them knowing fully well of the consequences. Soon he fell from his chariot. On seeing Bhishma the commander of the Kaurava army fall, both sides halted the war as a mark of respect and circled him.

    Bhishma, the descendant of King Bharat, lay on a bed of arrows, now preparing to leave his body. With tearful eyes, the family members gathered around Bhishma Pitamah. Bhishma was a great devotee of Lord Krishna. Thus Krishna bowed down before Bhishma and everyone followed.

    By the skill of his archery, Arjuna gave support to Bhishma’s head and also created a water fountain to quench his thirst. Bhishma had promised his father King Shantanu that he would live until Hastinapur was secure from all directions. To keep his promise Bhishma used the boon of Ichcha Mrityu (self-wished death) granted to him by his father. After the war ended, and when Hastinapur had become safe from all sides and after giving lessons on politics and occupational duties to Yudhishthir (eldest Pandav sibling), Bhishma died on the first day of Uttarayana. He was finally relieved of his oath of perpetually serving the Kuru King.

    Bhishma meditated and chanted the thousand names of the Lord Krishna, now known to us as Vishnu Sahasranama and stopped breathing.

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Posted by Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety in content. We also accept donations for our mission. Should you wish to donate to the cause? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Kamlesh Tripathi’s Publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 8 prestigious libraries of the US which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in libraries and archives of Canada; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh and Azim Premzi University, Bangalore).

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland and Charlotte-Mecklenburg Library, Mecklenburg County in North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California).

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

RHYTHM … in poems

(Published in January 2019. The book contains 50 poems. The poems describe our day-to-day life. A few poems from the book have been published in Shillong Times, Bandra Times and Bhavan’s Journal. The book is available on Amazon, Flipkart and Onlinegatha)

MIRAGE

(Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

AWADH ASSAM AND DALAI LAMA … The Kalachakra

(The story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness The Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR) Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness The Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE).

BHAVANS JOURNAL

Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.19; 2. Sending the Wrong Message, 31.5.20; 3. Eagle versus Scholars June, 15 & 20, 2020; 4. Indica, 15.8.20; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22;27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 1.1.23; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. THE NAG MANDIR 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23; 45.Book review: Jungle Nama … a story of the Sundarban 16.3.24; 46. Book review: A Forgotten Chapter 16.5.24;

THE SHILLONG TIMES

ARTICLES & POEMS: 1. POEM: HAPPY NEW YEAR 8.1.23; 2. POEM: SPRING 12.3.23; 3. POEM: RIGHT AND WRONG 20.3.23; 4. THE GUSH OF EMOTION—WRITING, 26.3.23; 5. THE NAG MANDIR, 7.5.23; 6. POEM: MOTHER 7.5.23; 7. POEM: RAIN RAIN 9.7.23; 8. POEM: YOU COME ALONE YOU GO ALONE 6.8.23; 9. RAIN RAIN (SECOND TIME) 10.8.23; 10. POEM: GURU TEACHER 10.8.23; 11. POEM: AUTUMN … THE INTERIM HEAVEN 15.10.23; 12. POEM: HAPPY DIWALI 12.11.23; 13. OVERCOMING BLINDNESS: LEARN IT THE JOHN MILTON WAY 10.12.23; 14. THE HAPPY PRINCE AND THE HAPPY MAN’S SHIRT 31.12.23; 15. ANNUS MIRABILIS 2024 7.1.24; 16. GANDHI TO MAHATMA GANDHI- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. POEM: TOGETHER BUT NOT MADE FOR EACH OTHER, 11.2.24; 18. THE BIRDS BEES AND THE SPIDERS OF NICHOLAS GUILDFORD AND JONATHAN SWIFT 25.2.24; 19. THE OVERCOATS OF NIKOLAI GOGOL AND RUSKIN BOND 10.3.24; 20. THE ETHNIC COLOURS OF HOLI 24.3.24; 21. A LESSON FROM DALAI LAMA, 21.4.24; 22. POEM: MORNING WALK 28.4.24; 23. TRIP TO RHINE FALLS, SWITZERLAND, 19.5.24; 24. POEM: HURT 2.6.24;

THE ASSAM TRIBUNE

ARTICLE: 1. THE MAGIC OF READING 11.12.23; 2. GANDHI TO MAHATMA 29.1.24; 3. GEOGRAPHY OF SOLITUDE 8.4.24; 4. A LESSON FROM DALAI LAMA, 22.4.24; 5. A SOURCE OF INSPIRATION, 29.4.24; 6. THE FOUR-LEGGED LIBRARY, 12.5.24; 7. AGE AND ACHIEVEMENT, 10.6.24;

BANDRA TIMES, MUMBAI

ARTICLES & POEMS: 1. POEM: SPRING, 1.4.23; 2. POEM: MOTHER, 1.6.23; 3. POEM: RAIN RAIN, 1.8.23;

ARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI

29.12.2020: INDICA BY MEGASTHENES; 14.3.22: ABOUT THE DIMASA KINGDOM ASSAM; 10.12.22: GRAND TRUNK ROAD-UTTARAPATH; 5.10.23: THE GHOST TOWN OF KULDHARA NEAR JAISALMER;

(ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

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