Tag Archives: radha

Should India Include All-Time Classic Movies in School and College Syllabi in This Digital Age? by Kamlesh Tripathi

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    In today’s digital world, where attention spans are shrinking and reading habits are on the decline, it is about time we rethink how we educate and connect with the younger generation. A powerful and often overlooked tool is the classic Indian cinema. Just like the manner in which William Shakespeare’s plays are studied in schools and colleges for their literary merit and social relevance, classic Indian films, too, deserve a place in our school and college syllabi.

    It is said that old books and films are windows to the past. They serve as mirrors reflecting the values, struggles, and ethos of a bygone era. A few months ago, on the occasion of Mother’s Day, while reminiscing about my late mother, I stumbled upon the evergreen classic ‘Mother India’ on television. Although I had watched it several times before, especially because my one-time close friend, the late Sajid Khan, had played a role in it as the young Sunil Dutt, this time it felt different. As if I wasn’t just watching the movie ‘Mother India.’ But I was watching the real India of 1957.

    The film tells the touching story of Radha, an impoverished, rural village woman who struggles against all odds to raise her sons in her husband’s absence. She encounters severe poverty, exploitation by a moneylender, and personal tragedy, yet she emerges as an emblem of strength, sacrifice, and moral integrity. In several ways, she becomes the archetype of the traditional Indian woman.

    Mother India is more than just a typical film. It holds cultural and social significance. It vividly depicts the struggles of rural India in the post-independence period. Watching this movie is like stepping back in time to understand what our ancestors endured. ‘Mother India’ is one of the many classics preserved in the archives of Bollywood, as well as in the regional film centres of Tollywood and Kollywood.

    There are many such classic, cult and epic films and TV serials like Dosti, Do Bigha Zamin, Guide, Haqueeqat, Gandhi, Sholay, Pather Panchali, Ramayana, Mahabharat, to name a few, that vividly capture different aspects of Indian life. It could be from social inequality, the British Raj, mythology, penance, the fight for India’s freedom or the wars with Pakistan and China. These films provide context, depth, and real-life visuals to what students might otherwise only read or cram in history or literature books.

    It is about time the Government considers constituting a national panel to select a curated list of classic Indian films for inclusion in school and college syllabi. These films could be rotated class-wise or standard-wise, or stream-wise. They could be aligned with topics in history, literature, sociology, ethics, and more. The way Shakespearean plays are studied for their literary value and insights into human behaviour, Indian classics can also be studied for their cultural, emotional, and historical richness.

    65% of India’s population is under 35. Digital distractions are everywhere; therefore, classic films can be a more engaging add-on to traditional textbooks. Surveys show that young people today often struggle to read even 500 words at a stretch, but they can easily sit through a well-written storyline in a movie. Visual learning is known to improve retention and understanding. It makes classic movies an effective educational tool.

    This approach need not be limited to domestic films alone. Historical and biographical classics from Hollywood or other international cinemas, such as Cromwell, Nuremberg or Schindler’s List, could also be part of an extended curriculum. This will especially benefit students planning to work or study abroad. It will help them gain cultural and historical awareness about the countries they are headed to.

    Incorporating cinema into education doesn’t mean replacing books, but it would mean enhancing the learning experience. Students could watch in-syllabus films followed by classroom discussions, essays, or creative projects. It would not only build their analytical and emotional intelligence. It will also cultivate a deeper appreciation of India’s cinematic and historical heritage.

    Furthermore, in business and professional schools, an extracurricular cinema curriculum could be developed to help students understand global cultures, leadership models, historical contexts, and ethical dilemmas, all of which are frequently depicted in well-made films.

    Cinema is not just entertainment. It is a form of art that captures the values of society, its history, and love for humanity. Though Indian classic movies are rich in content, emotion, and social commentary, they are a forgotten treasure. They can educate, inspire, and connect the youth to their roots.

    In this digital era, where attention spans are short and reading habits are waning, integrating timeless films into the academic curriculum may well be the most impactful way to preserve our cultural heritage and prepare students for a more thoughtfully aware future.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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21/7/25 Speaking Tree: Radha Rukmini:Two Facets of Love in Krishn Lila

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(Times of India 21/7/25. Speaking Tree: Radha & Rukmini: Two Facets of Love in Krishn Lila by Ganesh Kolambakar)

    In Krishn’s divine lila, love reveals itself in many shades, not to confuse us but to awaken us. At first glance, Krishn’s bond with Radha may seem puzzling, especially since Rukmini was his lawful consort. Yet across centuries, temples, songs, and hearts remember Krishn not as ‘Rukmini-Krishn’ but as ‘Radha-Krishn’.
    Radha and Rukmini are two expressions of the Divine force. They symbolise two dimensions of love– the worldly and the transcendental, the composed and the consuming. They are not in conflict but in complement, reflecting the soul’s journey towards the divine.
Rukmini, the queen of Dwaraka, embodies maryada, the love that lives within the boundaries of dharm. She is Lakshmi incarnate, graceful and steadfast. Her love stands for a sacred partnership rooted in harmony, order, and purpose. She represents Apara Shakti, Krishn’s manifest energy that sustains worldly life.
Radha, the gopi of Vrindavan, is Krishn’s Hladini Shakti, his bliss, inner song. Her love transcends all boundaries. It is romantic, yes, but not merely earthly; it’s the soul’s cry for union with the Infinite. Radha is Para Shakti, the soul’s longing for the Divine, unbound by law or logic. She is not another love; she is love itself, raw and pure.
To a layperson, Radha and Krishn’s romance is emotionally relatable, a tale of longing, stolen glances, and secret meetings under moonlit skies. But to the seeker, it reveals a profound truth: that the soul, like Radha, yearns not for a husband or a protector, but for oneness with the Divine Beloved. This is why their love stirred saints and poets alike. Meerabai, too, wept and sang for Krishn, not as a king but as her eternal lover. Her devotion mirrored Radha’s fearless and boundless love, pure, sacred, and beyond the bonds of this world.
Rukmini’s love is the temple. Radha’s the sacred fire within. Rukmini walks with grace, and Radha dances in divine ecstasy. Both are true. Both are sacred. One represents Krishn’s presence in worldly life. The other reveals Krishn in the innermost heart. Sri Aurobindo saw Radha as the symbol of the psychic being – the soul’s flame moving toward the Divine. In this light, Radha and Krishn are not two lovers, but the seeker and the sought. Their union is not merely emotional. It is spiritual and cosmic.
Some traditions view Radha and Krishn as Shakti and Shiv, two forms yet ultimately one. Rukmini represents Krishn’s role in society and dharm. Radha is the inner music, his hidden joy. Both are divine movements of the same truth.
To truly understand Krishn, one must embrace both these aspects. He is the cowherd of Vrindavan and the sovereign of Dwaraka. He is Radha’s eternal beloved and Rukmini’s devoted husband. One whispers the mystery of divine ecstasy. The other upholds the strength of divine grace.
Krishn’s lila unveils love in its fullness. In Krishn’s world, love has many faces. Each of them is sacred. Through them, we do not just learn how to love. We learn how to become Love itself.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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THE ETHNIC COLOURS OF HOLI

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    Holi is celebrated on the full moon day of Phalguna (February-March). It coincides with the arrival of spring and the tail of winter. Spring is the season of change close to the Rabi harvest. This is when the old foliage begins to shred (abscission) and the new leaves arrive (leaf out). It is during Holi that nature reviews Mother Earth.

    The Europeans were particularly fascinated by the festival of colours. They described it as ‘“the carnival of the Hindus,” or the “Hindu spring festival” in the honour of Krishna, the amorous cowherd.’ Though Holi reminds you of the colourful rainbow, it is certainly not an illusion but a cultural reality of spirit and shades that bucks India up in the backdrop of Maja-Masti, reminding you of the famous Amitabh Bachchan song, ‘Khai Ke Pan Banaras Wala’ from film Don. Holi has given countless movies and dance sequences to Bollywood the entertainment centre of India, like, ‘Holi Aayi Re’ from the film Mashaal,the famous Hema Malini (Holi) dance sequence from the film ‘Sholay’ and the all-time great iconic Holi song, ‘Rang Barse Bhige Chunar Wali’ picturised on Rekha, Jaya, Amitabh and Sanjeev Kumar, in film Silsila.

    Holi celebrates the empyrean love of Radha and Krishna. It highlights the ascendancy of good over evil and marks the victory of Lord Vishnu as Narasimha over Hiranyakashipu. There is a legend in the Bhagavata Purana that elucidates why Holi is celebrated as a festival of triumph, of good over evil in the honour of Lord Vishnu and his devotee Prahalada. King Hiranyakashipu, the father of Prahlada, was the king of the demoniac Asuras. He had earned a boon that gave him five special powers like. He would neither be killed by a human being nor an animal, neither indoors nor outdoors, neither during the day nor at night, neither by an astra nor by a shastra, and neither on land nor in water or air. This made Hiranyakashipu arrogant. He thought he had become God, and demanded that everyone worship him. Hiranyakashipu’s son, Prahalada, however, remained devoted to Vishnu. This infuriated Hiranyakashipu. He subjected Prahlada to several punishments, but none changed Prahalada or his resolve to do what he thought was right. Finally, Holika, Prahlada’s sinful aunt, tricked him into sitting on a pyre with her. She had the boon of not getting incinerated by fire but on that fateful day, the reverse happened. She got burnt and Prahalada came out unscathed. Soon, Lord Vishnu appeared as an avatar to restore Dharma and took the form of Narasimha – half human and half lion (which is neither human nor an animal), at dusk (when it was neither day nor night). He took Hiranyakashyapu to the doorstep (which was neither indoor nor outdoor), placed him on his lap (which was neither land, water nor air), and then eviscerated and killed him with his lion claws (which were neither a handheld weapon nor a projectile).

    Holi is played with dry (Abir & Gulal) and wet colours with a traditional pichkari (water gun) that reminds you of the Bollywood song ‘Balam Pichkari’from the film ‘Yeh Jawaani Hai Deewani.’ The revellers even chorus ‘bura na mano Holi hai’. People form tolis (small groups) and move from one house to the other, to their friends and relatives wishing them a ‘Happy-Holi’ and singing songs and bhajans. They also hug (Gale Milna) each other on the occasion. The dry and wet playing colours depend on the weather. On the foregoing night of Holi, a bonfire is lit on the roads which is symbolic of the Holika-Dahan (the incineration of Holika) the victory of good over evil—Prahalada over Hiranyakashipu. Celebrants get smouldering twigs of that fire to their homes as a symbol of the victory of right over wrong and to rid their homes of any evil omens.  People eat and drink mithai, gujia, shakkarpaare, dahi-vada, bhang and thandai. They forgive and forget their past differences and come together once again. Nature has created umpteen occasions for human beings to come together and Holi is one of them.

    For foreigners, the bright colours of Holi and India have always had a fond connection. Holi is predominantly celebrated in the Indian subcontinent but has also spread to other regions of Asia and parts of the Western world through the diaspora. At times it is associated with exoticism or primitivity, nevertheless, the festival for years has been seen as an essential segment of the Indian cultural landscape.

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By Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety in content. We also accept donations for our mission. Should you wish to donate to the cause? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Kamlesh Tripathi’s Publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 8 prestigious libraries of the US which include Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed at MIT through Worldcat.org. Besides, it is also available for reading in libraries and archives of Canada; Cancer Aid and Research Foundation Mumbai; Jaipuria Institute of Management, Noida, India; Shoolini University, Yogananda Knowledge Center, Himachal Pradesh and Azim Premzi University, Bangalore).  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; It is also available for reading in the Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity, which is the undying characteristic of Lucknow. The book was launched at the Lucknow International Literary Festival in 2014. It is included for reading in Askews and Holts Library Services, Lancashire, U.K; Herrick District Library, Holland and Charlotte-Mecklenburg Library, Mecklenburg County in North Carolina, USA; Black Gold Cooperative Library Administration, Arroyo Grande, California; Berkeley Library, University of California).

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched at the Lucknow International Literary Festival in 2016).

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his way through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February 2018 at Gorakhpur Lit-Fest. Now available on Amazon, Flipkart and Onlinegatha)

RHYTHM … in poems

(Published in January 2019. The book contains 50 poems. The poems describe our day-to-day life. A few poems from the book have been published in Shillong Times, Bandra Times and Bhavan’s Journal. The book is available on Amazon, Flipkart and Onlinegatha)

MIRAGE

(Published in February 2020. The book is a collection of eight short stories available on Amazon, Flipkart and Notion Press)

AWADH ASSAM AND DALAI LAMA … The Kalachakra

(The story of the man who received His Holiness The Dalai Lama and his retinue in 1959 as a GOI representative when he fled Tibet in 1959. The book was launched on 21st November 2022 by His Holiness The Dalai Lama at Dharmshala. The title is archived in the library of the Department of Information and International Relations (DIIR) Government of Tibet, Tibet Policy Institute (TPI) and the personal library of His Holiness The Dalai Lama. The title is also archived in The Ohio Digital Library, USA. It was recently included in the digital library of the world-renowned company APPLE).

BHAVANS JOURNAL

Short stories, Book reviews and Articles published in Bhavan’s Journal: 1. Reality and Perception, 15.10.19; 2. Sending the Wrong Message, 31.5.20; 3. Eagle versus Scholars June, 15 & 20, 2020; 4. Indica, 15.8.20; 5. The Story of King Chitraketu, August 31 2020; 6. Breaking Through the Chakravyuh, September 30 2020. 7. The Questioning Spouse, October 31, 2020; 8. Happy Days, November 15, 2020; 9. The Karma Cycle of Paddy and Wheat, December 15, 2020; 10. Power Vs Influence, January 31, 2021; 11. Three Refugees, March 15, 2021; 12. Rise and Fall of Ajatashatru, March 31, 2021; 13. Reformed Ruler, May 15, 2021; 14. A Lasting Name, May 31, 2021; 15. Are Animals Better Teachers? June 16, 2021; 16. Book Review: The Gram Swaraj, 1.7.21; 17. Right Age for Achievements, 15.7.21; 18. Big Things Have Small Beginnings, 15.8.21; 19. Where is Gangaridai?, 15.9.21; 20. Confront the Donkey Within You 30.9.21; 21. Know Your Strengths 15.10.21; 22. Poverty 15.11.21; 23. Top View 30.11.21; 24. The Bansuriwala 15.1.22; 25. Sale of Alaska 15.2.22; 26. The Dimasa Kingdom 28.2.22;27. Buried Treasure 15.4.22; 28. The Kingdom of Pragjyotisha 30.4.22; 29. Who is more useful? 15.5.22; 30. The White Swan from Lake Mansarovar 30.6.22; 31. Bhool Bhulayya 15.9.22; 32. Good Karma 30.9.22; 33. Good Name vs Bad Name 15.10.22; 34. Uttarapath—The Grand Trunk Road 1.12.22; 35. When Gods Get Angry 1.1.23; 36. Holinshed’s Chronicles 15.1.23; 37. Theogony 15.2.23; 38. Poem: Mother 14.5.23; 39. THE NAG MANDIR 30.6.23; 40. The Story of Garuda 30.7.23; 41. Janmabhoomi vs Karmabhoomi 31.8.23; 42. The Ghost Town of Kuldhara 15.9.23; 43. The Tale of Genji 15.10.23; 44. The Soul Connection 1.12.23; 45.Book review: Jungle Nama … a story of the Sundarban 16.3.24;

THE SHILLONG TIMES

ARTICLES & POEMS: 1. POEM: HAPPY NEW YEAR 8.1.23; 2. POEM: SPRING 12.3.23; 3. POEM: RIGHT AND WRONG 20.3.23; 4. THE GUSH OF EMOTION—WRITING, 26.3.23; 5. THE NAG MANDIR, 7.5.23; 6. POEM: MOTHER 7.5.23; 7. POEM: RAIN RAIN 9.7.23; 8. POEM: YOU COME ALONE YOU GO ALONE 6.8.23; 9. RAIN RAIN (SECOND TIME) 10.8.23; 10. POEM: GURU TEACHER 10.8.23; 11. POEM: AUTUMN … THE INTERIM HEAVEN 15.10.23; 12. POEM: HAPPY DIWALI 12.11.23; 13. OVERCOMING BLINDNESS: LEARN IT THE JOHN MILTON WAY 10.12.23; 14. THE HAPPY PRINCE AND THE HAPPY MAN’S SHIRT 31.12.23; 15. ANNUS MIRABILIS 2024 7.1.24; 16. GANDHI TO MAHATMA GANDHI- Incidents that Shaped Gandhi in South Africa 28.1.24; 17. POEM: TOGETHER BUT NOT MADE FOR EACH OTHER, 11.2.24; 18. THE BIRDS BEES AND THE SPIDERS OF NICHOLAS GUILDFORD AND JONATHAN SWIFT 25.2.24; 19. THE OVERCOATS OF NIKOLAI GOGOL AND RUSKIN BOND 10.3.24; 20. THE ETHNIC COLOURS OF HOLI 24.3.24

THE ASSAM TRIBUNE

ARTICLE: 1. THE MAGIC OF READING 11.12.23; 2. GANDHI TO MAHATMA 29.1.24;

BANDRA TIMES, MUMBAI

ARTICLES & POEMS: 1. POEM: SPRING, 1.4.23; 2. POEM: MOTHER, 1.6.23; 3. POEM: RAIN RAIN, 1.8.23;

ARTICLES IN THE DIGITAL MAGAZINE ESAMSKRITI

29.12.2020: INDICA BY MEGASTHENES; 14.3.22: ABOUT THE DIMASA KINGDOM ASSAM; 10.12.22: GRAND TRUNK ROAD-UTTARAPATH; 5.10.23: THE GHOST TOWN OF KULDHARA NEAR JAISALMER;

(ALL THE ABOVE BOOK TITLES ARE AVAILABLE FOR SALE ON AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

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BOOK CORNER: DEVLOK with Devdutt Pattnaik–3

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Khidki (Window)

–Read India Initiative—

This is only an attempt to create interest in reading. We may not get the time to read all the books in our lifetime. But such reviews, talk and synopsis will at least convey what the book is all about.

DEVLOK

With Devdutt Pattnaik—3

Based on the third season of the popular television show on EPIC Channel

    This book is based on the third session of the popular television show on EPIC channel. It is actually a question and answer session in which India’s favourite mythologist Devdutt Pattnaik answers questions. This book is the third episode published in 2018 by Penguin Ramdom House India.

    Generally we all feel we know a lot about our own religion. But after reading this book you’ll come to know how little you know about your own religion. For example did you know the answers to the following questions?

  • Names of Vishnu and Shiva’s father?
  • How many types of Ramayana are you aware of?
  • Where did the name of Radha come from?
  • Was Radha older than Krishna?
  • When did Christianity come to India?
  • What are Abrahamic traditions?
  • Did Jesus come to Kashmir?
  • Meaning of ‘Buddham Sharanam Gachhami?’

    The author not only covers Hinduism in this book. He also talks about, or rather takes questions on Islam, Christianity, Buddhism and Jainism. There is no storyline in this book. But yes it does have many short stories and tales explaining various aspects of each religion.

    It is a collection of easy going conversations about Indian mythology based on eponymous television show. There is however the caveat that what is discussed here is not meant to be factually correct—you may therefore refer to your Guru for clarity or even the author.

    It is not an academic work and does not claim to be authoritative. Contained here are simplified versions of mythological tales, taken from various versions found in different scriptures and in folklore. The attempt is to retain the essence embedded in the tales, and to provoke readers to dig deeper into the philosophy.

    The book takes you through a great mix of Hindu rituals, relationship, parent and child relationship. It describes Lord Krishna and Radha in great detail. It tells us how Christianity came to India and about Buddhism and Jainism.

    A chapter explains about Dwarka, types of Ramayana, various types of marriages, Dravid civilization. It also describes Ravana , Khajuraho temples and yoga and also about Prophet, Jainism and Kingship.

    It also talks about rites of passage, defines Indian riti riwaz, talks about Indian tradition,  gives a good and scientific definition of certain old words of mythology. And in simple ways he has explained the customs of Hinduism … in a way connected the dots.

    The book also deals with Hindu customs, details various Ramayanas in various languages. One gets to feel, the book is a brief history of various religions. It has many lok-kathas. Connects North and South of India where it gives a wonderful comparision between Asurs and Rakshas.

    The book does make an impact on you by increasing your knowledge base. It is around a hundred and fifty pages, written in easy read format. The price is rupees two hundred and fifty.

    I would give the book seven out of ten.

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Synopsis by Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Share it if you like it

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Our posts are meant for our readers that includes both children and adults and it has a huge variety in terms of content. We also accept donations for our mission. Should you wish to donate for the cause. The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

*

Our publications

GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha

(ALL THE ABOVE TITLES ARE AVAILABLE FOR SALE IN AMAZON, FLIPKART AND OTHER ONLINE STORES OR YOU COULD EVEN WRITE TO US FOR A COPY)

*****