Tag Archives: Abhimanyu

INTERESTING FACTS: PADMAVYUHA & CHAKRAVYUHA

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    Padmavyuha and Chakravyuha are strategies and tactics of war. What we in Hindi call Padmavyuha or Chakravyuha is a military formation used to surround enemies, depicted in the Hindu epic Mahabharata. It resembles a labyrinth of multiple defensive walls.

    Ancient Indians had perfected the art of arraying, displaying, arranging, and lining of troops, called the ‘vyuha.’ In the Rig Veda, there are many references to substantiate this. A war hymn says that Maruts (ie soldiers) moved in linear formation like birds. Another hymn says, they assumed the shape of a man, a horse, or a pigeon at different times. There are references to battle formations in the Sama Veda, Yajur Veda and Atharva Veda.

    The Mahabharata has the most detailed description of the ‘vyuhas’ (ie. the battle arrays). Two great acharyas—Shukra and Brahaspati—had propounded many of these vyuhas. During the eighteen day war, Pandava and Kaurava commanders formed as many as thirty vyuhas, including Vajra, Krauncaruna, Ardhacandra, Syena, Makara, Garuda, Vyala, Sakata, Cakra, Suci, etc. While deciding to form a particular vyuha, they considered their own objective, and the deployment of the enemy’s forces.

    On the 13th day of the Mahabharata war, the Kaurava commander deployed his army in ‘Chakravyuha’ to trap and kill the Pandava commander ‘Abhimanyu.’ On the fourteenth day of war, the Kauravas combined Cakra-Sakata-Padma and Suci vyuhas to repel and beat the attack launched by Arjuna. There are references to vyuhas in the Ramayana and the Buddhist Jatakas (Buddhist literature) also.

    Vyuhas are described in far greater detail in the Arthashastra. In the sama-vyuha (even array) the five constituents—centre (ura) two flanks (kaksas) and two wings (paksas) were provided with an equal number of troops. In the visamavyuha (uneven army) the number of troops deployed at the centre, the flanks and the wings were not the same. In misravyuha (mixed array), the chariot, elephants, horses and foot soldiers were deployed together at the centre, and at the flanks and wings, while in suddhavyuha (unmixed array) only one of these arms was deployed.

    This four-fold classification of the vyuhas relates to the strategic deployment of various arms. But the most significant contribution of the Arthashastra relates to the tactical deployment of units, according to the code of Brahaspati. Kautilya has classified the tactical deployment of troops in four basic arrays, namely danda-vyuha (staff array), bhoga-vyuha (snake array), mandala-vyuha (circle array) and asamhata-vyuha (diffused array). Each of these types had many variations, as danda alone, could be formed in seventeen ways, bhoga in four ways, and both mandala and asamhata in three ways. Kautilya has also described some miscellaneous arrays.

    It is notable that a detailed description of battle arrays is also available in works such as the Manusmriti, Kamandaka Niti, Agni Purana and Sukraniti. Later works like the Sisupalavadha and Prithiviraja Raso also refer to the use of some of these vyuhas.

    Chakravyahu is something that we even use in terms of strategy in our day to day lives.

Posted by Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Our posts are meant for our readers that includes both children and adults and it has a huge variety in terms of content. We also accept donations for our mission. Should you wish to donate for the cause. The bank details are given below:

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GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 8 prestigious libraries of the US that includes Harvard College Library; Harvard University Library; Library of Congress; University of Washington, Seattle; University of Minnesota, Minneapolis; Yale University, New Haven; University of Chicago; University of North Carolina, at Chapel Hill University Libraries. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in libraries and archives of Canada, Cancer Aid and Research Foundation Mumbai and Jaipuria Institute of Management, Noida, India. Shoolini University, Yogananda Knowledge Center, Himachal Pradesh. Azim Premzi University, Bangalore).  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi; Available for reading in Indian National Bibliography, March 2016, in the literature section, in Central Reference Library, Ministry of Culture, India, Belvedere, Kolkata-700022)

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(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be the undying characteristics of Lucknow. The book was launched in Lucknow International Literary Festival of 2014. It is included for reading in Askews and Holts Library Services, Lancashire, U.K.)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

(Is a story of an Indian salesman who is, humbly qualified. Yet he fights his ways through unceasing uncertainties to reach the top. A good read not only for salesmen. The book was launched on 10th February, 2018 in Gorakhpur Lit-Fest. Now available in Amazon, Flipkart and Onlinegatha)

RHYTHM … in poems

(Published in January 2019. The book contains 50 poems. The poems describe our day to day life. The book is available in Amazon, Flipkart and Onlinegatha)

MIRAGE

(Published in February 2020. The book is a collection of eight short stories available in Amazon, Flipkart and Notion Press)

Short stories and Articles published in Bhavan’s Journal: Reality and Perception, 15.10.19; Sending the Wrong Message, 31.5.20; Eagle versus Scholars June, 15 & 20 2020; Indica, 15.8.20; The Story of King Chitraketu, August 31 2020; Breaking Through the Chakravyuh, September 30 2020. The Questioning Spouse, October 31, 2020; Happy Days, November 15, 2020; The Karma Cycle of Paddy and Wheat, December 15,2020; Power Vs Influence, January 31, 2021; Three Refugees, March 15, 2021;

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ARROGANCE LEADS TO DESTRUCTION-LEARN IT FROM DURYODHAN

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    Just before the commencement of the holy war of Mahabharat. Arjun broke down in the battle field when his emotions ran high. He was unable to come to terms with the prevailing circumstances that soon he would have to fight his near and dear ones, that is the Kuruvansh. Who happened to be his first cousins, and where his main rival was Duryodhan. He got into a state of torment when he suddenly saw mighty and stupendous Bhishma Pitamah standing right opposite him, and ready to take him on. When, Arjun emotionally reflected, he had spent his entire childhood in the cradle of his arms. And flanked on either sides of Pitamah were his revered Gurus—Dronacharya and Kripacharya all tied down by various pratigyas (vows) to defend the Kuruvansh. In the mid all of this he was suppose to raise the battle cry to deluge them in the sea of destruction.

    And when Arjun was unable to withstand the emotional pressure. He looked up to Lord God Krishna who was his charioteer and entered into a divine conversation with him. Where, Krishna sermonized Arjun, to pick up arms against his close relatives and fight for righteousness. He responded to his mighty sakha (friend) Krishna, but at the same time desired to see his “Vishwaroop” (omni divine form) in order to get out of his tender and weak spell. Krishna obliged and post that he said:

    ‘Dear Arjun! I am pleased that you are my friend and bhakt (devotee) and therefore with my antarangaa shakti (inner strength) I was able to show you my “Vishwaroop.” For bear it in mind, before you, no one else in this universe has ever seen the aaseem tatha tajomaya aadi-roop of mine. And you would have realized, my “Vishwaroop” was shinning like the sun and the faces in it were continuously changing like the cycle of birth and death.’ Notable: Krishna had revealed his omni-form to a composed Arjun.

    When Arjun was shown this breathtaking form which was scary in some ways, even avatars and devotees from swarg lok (heaven) and people from other lokas got a glimpse of it only because of him. One could say with the blessings of Lord Krishna all his disciples and followers were able to have a darshan of his Vishwaroop that Arjun was witnessing.

    It is believed when Krishna went to Duryodhan with the peace (sandhi) proposal before Mahabharat. Due to sheer arrogance Duryodhan not only rejected the offer but also attempted to insult and imprison him. And at that time. Krishna in extreme anger showed him some form of his Vishwaroop which was quite different than what was shown to Arjun. But unfortunately ignoramus Duryodhan in his haughtiness and false pride could not understand the divine message from him otherwise the war of Mahabharat could have been averted.

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By Kamlesh Tripathi

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Share if you like it

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases. Should you wish to donate for the cause the bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Our publications

GLOOM BEHIND THE SMILE

ONE TO TANGO … RIA’S ODYSSEY

AADAB LUCKNOW … FOND MEMORIES

REFRACTIONS … FROM THE PRISM OF GOD

(CAN BE BOUGHT FROM ON LINE BOOK STORES OR WRITE TO US FOR COPIES)

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