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THE BOND OF PROTECTION: RAKSHA BANDHAN by Kamlesh Tripathi

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     Raksha Bandhan is observed on the last day of the Hindu lunar calendar month (Panchang) of Shravan. It normally falls in August. Raksha Bandhan is also known as Rakhi. It is also referred as Saluno. It is an affectionate festival that celebrates the unbreakable bond between brothers and sisters. It’s a day when sisters tie a sacred thread, called “rakhi,” on the wrists of their brothers, symbolising protection and love. In return, the brothers offer gifts and the promise to protect their sisters.

    It is an admired and traditional Hindu ritual and festival celebrated every year. Apart from India, it is also celebrated in other parts of the world influenced by the Hindu culture. On this day, sisters of all ages tie a talisman or lucky charm called ‘rakhi’ on the wrists of their brothers. The sisters symbolically protect the brothers by doing this. In return, they receive a gift. Its spiritual significance lies in the protection and interconnectedness of the relationship between the brother and the sister. The expression “Raksha Bandhan” comprehensively describes this ritual.

        It is traditionally rooted in the curriculum of territorial or village marriages. The bride is married out of her natal village or town, and her parents, by custom, do not visit her in her married home. In rural north India, village marriage is quite prevalent. Married women travel to their parents’ homes every year to celebrate Raksha Bandhan. Their brothers, who usually live with their parents or somewhere close by, at times, travel to their sisters’ married homes to escort them back. Some brides arrive a few weeks earlier at their natal homes and stay there till the ceremony is over. The brothers serve as lifelong intermediaries between their married sisters’ and parental homes, as well as their potential protectors.

    In modern India, where families have become increasingly nuclear, the festival has become more symbolic, yet it remains highly popular. The rituals of this festival have spread beyond their traditional regions. They have transformed owing to migration and technology. Factors influencing are movies, social media, and the religious bent of mind. We all remember the famous Bollywood song ‘Bhaiya mere Rakhi ke bandhan ko nibhana’. Even among females and males who are not blood relatives, tying of the rakhi has promoted the tradition of voluntary kin, crossing lines of caste, class, and religion.

    So much has been written about Raksha-Bandhan to establish its credentials. According to the Oxford English Dictionary, the Hindi word Rakhi derives its origin from the Sanskrit word Rakshika, meaning a protector or guardian. The earliest mention of the word Rakhi in the English language dates back to 1829, in Lieutenant Colonel James Tod’s book, Annals & Antiquities of Rajasthan.

    Indian poet Nazeer Akbarabadi (1735–1830) wrote one of the first nazms in the Hindustani language on Rakhi. The august poet imagines that he, despite being a Muslim, would like to dress up as a “Bamhan” (Brahmin priest), with a sacred thread and a mark on the forehead, so that he can tie the threads on the wrists of all the beautiful people around him.

    Much has been captured about Rakhi in various treatises, dictionaries, and books. Notable examples include the Dictionary of Hindustani and English, authored by Duncan Forbes in 1857. Raksha Bandhan’s reference in the mythology comes out in chapter 137 of the Uttara Parva of the Bhavishya Purana. Here, Lord Krishna narrates to Yudhishthira the ritual of having a raksha thread tied to his right wrist by the royal priest (rajpurohit) on the day of purnima (full moon day) of the Hindu lunar month of Shravan.

    Though traditionally, Raksha-Bandhan is observed in northern India. It also encircles central and western India, Nepal, and some other parts of the country, as well as overseas Hindu communities such as Fiji. It is primarily a Hindu festival. Besides India and Nepal, other countries also celebrate Raksha Bandhan. Pakistan and Mauritius are two other countries where Hindus celebrate this festival. In addition wherever we have Hindu diaspora Raksha Bandhan is celebrated.

    Folklorist and American anthropologist Susan Snow Wadley writes: ‘In Savan, greenness abounds as the newly planted crops take root in the wet soil. It is a month of joy and gaiety, with swings hanging from tall trees. Girls and women swing high into the sky, singing their joy. The gaiety is even greater because women, especially the young ones, are expected to return to their natal homes for an annual visit during Savan.’

    The brothers serve as lifelong intermediaries between their married sisters’ and parental homes, as well as their potential protectors. That’s the bond of Raksha-Bandhan.

Written and posted by Kamlesh Tripathi

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Pakistan: An Atrocious Copy-Paste Master … by Kamlesh Tripathi

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Operation Sindoor was launched on 7 May 2025, in retaliation for the brutal terror attack in Pahalgam, Jammu and Kashmir, on 22 April, in which 26 civilian tourists lost their lives.

    Pakistan is an atrocious copy-paste master. After having lost the plot, Prime Minister Shehbaz Sharif implemented several measures to create a false image among the Pakistani public that they had emerged victorious. This, despite their Director General of Military Operations (DGMO) having called his Indian counterpart to request a cessation of hostilities.

    After the temporary suspension of armed hostilities, Prime Minister Narendra Modi visited the Adampur air base in Punjab on Tuesday, May 13, 2025, to boost the morale of the armed forces. Modi’s visit came just days after Indian armed forces executed Operation Sindoor with clinical precision. Air Force Station, Adampur, was one of the active bases during the mission. PM Modi was welcomed with chants of “Bharat Mata ki Jai” and “Vande Mataram,” as air warriors and soldiers celebrated the operation’s success. Copying the Indian Prime Minister Narendra Modi’s move, Shehbaz Sharif also decided to visit the forces. However, lacking the courage to do so effectively, he merely stood on a tank to address them. He was widely ridiculed and trolled for this: Khet mein tank, jeet ka prank.

    The Government of India formed seven all-party parliamentary delegations to visit various countries as part of a strategic diplomatic outreach, aiming to garner international support and convey India’s stance: that India is a peace-loving nation suffering from terrorism originating in Pakistan. As expected, Pakistan mimicked this move too, sending a delegation under Bilawal Bhutto abroad to falsely portray Pakistan as a victim rather than a perpetrator of terrorism.

    But this act of imitating India isn’t new for Pakistan. It began with Mohammad Ali Jinnah himself. In his piece ‘Ranade, Gandhi and Jinnah’, Dr B. R. Ambedkar describes Gandhi and Jinnah, noting that Jinnah and the Muslim League copied Gandhi and the Congress even before India’s independence. The Qaid-i-Azam of Pakistan simply followed Gandhi’s lead. The politics between these two iconic figures became a contest of one-upmanship from Jinnah’s end. If Gandhi was the Mahatma, Jinnah had to be Qaid-i-Azam. Pakistan has always believed in copying India, a pattern visible even during Jinnah’s lifetime. Jinnah didn’t innovate; he imitated Gandhi.

    Politics in the hands of these two great leaders turned into a competition of extravagance. If Gandhi was known as the Mahatma, Jinnah insisted on being known as Qaid-i-Azam. If Gandhi had the Congress Party, Jinnah ensured the existence of the Muslim League. If the Congress had a Working Committee and an All India Congress Committee, the Muslim League had to have its own Working Committee and Council. A session of the Congress was inevitably followed by one of the Muslim League.

    If the Congress issued a political statement, the Muslim League had to issue one too. If the Congress passed a resolution of 17,000 words, the Muslim League’s resolution had to be at least 1,000 words longer. If the Congress President held a press conference, the Muslim League President followed suit. If the Congress addressed the United Nations, the Muslim League made sure not to be outdone.

    Gandhi insisted Jinnah admit he was one of the Muslim leaders; Jinnah insisted Gandhi admit he was a Hindu. This dynamic is clearly depicted in Ambedkar’s piece, ‘Ranade, Gandhi and Jinnah’.

    During the partition, Jinnah and the Muslim League imitated Gandhi and the Congress Party. This could have been a great moment for the Congress to reflect, mock, and point out Pakistan’s persistent habit of mimicry, showing that the mindset of Jinnah and the Muslim League carried on into the Pakistani state post-partition and portraying Congress as the lynchpin of India.

Instead, the Congress began mimicking Pakistan—and in doing so, fell from grace. Big opportunity lost.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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The Dalai Lama’s Moral Compass

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(THE DALAI LAMA’S MORAL COMPASS, 5/7/25, SUNDAY SPEAKING TREE BY RAJIV MEHROTRA)


    What do we turn to when the world loses its moral bearings? Violence seems relentless. In Gaza, babies in powerless incubators gasp for breath. In Ukraine and Russia, parents bury sons they never imagined losing. In Kashmir, tourists were gunned down near Pahalgam. Swift actions followed –aIrstrikes, declarations of zero tolerance.
    We watch from afar. Images flood our screens but meaning dissolves in the noise. Even when ceasefires arrive, the discourse circles around who won the battle, not what the war has cost. And a deeper question is left hanging: Is this all we know how to do?
    I often recall a quiet moment in 1983 at the Dalai Lama’s residence in Dharamshala. On simple prayer mats was written. “Pray for the Chinese.” This is from a community that had endured invasion, exile, and the attempted erasure of its culture. Yet their daily practice included compassion for those responsible.
    The Dalai Lama has always distinguished between acts of governments and the people. Monks were instructed not to forget the harm, but to remember without hatred. It was an act of moral resistance, not rooted in rage.
    Over four decades, I’ve seen him remain consistent. He opposes terrorism without qualification, recognises that force may sometimes be necessary to prevent greater harm, yet insists that intention is as important as action. This is not a soft sentiment.
    It is a deliberate stance, grounded in the reality of interdependence, where suffering in one place ripples across continents.
    In his words, “World peace must grow from inner peace.” This is not an escape into personal sanctuaries. It is a redirection. Anger and fear are left unexamined, and diplomacy is shattered, causing fragile accords fracture. Even the most carefully brokered treaties cannot hold if suspicion and resentment remain.
    At the heart of his teachings is a clear moral logic: hatred and ignorance are more corrosive than any political adversary. He appeals to values not confined to religion but rooted in human experience — the capacity to care, refrain from retaliation, and resist cruelty even when wronged.
    Such language can sound idealistic in an age driven by outrage and certainty. But its durability lies in its refusal to mirror the forces it opposes. It offers not a quick fix, but a framework for healing –one that prizes clarity over conquest, and resilience over retribution.
    Today, moral leadership is in short supply. The Dalai Lama offers something subtler: a moment of pause, an insistence on reflection. He asks us not just to act, but to examine how we act– what we cultivate in ourselves, even as we respond to the world.
    Violence has become increasingly impersonal –executed through drones, sanctions, and screens. Victims become statistics. But pain is never abstract to those who experience it. The greater the distance, the easier it is to justify harm or look away.
From Israel to Iran, Myanmar to Sudan, the pattern repeats: brute power strikes, people bleed. Yet we spend over $2.4 trillion a year on arms, while a fraction of that could educate every child and bring clean water to every village. As the Dalai Lama has said, “We are over-armed and under-educated.”
What is left to do for those of us who watch, scroll, and grieve? Perhaps this: resist the temptation to harden. Let suffering deepen, not blunt, our humanity. A shift in tone. A pause in the momentum of anger. Even a moment of grace is a form of resistance in the face of brutality.
“Do not let the suffering you see make you bitter,” he says. “Let it make you more human.” That may be the most enduring resistance of all.
Critics ask whether non-violence has restored Tibet or if compassion ends war. They measure success by territory regained. But they miss the more resounding triumph. Tibet’s moral voice has not been extinguished. The Dalai Lama remains a global conscience –not because he holds power, but because he never wielded it with rancour.
Tibet may not be free. But it has not surrendered its dignity. At 90, the Dalai Lama remains a compass in an age adrift –pointing quietly, persistently, towards compassion, clarity, and courage.
And beneath the clamour, a single teaching endures:
Let the pain you see make you more human.
(RAJIV MEHROTRA IS MANAGING TRUSTEE, FOUNDATION FOR UNIVERSAL RESPONSIBILITY OF HIS HOLINESS THE DALAI LAMA. VIEWS ARE PERSONAL)

Posted by Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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SPEAKING TREE THE MEANING OF LIFE

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Hope, wrote Alexander Pope, lies eternal in the human breast. To never despair, even in the bleakest of winter. And, nothing exemplifies this more than the soul-stirring story of Viktor Frankel, who survived the horrors of Auschwitz through his search for the meaning of life.
In his ‘Man’s Search for Meaning’ written after his liberation from the concentration camp, he talks about the source of his will to live. To paraphrase: we are bound to face adversities. How you handle these vicissitudes is determined by your attitude. And, attitude is something that each of us controls. This determines what becomes of you mentally and physically. This is true also of suffering that is a part of life–without and death, human life would not be complete. The test is how we react to the suffering.
We need to have a higher purpose– a goal that will help us overcome the challenges. Frankel quotes. Nietzsche, ‘He who has a why to live can bear almost any how’, to explain this.
The meaning of life is found by our choice to do the right thing. Frankel helped his fellow prisoners by emphasising that striving for meaning, not power nor pleasure, is what keeps us alive.
These lessons are even more relevant today. A positive attitude, willingness to take responsibility and a purpose in life will help each of us find meaning in our lives. Life is, after all, far too precious to fritter away aimlessly.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

INTO THE SUNSET YEARS by Kamlesh Tripathi

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    As we continue to grow old, our perspectives and lifestyles keep changing. Life is never static, they say. The only permanence is impermanence. The way we see the world at 20 is vastly different from how we perceive it at 40, 60, or even 80. Though it’s often said that age is just a number. The number subtly but significantly influences how we view the remaining time on Mother Earth, and how we choose to live in it. If we consider the average human lifespan as 100 years, the first 50 mainly involve learning, growth, and striving, while the second half leans towards reflection, realignment, and seeking deeper spiritual meaning.

    From the moment we are born, we can imagine a hundred years ahead, when the world seems filled with immense opportunities. The future expands like Parkinson’s law, filling the available hundred years. It appears to be brimming with opportunities, ambitions, and several ladders to climb. There’s a blend of excitement and apprehension. But success isn’t guaranteed. The path ahead is tough and winding. At this stage, the focus is on acquiring knowledge, developing skills, and laying down the foundation for a meaningful career and life. We put effort into education, training, and competition. The aim is to secure positions in top institutions or prestigious jobs that offer stability and high rewards. Once these goals are attained, our focus naturally shifts. The initial craving for academic success gives way to pursuits of professional, social, and financial achievement. These are early energetic years of ambition and diligent effort, reaching their peak in climbing the corporate and social ladders. These initial years are about proving oneself and establishing identity and worth in a demanding world. Although moments of introspection occur, the main focus remains on external achievements, recognition, financial security, and maintaining one’s social standing. The mind stays alert, the spirit driven. The challenges are seen as obstacles to overcome rather than signs to slow down.

    However, as time advances and we approach retirement, something shifts. We start to realise that our time on Earth is limited. There is a gentle yet persistent awareness that our stay here is temporary, and life is, in fact, a journey. At the peak of our professional success, many of us begin to experience a spiritual void, long concealed by material pursuits and external ambitions. This often marks the beginning of the search for inner peace, mostly after you retire. Thoughts about the next phase, the second innings, begin to surface. Questions once ignored now become central. What is the purpose of all this? What lies beyond this life? How should one prepare for the journey hereafter? The ancient Hindu tradition comprehensively captures life through its four ashrams. It provides a roadmap of life’s journey in the stages of Brahmacharya, Grihastha, Vanaprastha, and Sannyasa.

    As we approach life’s sunset, Shloka 2.22 in the Gita starts reminding us that the body is temporary, but the soul is eternal. The decay of the physical body is not an end, but a transition, much like changing clothes. The Shloka softens the fear of death by framing it as a natural and graceful process of renewal. It emphasises detachment, acceptance, and the continuity of the soul’s journey:

‘Vāsānsi jīrṇāni yathā vihāya
navāni gṛhṇāti naro’parāṇi,
tathā śarīrāṇi vihāya jīrṇāni
anyāni saṁyāti navāni dehī.’  (Just as a person gives up old garments and puts on new ones,
so does the embodied soul discards worn-out bodies and takes on new ones).

    Although conceived in an era bereft of mechanical clocks and the Gregorian calendar, they continue to offer timeless wisdom. Today, with our lives measured meticulously in minutes and milestones, we are more aware than ever of time’s passage. This awareness also serves as a reminder to pause, reflect, and live consciously. Ultimately, age isn’t merely about growing old. It is about growing wiser. It teaches us that ambition must be balanced with awareness. Success must eventually give way to surrender, and while youth is about becoming, age is about understanding. Life, after all, is not a race but a journey, a fleeting passage through time. May every sunrise hold more promise and every sunset hold more peace. Don’t simply retire from something; have something to retire to.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

POETRY & POLITICS, IN LOVE & WAR – FAIZ

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    FAIZ’S WORK ENDURES BECAUSE ITS CORE IS HUMANISM

    A heartbroken teenager, a lecturer in English who was drawn to Marxism, a pioneer of the subcontinent’s political poetry, a supporter of Iran’s Islamic Revolution but not an Islamist, and finally self-exiled in Beirut after General Zia executed Bhutto – Faiz always said it was the early years that shaped the poet in him.

    Aur bhi dukh hain zamane mein mohabbat ke siva, rahaten aur bhi hain vasi ki rahat ke siva, mujh se pahli si mohabbat mere mehboob na maang (The world has other problems… other comforts than a lover’s embrace. So, my love, don’t ask I love you like I once did). That’s Faiz marrying romance and politics.

    In 1932, Angarey (Fire), an anthology of mostly feminist short stories, was banned but inspired the Progressive Writers Association, of which Faiz was an integral part. He left the army in 1947 to edit the left-leaning The Pakistan Times, disillusioned by Partition’s communal violence — Ye daagh daagh ujala ye shab-gazida sahar, vo intezaar tha jis ka ye vo sahar to nahin (This light stained by darkness is like dawn tainted by dusk. This isn’t the dawn we awaited).

    Arrested in 1951for the conspiracy to overthrow Pakistan’s Liaquat Ali govt, he published two books from jail. Dast-e Saba and Zindan Nama. He never gave up on hope: Qafas udaas hai yaaro saba se kuchh to kaho. Kahin to bahr-e-khuda aaj zikr-e-yaar chale (The cage is sad and silent. Say something to the breeze. For god’s sake, let’s talk about my beloved).

   On release four years on, he found Pakistan had distanced itself from the Soviets, his inspiration, and aligned with America, which he despised. In 1974, Bangladesh, at Mujibur Rahman’s request, he composed, Ham ki thahre ajnabi itni mudaraton ke baad. Phir banege ashna kitni mulaqaton ke baad (Despite the hospitality, we remain strangers, and who knows how many meetings it will take to become friends again).

    Once Zia arrested Bhutto, Faiz self-exiled to Beirut as editor of Lotus- a magazine to promote non-Euro-centric Asian and African writing. But Faiz felt uprooted, longing for his people: Mere dil, mere musafir, hua phir se hukum sadir, ki vatan-badar hon hum tum (My heart, my traveller, the order is issued again, we are exiled again).

    His most popular work, Hum Dekhenge, is a poem of dissent. Some find it anti-Hinduism — it’s just as anti-Islam. Inspired by Iran’s Islamic revolution, sourced from the Quran’s Surah al-Waqi’ah – the inevitability of Qayamat (doomsday)- experts are still divided over Hum Dekhenge’s message. A literal translation of key lines: ‘Idols would be removed from Kaaba to establish Allah’s rule.’ But these could also mean: Every idol – false gods and tyrants – will be removed from the house of God that is earth.’ Faiz was no Islamist but simply charmed by the people’s fight to depose the Shah.

    The poem’s climax, Utthega anal haq ka nara, jo mai bhi hu or tum bhi ho. Bus raj karegi khalke khuda jo mai bhi hu or tum bhi ho. Anal haq means ‘I am the truth.’ In Semitic religions, Islam, Judaism and Christianity, there’s strict duality between God and his creation. In contrast, the Sufi anal haq resonates with the Advait concept of aham brahmasmi or ‘I am one with God.’ The poem’s message then is that humans are the ultimate truth — divinity is within humanity, hence the divine right to self-rule.

(TIMES OF INDIA 5.7.25)

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

21/7/25 Speaking Tree: Radha Rukmini:Two Facets of Love in Krishn Lila

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(Times of India 21/7/25. Speaking Tree: Radha & Rukmini: Two Facets of Love in Krishn Lila by Ganesh Kolambakar)

    In Krishn’s divine lila, love reveals itself in many shades, not to confuse us but to awaken us. At first glance, Krishn’s bond with Radha may seem puzzling, especially since Rukmini was his lawful consort. Yet across centuries, temples, songs, and hearts remember Krishn not as ‘Rukmini-Krishn’ but as ‘Radha-Krishn’.
    Radha and Rukmini are two expressions of the Divine force. They symbolise two dimensions of love– the worldly and the transcendental, the composed and the consuming. They are not in conflict but in complement, reflecting the soul’s journey towards the divine.
Rukmini, the queen of Dwaraka, embodies maryada, the love that lives within the boundaries of dharm. She is Lakshmi incarnate, graceful and steadfast. Her love stands for a sacred partnership rooted in harmony, order, and purpose. She represents Apara Shakti, Krishn’s manifest energy that sustains worldly life.
Radha, the gopi of Vrindavan, is Krishn’s Hladini Shakti, his bliss, inner song. Her love transcends all boundaries. It is romantic, yes, but not merely earthly; it’s the soul’s cry for union with the Infinite. Radha is Para Shakti, the soul’s longing for the Divine, unbound by law or logic. She is not another love; she is love itself, raw and pure.
To a layperson, Radha and Krishn’s romance is emotionally relatable, a tale of longing, stolen glances, and secret meetings under moonlit skies. But to the seeker, it reveals a profound truth: that the soul, like Radha, yearns not for a husband or a protector, but for oneness with the Divine Beloved. This is why their love stirred saints and poets alike. Meerabai, too, wept and sang for Krishn, not as a king but as her eternal lover. Her devotion mirrored Radha’s fearless and boundless love, pure, sacred, and beyond the bonds of this world.
Rukmini’s love is the temple. Radha’s the sacred fire within. Rukmini walks with grace, and Radha dances in divine ecstasy. Both are true. Both are sacred. One represents Krishn’s presence in worldly life. The other reveals Krishn in the innermost heart. Sri Aurobindo saw Radha as the symbol of the psychic being – the soul’s flame moving toward the Divine. In this light, Radha and Krishn are not two lovers, but the seeker and the sought. Their union is not merely emotional. It is spiritual and cosmic.
Some traditions view Radha and Krishn as Shakti and Shiv, two forms yet ultimately one. Rukmini represents Krishn’s role in society and dharm. Radha is the inner music, his hidden joy. Both are divine movements of the same truth.
To truly understand Krishn, one must embrace both these aspects. He is the cowherd of Vrindavan and the sovereign of Dwaraka. He is Radha’s eternal beloved and Rukmini’s devoted husband. One whispers the mystery of divine ecstasy. The other upholds the strength of divine grace.
Krishn’s lila unveils love in its fullness. In Krishn’s world, love has many faces. Each of them is sacred. Through them, we do not just learn how to love. We learn how to become Love itself.

Posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

***

Banu Mushtaq’s (International Booker Prize Winner-2025) interview

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(TIMES OF INDIA ARTICLE DATED 2/3/25: NEED FOR MORE TRANSLATIONS TO TAKE OUR LITERARY TREASURES TO THE GLOBAL STAGE)

Banu Mushtaq’s Translated Short stories have just made it to the Booker longlist, but the 77-year-old is more than a writer — she is also an advocate and a feisty feminist who has spotlighted the cause of Muslim women through her literary and legal work. Shrinivasa M spoke to the Kannada author, whose stories have been adapted into an award-winning film as well as being featured in literary magazines like The Paris Review and The Baffler
    Q. What was your reaction to ‘Heart Lamp’ making it to the International Booker longlist? You’ve received many national awards before, but was this a surprise?
    A. For a moment, I couldn’t even grasp what our literary agent was saying. Then, as congratulatory messages poured in, the atmosphere turned festive. At first, I saw it as a personal achievement, but watching my colleagues celebrate made me realise it was a collective success. More than anything, it’s a recognition of the Kannada language, Karnataka’s rich literary heritage, and the people of India on the global stage.
    Q. Kannada literature remains under-represented internationally. What can be done to change this?
    A. Interestingly, this is the first time both Romanian and Kannada languages have been included in the Booker longlist. Though Kannada has produced diverse literary genres, its international exposure remains limited, unlike Malayalam Literature, where translations into English happen promptly. Despite the vast volume of Kannada literature published daily, less than 1% is translated. Many masterpieces remain inaccessible to international readers, and this recognition highlights the need to bridge the gap.
    Q. Your stories often challenge caste, class, and gender hierarchies. What inspired the narratives in this anthology?
    A. ‘Heart Lamp’ is the English translation of my anthology ‘Edeya Hanate.’ My inspiration comes from daily life–observing society, people, and the compelling human stories I come across in newspapers and in my practice. As an advocate who offers free mediation services, I often witness clients, especially women, sharing not just legal concerns but also their emotional struggles. During these sessions, I maintain two sets of notes–one for legal aspects and another on their personal journeys. These emotional narratives form the foundation of my creative work. Short stories come naturally to me as I feel I can effortlessly transform daily interactions into compelling narratives.
    Q. How did you choose which stories to include in this collection for international readers?
    A. The selection was a collaborative effort between my translator Deepa Bhasthi and me. She read my five anthologies, and we discussed which stories to include. Some moved and disturbed her deeply, and I honoured her choices because if a story impacts her, it will resonate globally. The injustices of male dominance and societal hierarchies exist everywhere, and women across cultures will find themselves in these stories.
Q. You were a key part of the 1970s Bandaya Sahitya movement. How did it shape your writing, and what is the relevance of the resistance movement today?
A. The Bandaya movement inspired multiple social movements, including the rights of women and Dalits. Working in Hassan, a hub of activism, I witnessed protests daily, and my work documents personal experiences of humiliation, struggle, and resistance, allowing me to reflect and find solace through storytelling. Bandaya is a mindset — It’s about resistance against societal injustice, and it remains a way of life for me. While society is not always unjust, certain periods impose rigid norms, demanding blind adherence. At such times, we must challenge these restrictions. I continue to question societal, political, and religious structures, particularly male dominance.
Q. You have strongly supported the cause of Muslim women, even braving a social boycott in 2000. Do you feel issues like the hijab have become politicised, and become, a tool to target Muslims?
A. No. In fact, a segment of Muslims has begun adopting political Islam, and we should be wary of this trend. The hijab controversy in Udupi’s schools and pre-university colleges emerged due to the political agenda of outfits like the Social Democratic Party of India (SDPI). This led to a series of actions and reactions. It is crucial to understand the sudden emphasis on the Constitution by certain groups who previously showed little interest in the matter.
Q. What is the role of literature in social change?
A. Literature has the power to influence decisions and perspectives. Recently, a Muslim woman from the coastal region sought legal advice from me. She told me that watching ‘Hasina’ –a Kannada film made by Girish Kasaravalli which is based on my story of a woman deserted by her husband after he finds her pregnant with a fourth daughter –helped her find answers to her struggles. That moment reaffirmed my belief that literature can shape lives, encourage resistance, and offer solutions.
Q. Were there any challenges in translating ‘Heart Lamp’?
A. Yes, especially due to the regional and linguistic nuances. I use Hassan dialect, colloquial Kannada, and many Urdu and Arabic words, which are difficult to translate. Deepa consulted publishers and ultimately retained many native terms. She met me multiple times for clarifications. She put in immense effort.
Q. With ‘Heart Lamp’ gaining global recognition will you write more for an international audience?
A. I have always written for myself and Kannada readers, without considering a global audience. My commitment remains to human experiences. My style and expression may evolve, but my core themes will not change.

Posted by Kamlesh Tripathi

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Who is Shiv?

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(20/2/25, SPEAKING TREE ECONOMIC TIMES)


WHO IS SHIV?
ANUP TANEJA
    When we speak of Shaivism, the question arises, ‘Who is Shiv?’ In Puranas, we come across different depictions of Shiv–benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient yogi who lives like a mendicant on Mount Kailash, and also as a householder who is married to Parvati and has two sons, Ganesh and Kartikey. In his fearsome aspect, he is depicted as the slayer of demons. As the patron God of yog, meditation and arts, Shiv is revered as Adiyogi.
Among his various representations in art, the most popular is Nataraj, the Lord of Dance. The iconographical attributes of Shiv are as the serpents adorning his neck; the crescent moon; Ganga flowing from his matted hair; the third eye on his forehead as Trilochan; the trishul, trident, as his weapon; Nandi, the bull, as his vehicle; and the damru, drum, that represents the cosmic sound of creation.
In contrast, in the inner dimension, Shiv is perceived as Neel Purush, the Blue Being. Ultimate Reality, who abides in the highest spiritual centre in the sahasrar region, the brain. In Kashmir Shaivism, the inquiry about Ultimate Reality starts not with the third person but with the first person, with Shiv ‘here’– within oneself as one’s own higher Self.
With the mind getting dissolved in consciousness, realisation dawns upon the seeker that nothing exists apart from Shiv.

Posted by Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

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TRAVELOGUE: LONDON EYE TO EIFFEL TOWER,

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    We landed at Heathrow, London, Terminal 4 at 2.30 pm London time. By the time we left the airport, it was six. The group arrived at the Holiday Inn Express Terminal 5 hotel at 7:00. Our check-in was followed by a continental dinner. The daylight in London lasted till nine. As a result, one felt one had eaten lunch instead of dinner.

    The following day, we departed for London sightseeing after an English breakfast.  We travelled to London City Centre, crossing zones 3, 2 and 1. Our travel guide was Sari, and the coach driver was Sam. We first visited the Natural History Museum, followed by the Victoria and Albert Museum. There were brick-laden houses on the way. We passed through the Piccadilly Circus, Hyde Park, Hyde Park Corner, the statue of the Duke of Wellington on his horse, the Fountain of Opera, Trafalgar Square—Nelson’s Column and its four lions, considered zero miles for London, where Bollywood movies are shot. We attended the ‘Change of Guard’ ceremony at Buckingham Palace, held every other day. It’s a royal ceremony that we were able to shoot. The royal guards change shifts in a formal ceremony, accompanied by the marching band. Next was the Big Ben, Westminster Abbey, Parliament Square and 10 Downing Street.

London Eye
West Minster Abbey

          We crossed the Thames riverfront humming an old classic, ‘Scarborough Fair’. The symbol of the two dragons, indicating you’re in London, was superb. The city of London is colloquially known as the Square Mile.

    The ‘London Eye’ (Ferris Wheel) gave a panoramic view of the city of London. It has 32 capsules. It takes 32 minutes for a circle with 32 people, reminding you of the 32 boroughs of London. One capsule represents one borough.  

London Bridge

    The next was the Phantom of the Opera, the Tower Bridge on the left of the London Bridge. We drove past the London Bridge and the fire monument of the 16th century. We also had a bite and a stroll on Oxford Street, followed by dinner at the Hot Plate Restaurant.

London Bridge

    The following morning, we were up at three to board the famous Eurostar train to Paris from St. Pancras International Station, London.  The train was at 7.01 am. We left the hotel at 4.30 in a coach to reach the station by five. The security check at the railway station was tedious because of the luggage. After security, one technically leaves the territory of the U.K. and enters Europe on a Schengen visa after immigration. Twenty minutes before departure, we were informed of our gate number. We sat in bogies 12 and 13 after walking past gate 10. Soon, the Eurostar train 9004 to Paris left platform 10 from St Pancras Railway Station. After a point, it entered Europe, leaving behind the U.K. It took 2 hours and 20 minutes to reach Paris. We were there at 10.20 am, exactly two hours and twenty minutes of travel time, but by the clock, it was three hours and twenty minutes because the continent of Europe is one hour ahead of the U.K. time. There are breathtaking tunnels under the English Channel. The train crosses them in about 35 minutes on the way to Paris-Gare-du-Nord railway station. The local tour guide in Paris was Senthil, an Indian expat. He began with a Vannakam—Tamil Namaste. The tour commenced with the Opera House and the Greek Church, rich in Greek architecture. Next was the Golden Flame and the bridge where Lady Diana died in a car accident. Then followed the Place De La Concorde, Macaline, Shawn Elizey, and the famous Eiffel Tower.

    Later, we visited Napoleon Bonaparte’s tomb in Les Invalides. At 2 pm, after lunch at ‘Welcome India’, we left for the Eiffel Tower. It was jam-packed with umpteen souvenir shops. The names of French authors Jules Verne and Victor Hugo graced many shops and public spaces in Paris. It reminded me of the statue of Sherlock Holmes in Baker Street.  It took an hour to get across the security gate and reach the summit level of the Eiffel Tower. The aerial view of Paris from there was splendid. The summit level was earlier closed. Later, they opened it. We were lucky to get the tickets. We had a drink in the Champagne bar. The Eiffel Tower has three floors: the first, the second, and the summit level. The pillar elevators and the stairs take you to the first and second levels. To reach the top of the Tower from the second level, one needs to locate a separate elevator meant for it. In the same sequence, one can come down. After beholding the Eiffel Tower, we undertook a river cruise on the Seine River.

PARIS CITY FROM IFFEL TOWER

    We reached our hotel at eight. After some free time, we drove down to ‘The Champs-Élysées’, the main street of Paris. We had a photo session there under the glittering lights. Thereafter, we went to the Eiffel Tower again. It was an amazing sight to see it lit up Eiffel Tower at eleven at night. It was the longest day of our tour—from 3 am to midnight and from London to Paris.

Written and posted by Kamlesh Tripathi

Author, Poet, & Columnist

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life-threatening diseases, especially cancer. Our posts are meant for our readers, including children and adults, and have a huge variety of content. We also accept donations for our mission. Should you wish to donate to the cause of cancer? The bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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