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LITERARY CORNER: HAMLET by William Shakespeare

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    Hamlet is Shakespeare’s longest play and is considered among the most powerful and influential works of world literature, with a story capable of being retold and adapted by others. It was one of Shakespeare’s most popular works during his lifetime and still ranks among his most performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879. It has even inspired many other writers from Johann Wolfgang Von Goethe and Charles Dickens to James Joyce and Iris Murdoch—and has been described as “the world’s most filmed story after Cinderella. Hindi film “Haider” released in 2014 is a modern day adaptation of Shakespere’s tragedy Hamlet.

    The play is divided into four acts.

Act I.

    Prince Hamlet of Denmark happens to be the main protagonist of this play. He is the son of the recently deceased or killed King Hamlet, so essentially there are two characters by the name of Hamlet in this play. Then you have King Claudius, who is Hamlet’s uncle and his father’s brother and also the successor. After the death of King Hamlet, Claudius hastily marries his widow. Her name is Gertrude, who is also Hamlet’s mother, and occupies the throne himself. The play goes on to say that the country of Denmark has a long-standing feud with the neighbouring Norway, in which King Hamlet had once killed King Fortinbras of Norway in a battle some years ago.

    Although, Denmark defeated Norway and the Norwegian throne fell to King Fortinbras’s infirm brother, Denmark does fear a retaliation led by the dead Norwegian king’s son, Prince Fortinbras, as imminent. Then the scene changes to a cold night on the ramparts of Elsinore, the Danish royal castle, where the sentries Bernardo and Marcellus discuss a ghost resembling the late King Hamlet which they have recently seen, and bring Prince Hamlet’s friend Horatio as a witness. After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed. As the court gathers the next day, while King Claudius and Queen Gertrude discuss affairs of the state with their elderly adviser Polonius, where Hamlet looks on glumly. During the court, Claudius grants permission for Polonius’s son Laertes to return to school in France and also sends envoys to inform the King of Norway about Fortinbras. Claudius scolds Hamlet for continuing to grieve over his father and refuses him permission to return to his schooling in Wittenberg. After the court adjourns, Hamlet despairs on his father’s death and his mother’s hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself.

    As Polonius’s son Laertes prepares to depart for a visit to France, Polonius decides to give him a contradictory advice that culminates in the famous ironic maxim, “to thine own self be true.” (Meaning he must think of his own benefit first). Meanwhile Polonius’s daughter, Ophelia, admits her interest in Hamlet, but Laertes warns her against seeking the prince’s attention, and Polonius orders her to reject his advances. That night on the rampart, the ghost reappears in Hamlet’s, presence telling the prince that he was murdered by Claudius, his own brother and demands that Hamlet avenge him. Hamlet agrees, and the ghost vanishes. The prince confides in Horatio and the sentries that from now on he plans to put an ‘antic disposition’ on, or act as though he has gone mad, and forces them to swear to keep his plans for revenge a secret. But privately, however, he remains uncertain of the ghost’s reliability.

Act II

    Ophelia rushes to her father, telling him that Hamlet arrived at her door the prior night half-undressed and behaving erratically. Polonius blames love for Hamlet’s madness and resolves to inform Claudius and Gertrude. But as he enters to do so, he finds the king and queen finish welcoming Rosencrantz and Guildenstern, two student acquaintances of Hamlet, at Elsinore the royal palace. The royal couple requests that the students investigate the cause of Hamlet’s mood and behaviour. In the meanwhile some additional news requires that Polonius waits further to be heard. When messengers from Norway inform Claudius that the King of Norway has rebuked Prince Fortinbras for attempting to refight his father’s battles. The forces that Fortinbras had drafted to march against Denmark will instead be sent against Poland, though they will pass through the Danish territory to get there.

    Polonius tells Claudius and Gertrude his theory regarding Hamlet’s behaviour and speaks to Hamlet in a hall of the castle to try to uncover more information. Hamlet feigns madness but subtly insults Polonius all along. When Rosencrantz and Guildenstern arrive, Hamlet greets his “friends” warmly but quickly discerns that they are spies. Hamlet becomes bitter, admitting that he is upset at his situation but refuses to give the true reason why. Instead he comments on “what a piece of work” humanity is. Rosencrantz and Guildenstern tell Hamlet that they have brought along a troupe of actors that they met while traveling to Elsinore. Hamlet, after welcoming the actors and dismissing his friends-turned-spies, asks them to deliver a soliloquy about the death of King Priam and Queen Hecuba at the climax of the Trojan War. Impressed by their delivery of speech, he plots to stage, “The Murder of Gonzago,” a play featuring a death in the style of his father’s murder (that reminds of the last song of Rishi Kapoor’s film Karz) to determine the truth of the ghost’s story, as well as Claudius’s guilt or innocence, by studying Claudius’s reaction.

Act III

    Polonius forces Ophelia to return Hamlet’s love letters and tokens of affection to the prince while he and Claudius watch from afar to evaluate Hamlet’s reaction. Hamlet is walking alone in the hall as the king and Polonius await Ophelia’s entrance, musing whether, “to be or not to be.” (The famous phrase that means to act or not to act). When Ophelia enters and tries to return Hamlet’s things, Hamlet accuses her of immodesty and cries, “get thee to a nunnery,” (give her to the whore house) though it is unclear whether this, too, is a show of madness or genuine distress. His reaction convinces Claudius that Hamlet is not mad for love. Shortly thereafter, the court assembles to watch the play that Hamlet has commissioned. In which after seeing the protagonist King being murdered by his rival by pouring poison in his ear, Claudius abruptly rises and runs away from the room. For Hamlet, this indeed is a positive proof of his uncle’s guilt.

    After which Gertrude his mother summons Hamlet to her room to demand an explanation. Meanwhile, Claudius talks to himself about the impossibility of repenting, since he still has possession of his ill-gotten goods that is his brother’s crown and his wife. He sinks to his knees in frustration. Meanwhile, Hamlet, on his way to visit his mother, sneaks up behind Claudius but does not kill him, reasoning that killing Claudius while he is praying will send him straight to heaven while his father’s ghost is still stuck in purgatory. In the queen’s bedchamber, Hamlet and Gertrude fight bitterly. Where Polonius, spies on the conversation from behind a tapestry, calls for help as Gertrude, believing Hamlet wants to kill her, also calls out for help herself.

    Hamlet, believing it is Claudius behind the tapestry, stabs wildly, but in the process he kills Polonius. He pulls aside the curtain and discovers his mistake. In a rage, Hamlet unsparingly insults his mother for her apparent ignorance of Claudius’s villainy. But just then the King Hamlet’s ghost enters and reprimands Prince Hamlet for his inaction and harsh words. Unable to see or hear the ghost herself, Gertrude takes Hamlet’s conversation with the ghost as a further evidence of his madness. After begging the queen to stop sleeping with Claudius, Hamlet leaves, dragging Polonius’s corpse away.

Act IV

    Hamlet jokes with Claudius about where he has hidden Polonius’s body, and the king, fearing for his life, sends Rosencrantz and Guildenstern to accompany Hamlet to England with a sealed letter to the English king requesting that Hamlet be executed immediately.

    Shocked by grief at Polonius’s death, Ophelia wanders aimlessly around Elsinore. Meanwhile Laertes returns from France, enraged by his father’s death and his sister’s madness. Claudius convinces Laertes that Hamlet is solely responsible for the killing, but a letter soon arrives indicating that Hamlet has returned to Denmark, foiling Claudius’s plan. Claudius switches tactics, proposing a fencing match—a sword fight between Laertes and Hamlet to settle their differences. Laertes will be given a poison-tipped sword, and Claudius will offer Hamlet poisoned wine as a congratulation if that fails. Gertrude interrupts to report that Ophelia has drowned, though it is unclear whether it was a suicide or an accident exacerbated by her madness.

    In the meanwhile Horatio receives a letter from Hamlet, explaining that the prince escaped by negotiating with pirates who attempted to attack his England-bound ship, and the friends reunite offstage. Two grave-diggers discuss Ophelia’s apparent suicide while digging her grave. Hamlet arrives with Horatio and banters with one of the grave-diggers, who unearths the skull of a court jester from Hamlet’s childhood that he loved. His name was Yorick. Hamlet picks up the skull, saying “alas, poor Yorick” as he thinks of death. Meanwhile, Ophelia’s funeral procession approaches, led by Laertes. Hamlet and Horatio initially hide, but when Hamlet realizes that Ophelia is the one being buried, he reveals himself, proclaiming his love for her. Laertes and Hamlet fight by Ophelia’s graveside, but the brawl is soon broken up.

    Back at Elsinore, Hamlet explains to Horatio that he had discovered Claudius’s letter in Rosencrantz and Guildenstern’s belongings and that he had replaced it with a forged copy indicating that his former friends should be killed instead. A foppish courtier, by the name of Osric, interrupts the conversation to deliver the fencing challenge to Hamlet. Hamlet, despite Horatio’s pleas, accepts it. Hamlet does well at first, leading the match by two hits to none, when Gertrude raises a toast to him using the poisoned glass of wine Claudius had set aside for Hamlet. Claudius tries to stop her but is too late in doing so. She drinks, and Laertes realizes the plot will now be revealed. He slashes Hamlet with his poisoned blade. In the ensuing scuffle, they switch weapons, when Hamlet wounds Laertes with his own poisoned sword.

    In the meantime Gertrude collapses exclaiming she has been poisoned, she dies. Further, in his dying moments, Laertes reconciles with Hamlet and reveals Claudius’s plan. Enraged Hamlet rushes at Claudius and kills him. Soon the poison takes effect on Hamlet. Who upon hearing that Fortinbras is marching through the area, names the Norwegian prince as his successor. Horatio, distraught at the thought of being the last survivor and living whilst Hamlet does not, says he will commit suicide by drinking the dregs of Gertrude’s poisoned wine, but Hamlet begs him to live on and tell his story. Hamlet dies in Horatio’s arms, proclaiming “the rest is silence.” Meanwhile, Fortinbras, who was ostensibly marching towards Poland with his army, arrives at the palace, along with an English ambassador bringing news of Rosencrantz and Guildenstern’s deaths. Horatio promises to recount the full story of what happened, and Fortinbras, seeing the entire Danish royal family dead, takes the crown for himself and orders a military funeral to honour Hamlet.

    In the final analysis a demon such as Claudius is sufficient to destroy the entire clan.

Synopsis by Kamlesh Tripathi

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases especially cancer. Our posts are meant for our readers that includes both children and adults and it has a huge variety in terms of content. We also accept donations for our mission. Should you wish to donate for the cause. The bank details are given below:

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GLOOM BEHIND THE SMILE

(The book is about a young cancer patient. Now archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Is a book on ‘singlehood’ about a Delhi girl now archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture, Delhi)

AADAB LUCKNOW … FOND MEMORIES

(Is a fiction written around the great city of Nawabs—Lucknow. It describes Lucknow in great detail and also talks about its Hindu-Muslim amity. That happens to be its undying characteristic. The book was launched in Lucknow International Literary Festival of 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. It was launched in Lucknow International Literary Festival 2016)

TYPICAL TALE OF AN INDIAN SALESMAN

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RHYTHM … in poems

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THE COPHETUA SYNDROME

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cophetua2

    Cophetua was an African King. He was known for lack of sexual attraction towards any woman. But one day while looking out of the palace window he witnesses a young beggar Penelophon, who was without clothes. Struck by love at first sight, Cophetua decides, that he will either have the beggar as his wife or commit suicide.

cophetua1

    Walking out into the street he scatters coins for the beggars to gather and when Penelophon comes forward, he tells her that she is to be his wife. She agrees and becomes the queen, and soon loses all trace of her former poverty and low class. The couple lives a quiet life but are much loved by their people. Eventually, they die and are buried in the same tomb.

cophetua

    Much has been written about ‘King Cophetua and the beggar maid’ in English literature by various authors and poets. To quote a few:

    In D.H. Lawrence’s novel Sons and Lover, Paul sees Miriam’s well-worn clothes as, “like the romantic rags of King Cophetua’s beggar-maid.”

    Agatha Christie uses the phrase “Cophetua syndrome” in her novel The Body in the Library, to refer to the case of an elderly upper-class Englishman who becomes infatuated with a working-class girl, albeit in a fatherly rather than sexual way. Christie also references Cophetua in her novel Crooked House.

    That brings me to the point. That a human heart is very simple and unpredictable. It can fall for anyone. In my own life I’ve see people falling to Cophetua syndrome.

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By Kamlesh Tripathi

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https://kamleshsujata.wordpress.com

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Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases. Should you wish to donate for the cause the bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

Account no: 680510110004635 (BANK OF INDIA)

IFSC code: BKID0006805

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Our publications

GLOOM BEHIND THE SMILE

(Archived in 7 prestigious libraries of the US, including, Harvard University and Library of Congress. It can also be accessed in MIT through Worldcat.org. Besides, it is also available for reading in Libraries and archives of Canada and Cancer Aid and Research Foundation Mumbai)  

ONE TO TANGO … RIA’S ODYSSEY

(Archived in Connemara Library, Chennai and Delhi Public Library, GOI, Ministry of Culture)

AADAB LUCKNOW … FOND MEMORIES

(Launched in Lucknow International Literary Festival 2014)

REFRACTIONS … FROM THE PRISM OF GOD

(Co-published by Cankids–Kidscan, a pan India NGO and Shravan Charity Mission, that works for Child cancer in India. The book is endorsed by Ms Preetha Reddy, MD Apollo Hospitals Group. Book was launched in Lucknow International Literary Festival 2016)

(CAN BE BOUGHT FROM ON LINE BOOK STORES OR WRITE TO US FOR COPIES)

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STORY: Panch prakar ke Murkh (Five varieties of Jerks)

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By Kamlesh Tripathi

murkh1 murkh2

Long time back in a far away kingdom, there lived a king who was very kind and judicious. His queen too was very intelligent, who from time to time used to advise him in matters related to law and order and day-to-day life.

One day the king was faced with a very complex issue where he wanted his queen’s advice. He was in a great hurry, and therefore without giving any advance intimation to the queen he entered her private chamber where she was closeted with some of her friends, discussing, women’s welfare related issues. And this embarrassed the queen in front of her friends, when she suddenly found the king in her chamber. She immediately conducted him to a corner and politely asked, ‘O my Murkh Lord, please tell me what can I do for you.’

The king never expected such insulting words from his queen. He felt hurt and without saying a word he went back to his castle. Naturally, he was very angry and agitated. He was not able to understand as to why the queen welcomed him with such curt words. After a little while he cooled down. But he desperately wanted to know the reason for this, as he was well versed with the sharp and intelligent mind of his queen.

The king had an intelligent minister in his court. He narrated the entire episode to him and asked for his point of view on the matter. The minister heard the king attentively and then smiled and softly said, ‘your majesty, the queen is but telling the truth, and she was addressing you only, when she said this. By entering the queen’s personal chamber without her permission you have displayed murkhata (stupidity) but you happen to be in the first category of murkhs (jerks) residing in this planet who generally harm the least. Let me also explain to you the various varieties of murkhs.

INNOCENT MURKH- 1st type

‘Your majesty the first category of murkhs are those who go uninvited and without informing to any gathering or a crowd, and after reaching there they just stand quiet in a corner like a pillar and this embarrasses rest of the crowd. But they don’t harm anyone. You happen to be in this category.’

MURKH WHO CREATE HURDLES- 2nd type

Second category of murkhs are those who on being invited by their friends often disrespect and overlook their politeness and hospitality and indulge in discussing such topics where they have poor knowledge and embarrass their hosts. This creates awkward situations. But the host is not able to turn the murkh out because he is a friend.

Such murkhs are more damaging than the previous variety, but not dangerous.

POPULAR MURKH -3rd type

Third category of murkhs are those who always argue and try to showcase their poor knowledge without realising they are becoming a laughing stock. Such murkhs are indifferent to the hollowness of their conversation and they waste everyone’s time including their own. Such murkhs are famous because they neither learn anything nor do they forget anything.

DREADED MURKH -4th type

Dreaded murkhs are intelligent but incorrigible who pride upon themselves and always find fault with others while in a conversation. They ridicule everything and everyone, just to show how intelligent they are. They attract everyone with their intelligence but soon they start opposing and sit in judgement, such murkhs are very dangerous.’

After explaining all the four types of murkhs the Minister further added. ‘That is why your majesty; her majesty the queen amongst all categories of murkh has indicated towards the category you belong to.’

Now the king understood what the queen meant, though his respect for the queen remained intact in his heart, but he still had a doubt in his mind, and so he asked the minister in a mischievous tone, ‘where you and the queen have rated me murkh of the 1st type, may I also know which type of murkh you and the queen are?’

‘Sure’ said the minister with a twinkle in his eyes, ‘I can’t say about the queen but I’m the fifth type of murkh because I’m in your company.

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SHORT STORY: KING CHITRAKETU

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chitraketu 2
chitraketu

THE STORY OF KING CHITRAKETU

    Once upon a time there lived a very eminent king by the name of Chitraketu. He had many wives but no children. One day, Maharishi Angiraj landed up in his Raj-Bhawan. With his spiritual powers he deciphered, Chitraketu was very unhappy and even desperate for a child. So, he decided to perform a yagya to help his queen conceive. After the yagya was over he handed over the leftovers to the eldest queen Kritdhuti as blessings and decided to leave. While leaving, Maharishi Angiraj said—‘Hey Rajan! You will soon be blessed with a son but he will be the reason for both your happiness and sorrow.’

    Maharani Kritdhuti was soon pregnant and at the opportune moment, the king was blessed with a son. With this Maharaj Chitraketu’s happiness knew no bounds. The whole kingdom was under celebrations, as after remaining issue less for such a long time, Maharaj Chitraketu was finally blessed with a child. Therefore, his love for the new born prince was boundless and was oozing all over his persona. Further, just to be in the company of his newly born child the king started spending more time at the residence of his eldest queen Kritdhuti. He once again started loving her immensely for having given birth to the baby boy. This resulted in the neglect of his other wives by the king himself, who now started feeling demoralised and even jealous of the eldest queen Kritdhuti. Soon, the situation aggravated to such a level that the younger queens lost their noble senses. The main reason for that was the king’s neglect because of the newly born child.

    This led to a drastic consequence when all the neglected wives of the king consented to quietly poison the child and soon he died. Upon realising, the mammoth tragedy that had struck both the king and his Maharani Kritdhuti, Maharaj Chitraketu fell unconscious, next to the body of their child like an uprooted tree. The entire kingdom was now in a pall of gloom.

    When, amid the cloud of sorrow and wail, two distinguished personalities arrived in the Raj Bhawan. Maharishi Angiraj this time was accompanied by Devrishi Narad. Upon coming to know of the tragedy, Maharishi Angiraj said to the king—‘Rajan (king) you are a great devotee of Brahmins and God. So, I was happy with you, and because of that I had come to you earlier, thinking, I would teach you the prowess to attain God’s darshan. But since it was written on your face that you desperately wanted a child, I instead, gave you a child as a blessing. Now that you have suffered the tragedy of losing your son, and there isn’t a tragedy, bigger than this, you would have known by now, that this world is a place, filled with sadness.’

    King Chitraketu was still in mourning. He therefore could not understand the essence of Maharishi’s address. But he was spellbound at the sight of them. Devrishi Narad who was accompanying Angiraj could understand that, Chitraketu’s intense love for his child will not go like this. So using his divya-shakti (divine-power) he attracted the soul of the child and as it came he said—‘See my son! They are your parents and they are mourning for you. So please get into your body, to make them happy and start enjoying the royal life, as the son of the king.’ And, after this, everyone out there, clearly heard what the soul of the child had to say

    ‘Devrishi they are my parents of which life? A soul does not have any parents, brothers or friends. Many a times I was their father and many times they were mine. Many a times they were my friends and even enemies. All these relations are because of your mortal body and as you leave your mortal remains behind, you also leave behind your relations. And then, everyone is all by himself and has to suffer, as per his karmas.’

    The soul, after saying all this vanished from the scene. King Chtiraketu’s deep affection for his son after hearing the conversation started waning. After cremating him, with a fresh and sombre mind he appeared in front of Devrishi and Maharishi. Devrishi Narad, then gave instructions to commence the prayers and the puja of Lord Shesh Narayan, and with that, King Chitraketu got his darshan and soon he started on a long pursuit of spiritual knowledge and became a big scholar and was ranked as a Vidyadhar.

    The story is from our mythology and gives a very bold message. That beyond your mortal life it is only your karmas that go with you and you are all alone after death. So, always insist on doing good deeds.

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Translated by Kamlesh Tripathi

Shravan Charity Mission is an NGO that works for poor children suffering from life threatening diseases. Should you wish to contribute for the cause the bank details are given below:

NAME OF ACCOUNT: SHRAVAN CHARITY MISSION

         Account no: 680510110004635 (BANK OF INDIA)

         IFSC code: BKID0006805

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