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LETTER OF GURUDEV RABINDRANATH TAGORE: SHAZADPUR JULY 1891

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SHAZADPUR JULY 1891

    There is another boat at this landing-place and on the shore in front of it a crowd of village women. Some are evidently embarking on a journey and the others seeing them off; infants, veils, and grey hairs are all mixed up in the gathering.

    One girl in particular attracts my attention. She must be about eleven or twelve; but buxom and sturdy, she might pass for fourteen or fifteen. She has a winsome face—very dark, but very pretty. Her hair is cut short like a boy’s, which well becomes her simple, frank, and alert expression. She has a child in her arms and is staring at me with unabashed curiosity, and certainly no lack of straightforwardness or intelligence in her glance. Her half-boyish, half-girlish manner is singularly  attractive—a novel blend of masculine nonchalance and feminine charm. I had no idea there were such types among our village women in Bengal.

    None of this family, apparently, is troubled with too much bashfulness. One of them has unfastened hair in the sun and is combing it out with her ringers, while conversing about their domestic affairs at the top of her voice with another, on board. I gather she has no other children except a girl, a foolish creature who knows neither how to behave or talk, nor even the difference between kin and stranger. I also learn that Gopal’s son-in-law has turned out a neér-do-well, and that his daughter refuses to go to her husband.

    When, at length, it was time to start, they escorted my short-haired damsel, with plump shapely arms, her golden bangles and her guileless, radiant face, into the boat. I could divine that she is returning from her father’s to her husband’s home. They all stood there, following the boat with their gaze as it cast off, one or two wiping their eyes with the loose end of their saris. A little girl, with her hair tightly tied into a knot, clung to the neck of an older woman and silently wept on her shoulder. Perhaps, she was losing a darling Didimani who joined in her doll games and also slapped her when she was naughty …

    The quiet floating away of a boat on the stream seems to add to the pathos of a separation—it is so like death—the departing one lost to sight, those left behind returning to their daily life, wiping their eyes. True, the pang lasts but a while, and is perhaps already wearing of both in those who have gone and those who remain,–pain being temporary, oblivion permanent. But none the less it is not the forgetting, but the pain which is true; and every now and then, in separation or in death, we realise how terribly true.

Posted by Kamlesh Tripathi

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